Adobe announces the availability of Adobe Anywhere for video, initially previewed in April 2013 at the National Association of Broadcasters trade show.
VFX house Nvizible announces the company’s involvement with UK sci-fi feature, Our Robot Overlords, starring Gillian Anderson and Sir Ben Kingsley.
Shotgun Software’s web-based production management platform, Shotgun, keeps Paris-based animation studio Illumination Mac Guff on track for the 3D summer family film, Despicable Me 2.
After the success of Polita with Polish audiences, Platige plans to bring its 3D stage technology to Broadway.
Toon Boom Animation announces the release of Toon Boom Animate 3 and Toon Boom Animate Pro 3, offering the most comprehensive set of features to professional animators in one package.
eyeon Software announces the shipping release of their latest solution to drive production efficiencies and productivity, EPP.
Audiomotion Studios deployed a record number of Vicon cameras to capture hundreds of stunt moves which were later transformed into thousands of zombies for Paramount Pictures' World War Z.
This year’s SIGGRAPH Business Symposium to focus on disruption and innovation within the film and game industries with a series of talks, workshops and panels.
Now in its second year, the SIGGRAPH Mobile program presents the latest advances in mobile technologies, graphics, and apps with talks, workshops, panels, and demonstrations with mobile innovators from around the world.
Uncharted Territory stepped up its management skills for Roland Emmerich's latest terrorist action/adventure.
Toon Boom Animation announces a reorganization of its product line with Animate 3, ideal for for frame-by-frame animation, and Animate Pro 3, ideal for cut-out rigging animation.
Practical effects company 32TEN Studios expands its capabilities with the installation of a ventilated paint booth, 10 x 15-foot green screen, and a PROJECT HD 3000 3D printing system.
IncrediBuild, an all-in-one solution, allows faster development time and reduction in build time for all game consoles.
Pixar Animation announces the release of RenderMan Pro Server 18, setting a new standard in rendering technology.
Cinesite VFX Supervisor Matt Johnson tells a tale of two “digital” cities in recreating key environments for Marc Forster’s new zombie film.
Cinedigm is now using Aspera’s high-speed fasp technology for digital content deliveries to all of its partner distribution platforms.
VFX production supervisor John "DJ" DesJardin discusses the secrets behind Zack Snyder's blockbuster reboot.
Japan’s Polygon Pictures announces the establishment of J Cube Inc. (J³), a new computer graphics R&D service and consulting agency established to take the group to the next level of technological innovation.
SIGGRAPH announces Real-Time Live!, a fast-paced, 90-minute show of cutting-edge, aesthetically stimulating real-time work at the 2013 Computer Animation Festival.
The Pixar senior scientist and lighting expert discusses the studio’s new physically-based lighting system, Global Illumination.
The Toronto ACM SIGGRAPH Professional Chapter announces its website launch and debut screening of the SIGGRAPH 2012 Computer Animation Festival Electronic Theater Program.
ZYNC announces their public availability, allowing access to computing resources and software licenses with simple pay-as-you-go hourly pricing.