SIGGRAPH 2013 announces the new Exhibits Fast Forward session, featuring one-minute highlights from participating exhibitors, on Monday, July 22, starting at 3:45 p.m.
MPC standardizes on Tweak Software's RV for playback and review across its feature film VFX facilities, in addition to selecting RV as the underlying platform for MPC's new proprietary ReviewTool VFX editing software.
HP announces that DreamWorks Animation used HP technology to develop cutting-edge animation for its latest film, Turbo.
AWN teams up with Caustic to host a giveaway this week on Twitter, with one lucky winner to receive a copy of the company’s popular ray-tracing software plug-in, Caustic Visualizer.
Side Effects Software announces the Houdini Engine, which allows for deep integration of Houdini technology into a wide variety of Digital Content Creation tools.
VFX company Tippett forms a partnership with visual technology group Pixelux Entertainment to supply and license Hollywood-style original and creature animations for the Efexio special effects marketplace with the creation of an exclusive “Tippett Creature Shop,” featuring downloadable quality animations of creatures.
Adobe announces the availability of Adobe Anywhere for video, initially previewed in April 2013 at the National Association of Broadcasters trade show.
VFX house Nvizible announces the company’s involvement with UK sci-fi feature, Our Robot Overlords, starring Gillian Anderson and Sir Ben Kingsley.
Shotgun Software’s web-based production management platform, Shotgun, keeps Paris-based animation studio Illumination Mac Guff on track for the 3D summer family film, Despicable Me 2.
After the success of Polita with Polish audiences, Platige plans to bring its 3D stage technology to Broadway.
Toon Boom Animation announces the release of Toon Boom Animate 3 and Toon Boom Animate Pro 3, offering the most comprehensive set of features to professional animators in one package.
eyeon Software announces the shipping release of their latest solution to drive production efficiencies and productivity, EPP.
Audiomotion Studios deployed a record number of Vicon cameras to capture hundreds of stunt moves which were later transformed into thousands of zombies for Paramount Pictures' World War Z.
This year’s SIGGRAPH Business Symposium to focus on disruption and innovation within the film and game industries with a series of talks, workshops and panels.
Now in its second year, the SIGGRAPH Mobile program presents the latest advances in mobile technologies, graphics, and apps with talks, workshops, panels, and demonstrations with mobile innovators from around the world.
Uncharted Territory stepped up its management skills for Roland Emmerich's latest terrorist action/adventure.
Toon Boom Animation announces a reorganization of its product line with Animate 3, ideal for for frame-by-frame animation, and Animate Pro 3, ideal for cut-out rigging animation.
Practical effects company 32TEN Studios expands its capabilities with the installation of a ventilated paint booth, 10 x 15-foot green screen, and a PROJECT HD 3000 3D printing system.
IncrediBuild, an all-in-one solution, allows faster development time and reduction in build time for all game consoles.
Pixar Animation announces the release of RenderMan Pro Server 18, setting a new standard in rendering technology.
Cinesite VFX Supervisor Matt Johnson tells a tale of two “digital” cities in recreating key environments for Marc Forster’s new zombie film.
Cinedigm is now using Aspera’s high-speed fasp technology for digital content deliveries to all of its partner distribution platforms.