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| Article | Deja Vu: Time Tripping to New VFX Heights |
| Article | Super Bowl of Ads 2006 |
| News | The Grudge 2 Takes Minimalist Approach to VFX |
| Article | Rome Season 2: Where Less is More VFX |
| Article | Pan's Labyrinth: Partnering to Make Fantasy VFX a Reality |
| Article | Curse of the Golden Flower: The Sweet Smell of Epic VFX |
| Article | Snakes on a Plane: Venomous VFX |
| Article | Eureka: Finding New Possibilities for TV VFX |
| Article | X-Men: The Last VFX Stand |
| Article | Cracking Da Vinci Code’s Crafty VFX |
| Article | The Shaggy Dog: Tippett Studio Barks Up VFX |
| Article | Aquamarine: Going Down Under For Mermaid VFX |
| Article | The Rapidly Growing World of Indie Previs |
| Article | Battlestar Galactica: Season 2 — Bigger, Bolder, Feature Style VFX |
| Article | Navigating The Triangle for Efficient VFX |
| Article | Jarhead: Winning The Invisible VFX War |
| Article | Saw II: Horror VFX Cut to the C.O.R.E. |
| Article | The Fog Returns — This Time in CG |
| Article | Rome: Building a VFX Bridge Between Features and TV |
| Article | Captain Scarlet: From Puppets to Pixels |
| Article | Fantastic Four: Marvel’s Original Dysfunctional Family |
| Article | Shark Boy and Lava Girl: Back to 3D |
| Article | House of Wax: A Real Scream for Photon VFX |
| Article | Doing the Kung Fu Hustle with Tommy Tom |
| Article | The Ring Two: Creeped Out with More VFX |
| Article | Laffey Branches Out with X-Games Spec Spot |
| Article | Battlestar Galactica Re Deux |
| Article | Racing Stripes: Where VFX Artists Play Dr. Dolittle |
| Article | The Art of CG Knife Throwing in House of Flying Daggers |
| Article | Farscape: The Peacekeeper Wars: Ceremonious Resurrection as Miniseries |
