Southpaw Technology hires broadcast workflow expert Peter Tanner to head the development of new Southpaw product modules built on the TACTIC platform.
Touchdown Entertainment tapped ThinkBreatheLive to produce digital environments, including turning the entire stadium into an immersive panoramic concert screen, for the Pepsi Super Bowl XLVIII Halftime Show featuring Bruno Mars.
First-ever Asian mecha live-action and animated feature film series leverages markerless iPi Motion capture software using Sony PS Eye game webcams.
Program highlights for FMX 2014 -- ‘A Realtime Experience’ -- are announced, including Transmedia projects such as the award-winning game franchise The Walking Dead, the evolution of PDI/DreamWorks, game favorites such as Beyond: Two Souls, and more.
V-Ray 3.0, the versatile lighting, shading, and rendering toolkit for 3ds Max from Chaos Group, delivers a powerful new feature set as well as being production-ready for teams of any size.
Jenny Fulle, Visual Effects Producer and Founder of The Creative-Cartel, and Rory McGregor, CEO of Cospective, announce an integration between Cospective’s cineSync review and approval technology and The Creative-Cartel’s JOUST digital workflow management system.
Actors Kristen Bell and Michael B. Jordan will host the Academy of Motion Picture Arts and Sciences’ Scientific and Technical Awards on Saturday, February 15, at The Beverly Hills Hotel.
Bradley Munkowitz and Navarro Parker talk Joseph Kosinski, After Effects and excellence in UI design.
Thinkbox Software launches a new version of the company's production-proven high-volume data management solution, Deadline 6.1.
Mocap and motion tracking companies partner to provide studios with greater flexibility in the facial and full-performance motion capture process.
Toolfarm to offer Rampant Drives with simplified drag-and-drop workflow that combines hundreds of elements on portable USB drives for a fraction of the cost.
For the fifth consecutive year, every film nominated for the Oscar for Best Visual Effects is powered by NVIDIA technology, with NVIDIA GPUs playing an integral role in pipelines for WETA, Framestore, ILM and Pixomondo.
DreamWorks Animation’s Jeffrey Katzenberg to be honored with the 2014 Harold Lloyd Award by the International 3D and Advanced Imaging Society.
Shot with Blackmagic Cinema and Pocket Cinema cameras, live action short Me + Her is readied for Sundance using Blackmagic DaVinci Resolve.
SPARK FX and 3D [FWD] merge into SPARK [FWD], bringing together leading industry experts with professionals, students and film fans for a one of a kind, five-day event.
The International 3D and Advanced Imaging Society announces its top nominated 3D movies for the 2014 Creative Arts Awards Ceremony to be held January 28th at Warner Bros. Studios.
VFX producer Andrew Kramer talks 'Star Trek Into Darkness' title sequences and how Adobe After Effects and Element 3D were central to their production.
Toon Boom Animation signs of a distribution agreement with HeARTBIT Digital Creation for the distribution and localization of Toon Boom Storyboard Pro and Harmony in Japan.
Framestore, the British VFX company behind box office hits Gravity and Iron Man 3, expands its business presence in North America, deploying high performance, end-to-end Dell solutions in support of current, big-budget projects like RoboCop and Edge of Tomorrow.
Ending weeks of speculation, China announced today it will formally relax polygon count restrictions on all CG models.
Framestore taps Golaem Crowd to create 40,000 cheering fans for the Nike “Dare to be Brazilian” campaign.