FMX 2023 Tickets Now on Sale
The hybrid edition, focusing on the art, technology, and business of animation, visual effects, and interactive and immersive media, returns to Stuttgart April 25-27 with an exclusive online day April 28.
The hybrid edition, focusing on the art, technology, and business of animation, visual effects, and interactive and immersive media, returns to Stuttgart April 25-27 with an exclusive online day April 28.
ChatGPT will be for creators what plastic surgery is for actors: everyone will use it, but few will admit it.
An early adopter of real-time tech, the London-based VFX studio promotes its Head of Studio to serve alongside creative director Chris Lunney and founder Nic Hatch.
Students at the Pearson College school helped deliver more than a dozen shots on the upcoming feature about a retired Irish paramilitary who witnesses an SAS officer’s fatal shooting of his pregnant wife.
Deal for the cloud-based task management platform bolsters the cloud provider’s suite of solutions for VFX and animation studios, adding on-demand burst rendering.
In his triumphant return to the exotic world of Pandora, director James Cameron once again employs the most vibrant and stunning visual artistry to share with audiences his central theme of diversity.
The visually stunning sequel from James Cameron becomes the sixth film in history to earn over $2 billion in global sales, his third, and the star’s fourth.
The VFX studio helps enhance the drama, add realism, and ensure continuity on Showtime’s legal drama starring Bryan Cranston as a disgraced judge, now airing and also streaming on Paramount+.
Gideon Ferber joins the virtual production solutions company as Senior Director of Motion and Production Graphics; Javier Reyes Gomez comes on board as Product Program Manager.
Animation duo Mike Anderson and Ryan Dickie’s 10-minute animated short taps Unreal Engine 5 for a post-apocalyptic adventure set 1,000 years in the future, where dance is violent, everything is hot… and no one is safe when the beat drops; film joins the network’s other original short-form content commissioned from emerging animators and comedic voices from around the world.
Now available on the Academy Software Foundation GitHub, the flexible, feature rich program is designed to meet the diverse needs of a broad range of review scenarios across teams of connected users, whether on set, in office, or remote.
Key updates for Maxon One line expand Forger capabilities with modeling toolset, including subdivision surfaces and symmetry; performance upgrades in Red Giant Trapcode’s improve particle simulation creation in Adobe After Effects.
New technology is 300 times faster than traditional pipelines, cost-effective, and without capacity constraints; currently in beta, the solution is available as a service, with licensing expected to be available later this year.
Global Mechanic’s Bruce Alcock discusses YouTube’s all-new, ‘Pee-wee’s Playhouse’-inspired preschool series – mixing stop-motion, motion graphics, 2D, and live-action - about besties Lamb and Anne the Alligator on their musical travels around the U.S.; series premieres January 19.
Now available on the Academy Software Foundation GitHub, Open RV, the open source version of the tech giant’s Sci-Tech award-winning media review and playback software, will benefit from continued vendor development as well as community-driven updates.
The 10-minute animated African horror fable by instructors Miguel Ortega and Tran Ma - known as Half M.T. Studios - employed hand-drawn and cutting-edge 3D techniques, with tools like ZBrush and Maya for characters and Substance Painter for texturing, and was rendered exclusively in the game engine.
The 40x80x16 foot LED Virtual Production Volume wall displays interactive, computer-generated perspectives and includes an LED ceiling for fully immersed lighting.
Created for TotallyMoney, the advert melds 2D, and 3D animation, capturing a hand-painted feel, making every frame look like an individual painting; the short conveys the client’s customers’ determination to climb towards their goals.
To support artistic ‘side hustles,’ new initiative features key technology and resources, helping artists up their game; the platform lets artist share their creative journeys - such as CG Geek, who built an intricate 3D world with the help of NVIDIA Studio technologies.
Inspired by a ‘Frozen’ documentary, director Daniel Gies digitally created the film’s folded paper styled stop-motion-like animation with tools such as Maya, Houdini, and Unreal Engine; his animated short debuts later this year.
Co-founders Clément Calvet and Jérémie Fajner went from 2 artists working in their living room to 600 artists working in Paris, Milan, and as of next month, a brand-new location – with USD pipeline - in France’s growing animation hub.
The visual effects team delivered 135 shots across the series’ episodes combining actual pyrotechnics with digital flames to showcase the many different and terrifying forms that fire can take; the CBS primetime series returns January 6 with all-new episodes.
VFX Supervisor Dennis Berardi dishes on the show’s signature production of ghouls, critters, an octopus, a blob monster, a six-foot long queen rat, and a lady made out of beauty lotion – 2,000 visual effects shots all totaled - in the horror anthology series now streaming on Netflix.
Studio serves as lead VFX vendor on Eric Garcia’s new nonlinear, eight-part Netflix crime series inspired by the true story of a $70 billion Manhattan bank heist during Hurricane Sandy; challenging effects-heavy shots included creating a swarm of digital bees to camouflage a character’s movements through a super-secure bank vault.