Previs supervisor Todd Constantine talks previsualization of earthquakes, tsunamis and bursting dams on the hit disaster movie ‘San Andreas.’
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Konstantin Bronzit’s ‘We Can’t Live Without Cosmos’ wins Cristal award for best short film at the 39th Annecy International Animated Film Festival, while Franck Ekinci and Christian Desmares’ ‘April and the Extraordinary World’ awarded Cristal for best feature film.
Six years in development, one of Pixar’s most anticipated and important films in years hits U.S. theatres.
Tefft Smith II discusses the extensive use of pitchvis, previs, techvis and postvis on Brad Bird’s new fantasy adventure.
Supervisor Gerardo Ramirez discusses key facets of The Third Floor’s previs, postvis and techvis efforts on Marvel’s latest superhero blockbuster.
Helping bring all the mayhem and madness of ‘Mad Max: Fury Road’ to the screen was Iloura’s Sydney studio, led by VFX supervisor Tom Wood. With two major sequences – a toxic sandstorm and evil warlord Immortan Joe’s stronghold, The Citadel – plus hundreds of stunts and vehicle crashes to contend with, Iloura was involved in more than 1,700 VFX shots. Here’s a selection of some of their great work on the film.
Iloura’s VFX supervisor tackles the effects for George Miller’s iconic post-apocalyptic adrenaline-filled feature, including a toxic sandstorm and evil warlord Immortan Joe’s stronghold, The Citadel.
The prolific voice of SpongeBob SquarePants riffs on the second box office hit from Nickelodeon’s improbably successful animated cartoon franchise.
The Oscar-winning director of ‘For the Birds’ discusses his work as production designer on Pixar’s upcoming animated feature.
Entering retirement, humility and grace continue to define the FMX Conference founder and creator of the world-renowned Animationinstitut in Baden-Wuerttemberg.
Five Supinfocom students teach us a lesson about animated gags using stylized photo-real characters who don’t speak or change expressions.
Indie animation king Bill Plympton and underground cartoonist Jim Lujan discuss their new feature collaboration coming in 2016.
The veteran Pixar producer discusses the dynamic working alongside director Pete Docter on the studio’s long awaited feature.
The Adult Swim series creator and executive producer discuss their “process” as Season Three at America’s worst college begins.
Chuck Peil, co-founder of Reel FX, talks about his studio’s evolution from animation and visual effects service house to mainstream animated feature film studio, the recently released ‘The Book of Life’ and more as part of AWN’s series of exclusive video interviews from FMX 2014.
The veteran DreamWorks Animation director discusses the film’s eight-year journey from children’s book to big screen.
The New York indie animator riffs on her struggles with depression, film financing, gender bias and the challenges of making her first feature film.