| Article | Tippett Takes the Long View on VES Pioneer Award |
| Article | RenderMan@20: Ed Catmull and Dana Batali Reflect On Pixar's Killer App |
| Article | Otherworldly Concept Designs of Ryan Church |
| Article | What’s New in Shrek 2? |
| Article | Twilight: A New Take on Vampire VFX |
| Article | “Moving Storyboards” Take On New Dimensions: Previs for Animated Features |
| Article | MPC LA: Growing the Core VFX Business |
| Article | Bonner Medalist Kimball Takes the Long View |
| Article | The Uninvited Comes to CIS Vancouver |
| Article | Valkyrie: Achieving Digital Minimalism |
| Article | Director Kenan Shines a Light on City of Ember |
| Article | Beverly Hills Chihuahua: Tippett's Chattering Class of Pooches |
| Article | Maya@10: Tureski Marks the Milestones |
| Article | Star Wars: The Force Unleashed -- LucasArts Goes Next-Gen |
| Article | SIGGRAPH '08: What the Tech Papers Reveal About the State of CGI |
| Article | Animator Davis Wrangles Golden Bots in Hellboy II |
| Article | Mark Stetson Steps Up To Meet Dave |
| Article | Michael Holzl Tackles The Incredible Hulk |
| Article | Riding with Woody and Buzz |
| Article | David O'Reilly: The 'Wrist' Behind Son of Rambow |
| Article | Alvin and the Chipmunks: A Critter Christmas |
| Article | Shrek the Halls: The Green Ogre Dons a Red Santa Suit |
| Article | Enchanted: Conjuring Fairytale VFX |
| Article | The Number 23: Painterly VFX to Creep Us Out |
| Article | Happily N'ever After: John H. Williams' Return to Farcical Fairy Tales |
| Article | Flags of Our Fathers: Making War With VFX |
| Article | Smallville: Greater Superpowers From Entity FX |
| Article | Updating The Wicker Man with Blazing CG |
| Article | Friends With Money: VFX for a Non-Effects Film |
| Article | Imageworks Goes Retro Sci-Fi With Zathura
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| Article | Brevig and Bay Reunite on The Island |
| Article | IPAX: When Teachers Join the Crew |
| Article | Blurring the Lines at Blur with Animated Shorts |
| Article | Honoring Bob Abel: VES Bestows First George Méliés Pioneer Award |
| Article | The Prevised Pitch: How Yeatman Got to Direct G-Force |
| Article | Lemony Snicket’s A Series of Unfortunate Events: `Fellini for the Family’ |
| Article | Flying The Virtual Skies in The Aviator |
| Article | Sony Imageworks' Tim Sarnoff Shares His Three-Pronged Approach to 3D |
| Article | Diving Into the Digital Deep End With Shark Tale’s Rafferty |
| Article | Father of the Pride: Trans-Pacific CGI |
