Martin Preston discusses the use of the Arnold renderer from Solid Angle on 'Gravity,’ and his role as head of research and development at Framestore.
Industrial Light & Magic Principle R&D Engineer and Lead Renderer Olivier Maury discusses recent advancements in digital pyrotechnics.
USC’s chief visual officer Paul Debevec outlines the creative technology research underway, as well as the school’s groundbreaking work at the Oscar-winning film ‘Gravity.’
Autodesk’s Spark 3D printing platform to be embedded in Windows 10 with the intent to make digital 3D models interoperable with Microsoft HoloLens.
Five Supinfocom students teach us a lesson about animated gags using stylized photo-real characters who don’t speak or change expressions.
Alter Ego VFX team leverages Golaem Crowd for ‘Bicycles,’ featuring real and CG rider-less bikes traveling across Canada.
Alongside BBC Wales VFX and special effects companies Millennium FX and Real SFX, Milk VFX wins the British Academy Television Craft Award for outstanding visual effects on the BBC’s ‘Doctor Who’ episode, “Deep Breath.”
Trollbäck + Company creates the new branding package for CBS’s ‘The Late Late Show with James Corden.’
Amazon’s stop-motion series ‘Tumble Leaf’ receives five Emmys, including outstanding preschool children’s animated program; Netflix wins three awards for DreamWorks Animation’s ‘All Hail King Julien,’ and Moonbot’s collaboration with Dolby, ‘Silent,’ garners two awards for YouTube.
Top industry professionals in animation, effects, games and transmedia share their thoughts on the success of the FMX Conference, which celebrates its 20th anniversary in 2015.
Industry veteran joins animation software leader; bringing over 20 years of senior executive experience from Autodesk, Alias Systems, Kaydara and Meltwater.
Cardiff-based Cloth Cat Animation creates 52 episodes of children’s animation ‘Toot the Tiny Tugboat’ using ftrack production management software integrated with The Foundry’s HIERO, and Thinkbox Software’s Deadline.
Render farm manager's ability to define custom job types lets visual effects studio manage complex multi-application workflows for blockbuster movie projects such as ‘X-Men: Days of Future Past,’ ‘Race’ and ‘The Colony.’
Disney’s live-action remake of ‘The Jungle Book,’ due out April 15, 2016, will also be presented in Dolby Vision, with more titles to be announced.
CSU Animation and Visual Effects is proud to present the 12th Anniversary of the Australian International Animation Festival. This internationally renowned event features over 120 prestigious films adeptly selected from more than 3,500 submissions from all around the world. The range of styles, genres and techniques is testament to the vibrancy and relevance of creative animation and the premiere screening of this highly acclaimed collection is happening right here in Wagga Wagga!
Virtual Production and Lighting were just two of the technological hurdles Pixar Animation Studios faced making ‘Inside Out.’
Renderer for Maya creates hardware rendered panoramic images using OpenGL or DirectX formats, allowing users to create immersive previz renderings of Maya scenes in fulldome, latlong, and cubic panorama formats.