Supervisor Gerardo Ramirez discusses key facets of The Third Floor’s previs, postvis and techvis efforts on Marvel’s latest superhero blockbuster.
Adobe plans to integrate Mixamo’s technology into Photoshop so designers can more easily create, customize, manipulate, rig and animate 3D objects.
Helping bring all the mayhem and madness of ‘Mad Max: Fury Road’ to the screen was Iloura’s Sydney studio, led by VFX supervisor Tom Wood. With two major sequences – a toxic sandstorm and evil warlord Immortan Joe’s stronghold, The Citadel – plus hundreds of stunts and vehicle crashes to contend with, Iloura was involved in more than 1,700 VFX shots. Here’s a selection of some of their great work on the film.
Iloura’s VFX supervisor tackles the effects for George Miller’s iconic post-apocalyptic adrenaline-filled feature, including a toxic sandstorm and evil warlord Immortan Joe’s stronghold, The Citadel.
Free update with Autodesk 3ds Max 2016 compatibility adds VR rendering capabilities and multiple V-Ray RT GPU enhancements including improved volume rendering, distributed rendering, and global illumination.
Lola VFX supervisor Trent Claus talks about capturing Paul Bettany’s performance as Vision in Marvel’s latest blockbuster movie.
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
Industrial Light & Magic helps Iron Man handle The Incredible Hulk with a new armoured suit in Marvel’s ‘Avengers: Age of Ultron.’
Swedish VFX and animation studio Fido creates hundreds of 80s-tinged VFX shots with everything from green screen compositing to characters riding atop a Tyrannosaurus Rex for David Sandberg’s ‘Kung Fury.’
First unveiled at FMX 2015 by Chaos Group’s Christopher Nichols, Digital Emily 2 is now available to everyone as a free download for any non-commercial use.
Latest Anime Studio release streamlines animation production for studios and professionals with frame-by-frame design and raster-like characteristics with natural freehand drawing and painting for more life-like results.
Led by David Sheldon-Hicks and Nick Glover, creative directorial team set to deliver effects for ‘Agent 47,’ Ridley Scott’s ‘The Martian’ and ‘Mission Impossible 5.’
Academy Award-Winning digital production studio Digital Domain teams with immersive technology provider to form new joint venture aimed at creating cutting-edge interactive experiences.
A suite of image generators and 2.5D creative tools designed for compositors, licenses for Escher 1.2 for Nuke start at $499.
Network’s first virtual reality experience, ‘The Virtual Brainload,’ created in partnership with WEVR, now available exclusively on Google Play.
‘My 360’ series transports viewers behind-the-scenes for a fully immersive view of the lives of famous athletes, musicians and YouTube stars.
Private U.K. equity firm HgCapital to assume majority ownership from The Carlyle Group in a deal valued at $312 million.
Latest version of The Foundry’s 3D content creation solution delivers innovative new features, accelerated performance and powerful enhancements to the core MODO toolset.
Led by VFX supervisor Eddie Robison, interactive marketing agency leverages Blackmagic Design’s Fusion Studio to deliver complex CG environments and more for NBC’s long-running fantasy series.
Nominations for the second annual Pipeline Awards to recognize excellence in pipeline tool development, integration, engineering and usage are due by July 6, 2015.