The new collaboration allows artists to connect their preferred content creation tools in a unified production pipeline for faster, easier changes and enhanced content production, with a lower barrier of entry for accessing M&E workflows.
The two companies are partnering to build custom models for creating generative 3D assets for entertainment and gaming by training the NVIDIA Picasso cloud service using simple text prompts.
Major Omniverse updates announced at GTC include increased access to generative AI, simulation, and the industrial metaverse.
Just announced joint effort will focus on using NVIDIA Picasso to produce customized text-to-image and text-to-video models using fully licensed visual content.
The tech companies will co-develop generative AI models with a focus on deep integration into Creative Cloud applications like Photoshop, Premiere Pro, and After Effects, as well as the NVIDIA Picasso cloud service, for content creators, designers, and marketers.
6 new GPUs, available this month, will be featured in computers from system builders like BOXX, HP and Lenovo, offering accelerated computing power for collaborative content creation, design, and AI-augmented applications.
With a style that ‘blended expressionism and magical realism,’ the filmmaker produced 16 shorts and one feature, including the award-winning ‘Harpya’ and ‘Nocturnal Butterflies;’ he also served as ASIFA president for a decade and founded continental Europe’s first animation training course in 1960 at the Royal Academy of Fine Arts in Ghent.
The film and TV AI tech company adds AI and facial animation technology veteran to leadership roster, joining former Lionsgate COO Jen Hollingsworth and company’s co-founders and co-CEOs Scott Mann and Nick Lynes.
The cloud-based creative studio brings on Clairellen Wallin to support client/artist relationships and Mike Pullan to handle day to day project management and planning.
The VFX supervisor shares his studio’s fun, old-school visual effects work on Elizabeth Banks’ horror comedy based on the true story of a black bear, sometimes known as Pablo Escobear, who fatally ingested 75 pounds of cocaine dropped by smugglers in the Tennessee wilderness in 1985.
Hosted by the Quebec Film and Television Council, the Montréal-based event is now open for registration; this year's focus is technology, creativity, and industry – wellness at work and inclusion.
The 4-day hybrid event returns to Stuttgart April 25-27 with an exclusive online day April 28; confirmed presentations include the creative and technical journey of Netflix’s ‘1899’ and Digital Domain’s use of Charlatan, its neural network for ‘deep fake’-like face replacements on Disney+’s ‘She-Hulk: Attorney at Law.’
Previously announced at SIGGRAPH 2022, the production renderer is now available, in an industry standard CMake environment, complete with a new documentation website, restructured libraries, reduced dependencies, and referenced open source packages.
For executive producers Chris Prynoski and Daniel C. Katz, both long-time automotive and animation nerds, MotorTrend TV’s new series brings their two passions together for the first time; the live-action / 2D show premiered yesterday, March 14, across the brand’s TV and streaming platforms.
The Oscar, VES, and Annie Award-winning film, the third highest-grossing movie of all time, arrives March 28 on all major digital retailers, including Prime Video, Apple TV, Vudu, and Movies Anywhere, and will include over three hours of never-before-seen bonus content featuring the filmmakers, cast, and crew.
Studio collaborates with Sky Creative from pre-production through shoot and VFX to create an adrenaline-fueled spot to celebrate the start of the 2023 racing season.
Leading visual effects studio delivers 420 shots, including a massive, sinister 3D snake, on Florian Sigl’s feature film adaptation of Wolfgang Mozart’s 232-year-old opera, which hits U.S. theaters today, March 10, courtesy of Shout! Factory.
Aston Martin co-designs the sleek, all-new chassis of the computer giant’s trio of next-generation desktop platforms – the most advanced they’ve ever built - powered by the latest Intel® and NVIDIA technology.
The company continues innovating its scope of creative activities with Unreal Engine while offering flexible support with its proprietary virtual production solution.
Filmmaker Lachlan Pendragon talks about his extremely meta Oscar-nominated short film, ‘An Ostrich Told Me the World Is Fake and I Think I Believe It.’
Folks are on the move - Cécile Hergaux-Essame has been upped to General Manager of Cube Creative, Caterina Gonnelli-Linden to Chief Content Officer, and Guillaume Jallot to Chief Technical Officer.
Former ILM AI experts Sam Head, Thomas Salama, Scott Bourne and Matteo Olivieri Dancey join the AI technology developer as it expands its work in high-profile partnerships and projects.
The first two seasons of the kids’ show, based on the books by former NFL player Trevor Pryce, are now streaming with all-new remastered editions; Season 3 will hit the platform later this year, with an animated feature following in late 2024.
Did you know that UE now accounts for 50% of next-gen games being built and has been used on over 500 film/TV projects.
Stereographer Jeremy Carroll discusses the careful, creative decisions needed to convert animation, including the depth of a scene and how exaggerated the action can be so audience’s eyes don’t become fatigued and ruin their experience.
