UNICEF and Animation 

The UNICEF mandate to articulate and communicate the rights of every child... is urgent and necessary. Millions of children in communities all over the world can grow into a healthier better educated individuals if these rights are respected and protected.

Animation has now become a vital tool at UNICEF. Unlike any other medium, animation has universal appeal. It is quick and to the point. It can cross gender, age and cultural barriers. As well as communicating health messages, animated characters can provide role models that alter children's lives for the better by changing perceptions or teaching tolerance.

The active involvement of UNICEF in the world of animation came in 1990, when it hosted an Animation for Development Workshop in Prague. Representatives from UNICEF country offices met with animators from around the world to exchange ideas and experience, and consider the role that animation could play in conveying life-saving messages. The workshop was successful not only in convincing both UNICEF staff and industry leaders that animated film for development was a good idea, but it also started the ball rolling on several UNICEF animation initiatives.

In November 1994, UNICEF, with the help of Walt Disney Feature Animation, hosted its Second Animation for Development Workshop and Summit in Orlando, Florida. Over 62 countries were represented at the workshop, bringing more than 200 industry leaders, animators and UNICEF staff together to develop creative approaches to solving the everyday problems of children.

In a very short period of time, animation projects at UNICEF have exploded. World-class animators and leading production companies are working with UNICEF on a broad range of initiatives, while animators from developing countries are being trained by their counterparts in the industrialized world. Animation is being used to inform, to educate and to change behavior. Long-lasting alliances are being built and co-production partnerships being formed that will tackle the problems of children into the next century.

  • Through the International Animation Consortium for Child Rights, a global group made up of top animation studios, animators and distributors are producing 30-second features created by animators from industrialized and developing countries to raise awareness of children's rights. Studios that join the Consortium are donating staff and services for production. The goal of the International Animation Consortium is to coordinate all aspects of production to ensure close collaboration leading to a unique and effective campaign. The vision of the individual producers is extremely important to the project. By using animation talent throughout the world, diversity of style and content is being ensured.
  • The UNICEF animated character Meena, her family and her pet bird Mithu have won the hearts of children and adults all over South Asia. Throughout a 12-part series, Meena manages to find practical solutions to problems of gender discrimination such as receiving less education and less food than boys. Meena is produced by UNICEF in South Asia in collaboration with animator Ram Mohan of Bombay and Hanna-Barbera subsidiary Fil-Cartoons, in Manila.
  • Maximo, the talking toucan, is the master of ceremonies who introduces each episode in a series of 10 short animated films for the Andean region on topics such as immunization, oral rehydration therapy and vitamin A deficiency. The recently completed series, was developed in Ecuador with the help of Walt Disney Feature Animation and the local animation company Cinearte. The project aims to expand its reach to the entire Latin American region.
  • The success of Meena and Maximo has inspired another major regional animation initiatives. An animated series on gender discrimination in eastern and southern Africa called Sara is currently being undertaken. The series deals with problems girls face in the region, including employment exploitation, homelessness, lack of access to education, sexual abuse, teen pregnancy and HIV AIDS.
  • Animation is being used extensively in the Caribbean to promote safe motherhood, AIDS awareness, early childhood development and other life skills themes. Broadcasters have worked in partnership with UNICEF and animators to ensure that these spots and short features get maximum air time. The spots and features are also used in schools throughout the region.
  • We hope that the use of animation to communicate on social and health issues will continue to flourish as we move beyond the year 2000. It is our hope that as life-saving messages are increasingly disseminated using this exciting and accessible medium of communication, the number of childhood deaths from preventable causes will continue to decrease.

  Prague Animation Workshop

 Orlando Animation Workshop

Orlando Animation Workshop

 International Animation Consortium for Child Rights

Meena

 Maximo

 Sara

 Carabbean Animation

 


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