| Article | VFX Oscar Bakeoff 2009: The Dance of the Superheroes |
| Article | Videogame Cinematics: Getting More Cinematic |
| Article | On the Set with Coraline: Where the Motion Doesn't Stop |
| Article | Animation Goes 3-D |
| Article | Israeli Animation: Raising Expectations |
| Article | Bedtime Stories: Sandler-Style Spectacle |
| Article | Australia: Sweeping VFX for a Luhrmann Epic |
| Article | RockNRolla: Slyly VFX'ing the Streets of London |
| Article | Changeling: VFX as 'Peripheral Imagery' |
| Article | Eagle Eye: Rendering with Arnold |
| Article | Tomb of the Dragon Emperor: Cracking the 'Under Mummy' |
| Article | The X-Files: I Want to Believe in Frosty |
| Article | Transitioning from VFX to Directing |
| Article | Music Video VFX Riffing |
| Article | Shyamalan Goes for More Gore in The Happening |
| Article | Iron Man: Armed and Animated |
| Article | The Forbidden Kingdom: VFX and the Chi Energy Effect |
| Article | Doomsday: A VFX Cure for the Reaper Virus |
| Article | Jumper: Using VFX to Disrupt Space and Time |
| Article | The Eye: A Fresh VFX Transplant |
| Article | Brad Herman: The Craft of Creating Crowd Effects |
| Article | AVP-R: The Strause Brothers Strike Back |
| Article | The Mist: Guerilla Warfare, VFX-Style |
| Article | Refining VFX on Returning TV Series |
| Article | Problem Solving With Previs |
| Article | Glasses Required: The 3-D Effects on CG Pipelines |
| Article | Evan Almighty: Choreographing CG Water of Biblical Proportions |
| Article | Fantastic 4: Weta Gives Rise to the Silver Surfer |
| Article | The Impact of 300: More Stylized VFX? |
| Article | Next: Flex Time for VFX |
| Article | The Reaping: Revisiting the Plagues in 3D |
| Article | Blades of Glory: A CG Ice Capades |
| Article | The Astronaut Farmer: VFX From Outer Space |
| Article | Oscar Nominees Discuss Pirates, Poseidon and Superman Returns |
