Renowned drawing instructor Glenn Vilppu continues with his third installment discussing correctly creating space while sketching on location.
Janet Ginsburg reveals the subtle timing of when an agent is needed and when an agent might hinder getting that job.
Everyone knows a great pitch starts with a great series concept, but in addition to that what do executives like to see? Five top executives from major networks give us an idea of what makes them sit up and take notice...
Part of the trick of getting hired is knowing where to be seen by the recruiters. We asked several studios about the top resources they turn to first.
Here at Animation World Network we frequently hear from folks who want to start in animation from their home town. While we don't claim that animation exists in every corner of the globe, here are a few suggestions to seek out what is in your area.
Renowned drawing instructor Glenn Vilppu continues with his second installment discussing techniques for sketching on location.
Renowned drawing instructor Glenn Vilppu begins a new series of articles that discuss sketching on location.
Larry Lauria touches base with DreamWorks' Frank Gladstone to learn the latest on what studios expect to see in portfolios.
Before signing up for training and signing that check there are several key facts that you need to know. Larry Lauria explains.
Brand new in town with the dream of becoming a voice actor and no clue as to whom to call? Gregory Singer will give you a few ideas in this getting started 101.
One of the most important things about being an animator is being able to notice physical and emotional actions in people. Animation Foundation have some thoughts on how you can do this.
From television and feature film to motion-capture and voice actors, Judy Lieff addresses acting and performance as it relates to the professional animator and his training.
Renowned drawing instructor Glenn Vilppu offers the eleventh installment in his bi-monthly Animation World Magazine online drawing course. In this chapter, he discusses the utilization of direct lighting.
Students of animation often forget the difference between setting keyframes and animating. Learn how to create animation with life-like motion and emotion.
Renowned drawing instructor Glenn Vilppu offers the tenth installment in his bi-monthly Animation World Magazine online drawing course. In this chapter, he begins to discuss three distinct methods of using tone.
Donald Alan Siegal, accomplished writer and producer of songs, music and story, discusses the proper way of using musical numbers in animated features.
Renowned drawing instructor Glenn Vilppu offers the ninth installment in his bi-monthly Animation World Magazine online drawing course.
We complete our quest to rid ourselves of smeared and torn exposure sheets through the nifty use of our computers...
Every month, we'll cover a different aspect of using your computer as a tool to help you in the cel animation process...
No more eraser smeared torn up exposure sheets. Making a spiffy electronic exposure sheet template is a piece of cake...
What are the "do's" and "don'ts" of becoming a voice actor? We asked producers, directors, and casting and voice directors for their input.
Renowned drawing instructor Glenn Vilppu offers the eigth installment in his bi-monthly Animation World Magazine online drawing course.
Description: Want a professional looking script and don't know where to start? Paul T. Abramson and David D. Williamson offer us the formatting basics of what makes a good "reading" script.
Renowned drawing instructor Glenn Vilppu offers the seventhinstallment in his bi-monthly Animation World Magazine online drawingcourse.