VFX studio Luma helps Tool of North America create an immersive virtual driving experience, “A Drive Through Time,” for Infiniti.
Tagged With: Stereoscopic 3D
Prime Focus World’s senior stereo supervisor Richard Baker reveals how the team worked with miniature scale in Marvel’s latest superhero blockbuster “Ant-Man,’ starring Paul Rudd.
Created by BAFTA-winning animator, director and leading zoetrope artist Jim Le Fevre, the eight-foot tall and six-foot wide stroboscope spins at 33.3rpm and is illuminated by a strobe-rig to create the optical illusion of animation.
Twenty-year veteran has worked on fan-favorite franchises from Marvel such as Joss Whedon’s ‘The Avengers,’ Kenneth Branagh’s ‘Thor’ and Jon Favreau’s ‘Iron Man.’
Burbank-based visual effects company Stereo D plans to reduce its California employee base as part of its upcoming move to open a Toronto office.
Stereoscopic technology specialist RealD sees a trio of exec departures: COO and general counsel Craig Gatarz and senior VPs Rick Heineman and Jed Harmsen.
Advanced support for native stereo 3D workflows and Python scripting simplify tracking and rotoscoping on complex VFX projects.
The prolific experimental animator discusses his latest film and the message, or lack of one, behind his musical and visual decision-making.
The coming wave of summer 3D blockbuster movies is expected to push the price of analgesics used to combat headaches up an average of 6% nationwide, according to an FDA spokesman.