Taking the Computer out of Computer Animation
Students of animation often forget the difference between setting keyframes and animating. Learn how to create animation with life-like motion and emotion.
Students of animation often forget the difference between setting keyframes and animating. Learn how to create animation with life-like motion and emotion.
Renowned drawing instructor Glenn Vilppu offers the tenth installment in his bi-monthly Animation World Magazine online drawing course. In this chapter, he begins to discuss three distinct methods of using tone.
Donald Alan Siegal, accomplished writer and producer of songs, music and story, discusses the proper way of using musical numbers in animated features.
Renowned drawing instructor Glenn Vilppu offers the ninth installment in his bi-monthly Animation World Magazine online drawing course.
We complete our quest to rid ourselves of smeared and torn exposure sheets through the nifty use of our computers...
Every month, we'll cover a different aspect of using your computer as a tool to help you in the cel animation process...
No more eraser smeared torn up exposure sheets. Making a spiffy electronic exposure sheet template is a piece of cake...
What are the "do's" and "don'ts" of becoming a voice actor? We asked producers, directors, and casting and voice directors for their input.
Renowned drawing instructor Glenn Vilppu offers the eigth installment in his bi-monthly Animation World Magazine online drawing course.
Description: Want a professional looking script and don't know where to start? Paul T. Abramson and David D. Williamson offer us the formatting basics of what makes a good "reading" script.
Renowned drawing instructor Glenn Vilppu offers the seventhinstallment in his bi-monthly Animation World Magazine online drawingcourse.
Renowned drawing instructor Glenn Vilppu offers the sixth installment in his bi-monthly Animation World Magazine online drawing course.
Renowned drawing instructor Glenn Vilppu offers the fifth installment in his bi-monthly Animation World Magazine online drawing course.
Zahra Dowlatabadi takes a look at where the jobs will be in 1999 by examining the health of several major players in the feature, computer graphics (CGI), television and direct-to-video animation markets.
Contrary to popular belief, the Internet and kids are made for each other. Ted Pedersen & Francis Moss take us into the world of the post-television generation.
Renowned drawing instructor Glenn Vilppu offers the third installment in his bi-monthly Animation World Magazine online drawing course.
Compositing 3D elements into live-action footage is a very important facet of post-production. Bill Fleming instructs us on how to get it just right.
Glenn Vilppu continues his world-class life drawing lessons. This month the focus is on Spherical Forms.
Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. See what Students have to say.
Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. See what Industry Reps have to say.
Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. See what Educators have to say.
Animation World Magazine's annual Jobs & Education issue includes a survey of pointed questions taking a look at the relationship between educators, industry representatives and students. School profiles are included.
Renowned drawing instructor Glenn Vilppu offers the first installment in his new bi-monthly Animation World Magazine online drawing course.
How does one build an armature from scratch and end up with a professional foam puppet? Tom Brierton is here to take us through the steps and offer advice.
Educators Amy Kravitz, Roger Noake and Rolf Bhler offer points of view regarding the student dilemma of choosing a direction for thesis films.