Side Effects Software, developer of the award-winning Houdini family of 3D software, and Syflex LLC, a leader in cloth simulation, announced a Houdini-compatible version of the popular Syflex cloth simulator. Available now as a plug-in for Houdini users on Linux and Windows, the fast and versatile software enhances the Houdini toolset for applications that require highly realistic cloth animations.
VFXWorld Editor Bill Desowitz takes a sneak peek at one of next summers most eagerly awaited films, Sky Captain and the World of Tomorrow, a stunning leap in bluescreen and compositing work.
Heikki Jokinen writes an in-depth review of Chris J. Robinsons book, Between Genius & Utter Illiteracy: A Story of Estonian Animation.
Discreet has begun shipping worldwide its non-linear editing and finishing systems, fire 6 and smoke 6. Discreet's editing systems are shaping a new generation of powerful data-centric workflows for digital film, high definition television (HDTV) and standard definition television projects.
Christopher R. Harz reports back from CES, the Consumer Electronics Show in Las Vegas, about what gadgets the geeks are looking at.
eyeon Software Inc. announced the availability of its latest courseware series, Edition 2, an integrated system-based learning experience, exploring the tools within Digital Fusion/DFX+ while outlining features, benefits and varying degrees of application. Edition 2 is a valuable resource for anyone looking to broaden their compositing foundation.
Viewers around the world watching the animated simulations of the Mars rovers mission are watching the work of a young, lone animator, using LightWave, to make the mission come to life when communications and cameras arent cooperating. He is Dan Maas, operating out of his own studio, Mass Digital in Ithaca, New York, far from NASA in Texas, JPL in Pasadena and Mars, where the two rover explorers are now carrying out their missions.
NVIDIA announced that NASA is using its Quadro Graphics technology to reconstruct Martian terrain from transmitted rover data in photorealistic virtual reality, allowing scientists to explore Mars in 3D as if they were actually moving freely on the planet's surface.
Discreet announced that Ultimate (Ultimate Video Int.), The Netherlands, has installed high-performance digital color correction and digital intermediate (DI) capabilities based on lustre, Discreet's award-winning, realtime color grading system.
Digital Anarchy announced the availability of Primatte Chromakeyer 2.0, a chromakey compositing plug-in for Photoshop and Photoshop Elements. Primatte allows users to use blue and greenscreen masking technology with Photoshop and digital still images to create complex layered effects.
Vicon announced Vicon iQ 1.5, a new release of the companys intelligence-based motion data processing application. Now shipping, the new software encompasses a number of production-critical capabilities to enable automated handling of motion data from capture through to animation.
Final Draft, Inc., publisher of Final Draft, the top-selling scriptwriting software, and Entertainment Partners, publisher of the Movie Magic production software product line, will be previewing new software at Booth 1174 at the NATPE show from Jan. 18-20, 2004.
Final Draft will be previewing Tagger, which enables a user to break down a Final Draft script into its various elements (components). The tagged script can then be exported into Entertainment Partners' Movie Magic and EP Scheduling software. Final Draft and Final Draft AV software will also be demonstrated.
Media 100 Inc., a leading provider of advanced media systems, will release the "Visual Effects" release--new version 3.0 software for 844/X in January 2004. The largest software expansion of 844/X since its inception in 2002, Version 3.0 advances 844/X with many new realtime, multi-stream capabilities:
- Advanced keying- 3D digital video effects (DVEs)- Shadow and glow effects- XML-based metadata interchange- New performance optimizations for editing longer-form, layer-intensive projects
nPower Software launches v. 2.0 of Power Solids and Power Translators for 3ds Max/ Viz. Power Solids 2.0 supports 3ds max 6 in an effort to enhance 3D modeling. Power Solids introduces a state of the art precise CAD geometric modeling kernel into 3ds max. It performs dynamic tessellation at render time to generate the most precise and efficient representation. Power Solids and Power Translators data is very well suited for export back to CAD systems through nPower's STEP, IGES, SAT, Rhino data translation.
Digital Anarchy has launched Text Anarchy 2.1 for After Effects and Final Cut Pro. Text Anarchy 2.1 is the newest version of Digital Anarchy's best selling plug-in, and includes many product optimizations, the most significant of which is improved font support. Other key improvements in Text Anarchy 2.1 include:
* OpenType support: In addition to TrueType and Postscript type 1 fonts, all the Text Anarchy filters now support OpenType fonts.
combustion 3 for Apple Macintosh, the latest version of Discreet's award-winning visual effects and 3D compositing desktop software, was announced on Jan. 5, 2004 in conjunction with MacWorld in San Francisco. combustion 3 for the Mac will deliver industry-leading features benefiting customers who produce Web content and professional video motion graphics, repurpose video content for the Web and create effects for independent feature films and HDTV content.
Turbo Squid announced the release of Service Pack 2 (SP2) for cebas' finalRender Stage-1, a Discreet certified 3ds max plug-in. SP2 is a free download and provides the following to finalRender Stage-1 users:
*All-New Anti-Aliasing Core Engine Technologies The latest advanced adaptive anti-aliasing sampling algorithms have been implemented within SP2 and provided as a new engine along with significant speed enhancements to the existing engines.
Toon Boom Technologies designed and installed a new pipeline at Mercury Filmworks, one of Canada's large scale studios producing Flash style series, to increase productivity, raise the level of quality and do away with the issues common to a traditional Flash pipeline.
Christopher Harz takes a look at new innovations taking place in burgeoning 3D industries beyond entertainment.
Alias' Maya software played a central role in the development of Gollum, Shelob, the Battle of Pelennor Fields and the Witch King's death in THE LORD OF THE RINGS: THE RETURN OF THE KING. In fact, Maya has been the core 3D animation software used in all three RINGS films created by Weta Digital and distributed by New Line Cinema.