Digital production technology is moving so quickly that it is hard for even 15-year computer animation veteran, John C. Donkin to predict. But here he hazards a guess at areas soon to be revolutionized.
Judith Rubin explains how the growing network of large-format3D theaters and an expanding range of digital production tools is openingthe door for computer animation in the large-format film industry.
From Korea to India and from digital ink and paint to motioncapture, Milt Vallas discusses the introduction of digital technology intothe animation production process of Asian studios.
The first animation series to be entirely produced and aired in the same day is here, Le JourNul de Franis Pusse,care of motion capture, key framing and KliK Animation. Heather Kenyontakes a look at their grueling schedule.
Emru Townsend profiles the digital animation houses that straddle Lake Ontario and the St. Lawrence itself. Taarna Studios, Softimage, Discreet Logic and Alias|Wavefront are all included.
Hash Inc. has released Animation Master 99 (AM99), an updated version of their popular computer animation program, which runs on Windows 95, Windows NT and the Mac OS. Many of the new features in this update revolve around a particular theme: Film, Workflow and Video Games. Among the numerous additions to AM99 are Smart Skin, Action Blending, Real-Time Blended Joints, Film Grain, Skeletal Poses, Real-Time Model and Map Export and Field Rendering. The software package still sells for $199 (U.S.). For further information, visit www.hash.com.
Deborah Reber profiles three applications of motion capturetechnology that are currently in production. In "Nick Strives to DefineMotion Capture," she interviews Jeffrey Beers, Executive Producer ofthe Digital Animation Group at Nickelodeon.
Deborah Reber profiles three applications of motion capturetechnology that are currently in production. In "Sinbad Brings MotionCapture Feature Animation into New Terrain," the feature film Sinbad:Beyond the Veil of Mists is profiled.
Deborah Reber profiles three applications of motion capturetechnology that are currently in production. In "Voltron Returns...ThisTime In 3D," the television show Voltron: The Third Dimension
There's no denying that Bristol is the stop motioncity, especially with Aardman Animations' coup of bringing a feature filmto the area. Andrew Osmond investigates the hubbub.
Jerry Beck reviews Creating 3-D Animation, a complete stop motion how-to guide from the hugely successful Aardman Studios. A must have for filmmakers, enthusiasts and Wallace & Gromit lovers.
Mark Christiansen reviews Inside SoftImage 3D, a long overdue text of tips, tricks and tutorials on the popular 3D animation package.
Mark Christiansen reviews Character Animation In Depthwhich relates how to advice for 3D animation setup across most major platformsand software packages.
Brad DeGraf and Emre Yilmaz demystify performance animation and explain why the `Devil's rotoscope' might not be so bad after all....
Seth Rosenthal, the motion capture department supervisorat Industrial Light & Magic, took time out of his "menacing"schedule to discuss a gamut of topics relating to motion capture with HeatherKenyon.
Silicon Graphics Inc, a company that built its reputation on UNIX-based systems used to create visual effects for countless films, has unveiled new workstations based on Intel processors and the Windows NT operating system. Dictated by a changing marketplace, the new systems will appeal to a wide group of users who need the computing power but not the prohibitive prices. However, SGI believes that these systems will not replace the high-end UNIX workstations but will rather complement them.
Adobe Systems Incorporated, a leading provider of publishing and imaging software, has announced an acquisition of GoLive Systems, Inc.s assets including GoLive CyberStudio, a professional web design and publishing software, and the GoLive Web Publishing System. CyberStudio has been used to produce web sites for Music Boulevard, Cartoon Network, Warner Bros. Records and The Associated Press, among others.
At the MacWorld Expo in San Francisco, Puffin Designs announced version 2.0 of its award-winning visual effects software Commotion. Commotion 2.0 is expected to ship around April this year, and will expand Commotion's current creative tool set with third party plug-in support, a new FX Brush for creating texture and stylized media brush effects, and new text creation and animation tools. Puffin Designs' founder and ILM visual effects supervisor Scott Squires commented that, "Commotion users have completed several challenging projects in recent months.
From hit movies to recent mergers, Eric Huelsman relays every facet of what happened last year in CGI and how it is going to effect 1999. Includes Quicktime movie clips.
Puffin Designs, the producers of the award-winning compositing system Commotion, recently introduced Knoll Lens Flare Pro Conductor for Alias|Wavefront Maya Composer. The new version, developed by John Knoll, a Visual Effects Supervisor at Industrial Light and Magic, will give users the ability to create realistic sunflares, lasers, flames, bursts, explosions, and "photon torpedoes," among other effects. The plug-in is already available for Adobe After Effects, Adobe Photoshop, ElectricImage, and Discreet Logic Flint/Flame/Inferno.
Animation World Magazine takes a jaunt into the innovative and remarkable: IMAX invents a new technology that allows animators to animate in thin air!
Motional Realms, LLC has released the ReelMotion plug-in for 3D Studio MAX, a real-time, physics-based procedural animation tool. The plug-in is designed for the professional animation artist and ideal for forensics animation, animating space and aerial dogfights, cars, helicopters and other rigid-body objects. It's possible to drive or fly a vehicle through a scene interactively using a mouse or joystick via a real-time display using QuickDraw 3D (Mac) or OpenGL (Windows).