The Career Coach points out various considerations and things to check out before you enter into a relationship with an employer that will hopefully result in a happy employment.
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Chuck Jones used to say that the two most important people in animation were Winsor McCay and Walt Disney, so kudos to Milestone for assembling this indispensable collection of pioneering work by McCay (1911-1921) on DVD. WINSOR MCCAY: THE MASTER EDITION (Image, $29.99) streets June 1. Most of this cartoonist's work is present, revealing what a fine draughtsman and storyteller he was when it came to exploring reality and fantasy and the metamorphosis of shapes.
Cinesite (Europe) Ltd. has been awarded major visual effects and model contracts for a large slate of high profile films scheduled for release at the end of 2004 and 2005, including CHARLIE AND THE CHOCOLATE FACTORY (Warner Bros.), HARRY POTTER AND THE GOBLET OF FIRE (Warner Bros.), HITCHHIKER'S GUIDE TO THE GALAXY (Disney) and ALFIE (Paramount Pictures).
Visual effects house A52 is the next pick for VFXWorld's Focus On Gallery. Check out more than two-dozen images from the company's work and read up on the techniques and challenges that went into making them. From music videos to commercials, the Focus On Gallery highlights some of the best work coming out of studios both big and small.
If you'd like to be considered for inclusion in the Focus On Gallery, contact Dan Sarto at firstname.lastname@example.org.
Visit the Focus On Gallery.
Christopher Harz pays a visit to one of the hottest vfx havens, Londons Soho district, which has attracted a flurry of American movies, thanks to creativity and tax incentives.
BAFTA announced the winners of its Craft Awards on May 16, 2004 at a ceremony hosted by Alistair McGowan at the Dorchester. The TV documentary RESTORATION won the BAFTA for Graphic Design while Framestore took home the Visual Effects BAFTA for its work on SEA MONSTERS A WALKING WITH DINOSAURS TRILOGY.
AWN is pleased to announce the publication of a very special issue of Animation World Magazine honoring the lifetime achievement of visionary animation filmmaker, historian and educator, Dr. William Moritz.
The Career Coach explains what recruiters do for their company or client and how to help them land you a job.
When ATI Technologies launched the latest generation of its Radeon graphics technology in April, the company wanted a visual demonstration piece that would show off the card's realtime rendering and graphics capabilities.
According to TRENDWATCH, 22% of all U.S. studios/facilities do 3D modeling/animation/rendering (including character set-up, enveloping/skinning, lighting, etc.).
Significantly, this number jumps up to 68% for vfx/animation studios/facilities specializing in 3D work. Also, 35% of post-production studios/facilities do this type of 3D work as well. This number is up from 31% of post houses doing this work in TRENDWATCH's summer 2003 survey.
Excerpted from the TRENDWATCH VISUAL EFFECTS/DYNAMIC MEDIA REPORT Issue #4, Winter 2003-2004.
Sean Coleman, a colorist with a strong following among leading commercial and music video directors, has joined Company 3's office in Santa Monica. Coleman arrives from Rushes/601 in Los Angeles, where his recent credits included spots for Nike, Nokia and Sony Playstation, and music videos for such artists as Sigur Ros and Lenny Kravitz. In his first project for Company 3, Coleman is handling final color correction on a campaign for Adidas directed by Park Pictures' Lance Acord for TBWA Worldwide.
Bill Desowitz sits down with Ted Rae, the visual effects supervisor and 2nd unit director on The Passion of the Christ, to discuss the digital challenges of Mel Gibsons surprising biblical blockbuster.
SPIN takes its vision to Vancouver, creating a new studio, SPIN West VFX. The new studio (SPIN is headquartered in Toronto with another shop in Atlanta) has hit the ground running, landing vfx work on the much-anticipated television miniseries STEPHEN KING'S KINGDOM HOSPITAL. Close behind the Stephen King production is work for STARGATE SG1 (Sci Fi Channel) and SPYMATES (Keystone Pictures).
The longstanding Burger King slogan "Have It Your Way" saw a new twist at the hands of New York visual effects studio rhinofx and advertising agency UniWorld Group, New York. Designed to appeal to the urban market, the new spot titled CHICKEN WITH STYLE, builds and customizes a 3D chicken model by giving it car-like attributes and personifying it with sunglasses, a twisted baseball cap and a little bling, bling thrown in. Offbeat and humorous, the message of "your sandwich done your way" comes shining through.
HAMILTON MATTRESS (MGM, $14.95), the charming 30-minute stop-motion work produced by Harvest Films/Egmont Imagination in 2001, is currently available on DVD. The aardvark with a heart that drums, indeed. Sludger (voiced by David Thewlis) dreams of making it big in Beak City with his caterpillar agent (voiced by Henry Goodman) in this light fable from Christopher Moll, the producer of WALLACE AND GROMIT, and director Barry Purves.
Flame artist Toni DiMauro has joined Click 3x. DiMauro is skilled in compositing, beauty work and design with diverse credits in commercial and broadcast media. She joins Click 3x from the freelance ranks and has recently worked with the studio in that capacity on projects for Road Runner High Speed Online and ESPN.
Bill Desowitz reports back from the VES Awards, where the best in visual effects for 2003 and the career of George Lucas were honored.
Mark Ramshaw reports back regarding the impressive work being done in commercials and music video in the U.K.
Henry Turner asked Oscar-nominated visual effects supervisors from Return of the King, Master and Commander and Pirates of the Caribbean to evaluate each others work.
Mark Ramshaw discusses the transition Weta Digital is taking from The Lord of the Rings series to new projects like King Kong.
J. Paul Peszko interviews the artists at Canadian firm Global Mechanic about their works and expansion into the U.S.
Mark Ramshaw spoke with the visual effects wizards behind the newest live action Peter Pan feature about how they accomplished the startling and massive visual effects.