The Visual Effects Society (VES) is presenting the first "VES '99: A Festival of Visual Effects" which will take place June 4-6 at the Leonard Goldenson Theater of the Television Academy. The event is designed to provide an annual platform for sharing creativity and common interests in the production of visual effects for the entertainment industry. The three-day program includes a series of seminars presented by Industrial Light & Magic (ILM), Jim Henson's Creature Workshop and Sony Pictures Imageworks among others.
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The Little Black Book of Visual Effects is a listing of contact information for people, studios and other companies related to the visual and digital effects production fields and receives nothing but praise from Paul Younghusband.
Eric Huelsman meets Jerry Steele, Charlie Watson and Michel Gondry, three leading artists who lurk behind the latest and greatest commercials and music videos.
New York-based Tape House Digital has changed their name to Black Logicannounced Alfie Schloss, Vice President, Marketing. Black Logic is afull-service visual effects company offering graphic design, high-endcompositing, 2D and 3D computer animation and live-action production.Founded in 1992, the company's mission is to become one of the East Coast'spre-eminent visual effects and computer animation companies. Schlossstated, "This is not merely a name change. As Black Logic we have
Animation and visual effects house Pacific Data Images (PDI) has appointed industry veteran George Merkert as Executive Producer of the Motion Picture Visual Effects division. This decision comes on the heels of PDIs announcement of their intention to grow their operation and core business capabilities beyond its present size and scope, and to further develop its traditional animation/visual effects support work with a new emphasis towards content creation.
UCLAs School of Theater, Film and Television has appointed ROBERT ROSEN dean, replacing Gil Cates, who stepped down from the post last year but remains a member of the faculty. Rosen was promoted internally from the position of dean of the Film and Television School, a division of the Theater, Film and Television School (including the Animation Workshop). He has worked at UCLA since 1975. . . . Filmmaker JAMES CAMERON and effects master STAN WINSTON have resigned from the board of directors of the Venice, California-based effects studio they co-founded five years ago, DIGITAL DOMAIN.
Peter Chung examines the flaws of today's comics as he reveals the basic nature of visual narrative.