David Sheldon-Hicks, Marti Romances and Peter Eszenyi share how they cued off authentic NASA mission control systems to bring realistic computer UI designs to Ridley Scott’s sci-fi hit.
Tagged With: Ridley Scott
Acclaimed filmmaker-producer Ridley Scott named recipient of VES Lifetime Achievement Award; master visual futurist and iconic artist Syd Mead to receive VES Visionary Award.
Several new releases enter the North American box office race but fail to meet expectations, leaving Ridley Scott's ‘The Martian,’ Sony's family film ‘Goosebumps’ and Steven Spielberg's Cold War drama ‘Bridge of Spies’ at the top of the of the chart.
The Ridley Scott-directed film's domestic IMAX run is set for one week beginning October 30, with some international IMAX dates opening mid-October through November.
Prime Focus World delivers 15 minutes of stereo footage for Ridley Scott’s space epic with the help of its View-D conversion pipeline and Blackmagic Design’s Fusion Studio.
Sony's ‘Goosebumps’ edges past Ridley Scott’s ‘The Martian’ to win the North American box office race, easily out-spooking Steven Spielberg's ‘Bridge of Spies’ and Guillermo del Toro's ‘Crimson Peak.’
As the lead VFX vendor, the Moving Picture Company delivers 425 shots for Ridley Scott’s space epic, including shuttle launch sequences, storm sequence, and scenes on Mars.
Ridley Scott's ‘The Martian’ wins weekend box office race with $37 million; Sony's animated ‘Hotel Transylvania 2’ follows in second place with $20.3 million for a new worldwide total of $207.7 million.
Framestore delivers 338 out-of-this-world visual effects sequences for Ridley Scott’s ‘The Martian,’ including the space ship Hermes, CG environments on Mars, and a dazzling ending sequence.
Ridley Scott's space epic also dominates overseas with $45.2 million; Robert Zemeckis’ ‘The Walk’ sees soft limited IMAX debut.
The animated opening to ‘Halo 5: Guardians’, while technically proficient, is mostly sizzle with little drama.
Online teaser for Ridley Scott's ‘The Martian’ sets leading astrophysicist Neil deGrasse Tyson against a digital backdrop created by up-and-coming Polish VFX house Juice.
A selection of concept art images showing various aspects of the creation of ancient Egypt from 20th Century Fox and Ridley Scott’s most recent epic, ‘Exodus: Gods and Kings.’
MPC completes more than 500 shots for Ridley Scott’s ‘Exodus: Gods and Kings,’ including huge crowds, massive environments and complex FX work across 10 different scenes.
Peter Jackson's ‘The Hobbit: The Battle of the Five Armies’ once again rules the North American box office with $54.5 million for the four-day weekend; the New Line and MGM tentpole is on track to eventually cross $1 billion.
Peter Jackson's ‘The Hobbit: The Battle of the Five Armies’ opens to a massive $90.6 million in North America, while new entries ‘Night at the Museum: Secret of the Tomb’ and ‘Annie’ both suffer soft starts heading into the year-end holidays.
Ridley Scott’s ‘Exodus: Gods and Kings’ easily tops the U.S. box office with a $24.5 million debut; Peter Jackson’s ‘The Hobbit: The Battle of the Five Armies’ opens in 37 international markets, earning a massive $117.6 million.
With no new wide releases in the U.S. this past weekend, Lionsgate's ‘The Hunger Games: Mockingjay -- Part 1’ topps the box office for the third time in a row, followed by DreamWorks Animation's ‘Penguins of Madagascar’ and R-rated comedy ‘Horrible Bosses 2.’
Five-episode digital feature is written by ‘Prison Break’ creator Paul Scheuring and released on the Halo Channel.
Previous winners of the VES Lifetime Achievement Award include James Cameron, Steven Spielberg, Ray Harryhausen, George Lucas, Robert Zemeckis, John Dykstra and Frank Marshall & Kathleen Kennedy.
IMAX signs deal to release four of Twentieth Century Fox's upcoming films: DreamWorks Animation's ‘Penguins of Madagascar,’ Ridley Scott's ‘Exodus: Gods and Kings,’ ‘Night at the Museum: Secret of the Tomb’ and EuropaCorp's ‘Taken 3.’
Ridley Scott’s RSA Films teams with theatrical advertising company Wild Card to launch new venture geared towards the development of new forms of content and marketing for modern, global audiences.
Swiss surrealist artist H.R. Giger, who designed the monster and revolutionary sci-fi sets for the film Alien, dies following injuries sustained from a fall.