With production now in motion on Peter Jackson's two-film adaptation of J.R.R. Tolkien's The Hobbit, SGO is delighted to confirm that Oscar award-winning New Zealand-based facility, Park Road Post Production has selected Mistika for the majority of Stereo and DI work for the production and post production workflows of the feature film.
Tagged With: Production
3ality Digital, world leader in cutting-edge technologies to empower creative digital stereoscopic 3D (S3D), announces a new partnership with OFFHOLLYWOOD, who is a recognized leader in providing advanced cameras and production gear for television, film, and mobile media production.
With the use of smartphones and tablet computers growing exponentially, former Disney Studios Vice President of New Media Technology, Gary Kleinman, has announced the launch of FirstRun.tv – a new television network designed to provide new and original programming for online and on-the-go viewers.
Digital production company Digital Domain announced today that Jeff Barnes, co-founder and former CEO of The Computer Café Group, has joined the company to lead its In-Three stereo conversion business.
To keep up with its growing roster and capabilities, bi-coastal production company Stardust recently moved its west coast office into new Santa Monica, CA headquarters.
Argentina-based Distribution Co. has picked up the rights to the Mexican-Argentinean co-production TOP CAT, based on the Hanna-Barbera character, reports Variety.
Arc Productions is producing the animation for Matt Hatter Chronicles, a high-end television animation series in 3D, produced by Platinum Films Ltd. and Dream Mill Inc.
Framestore has created the second installment of Andrex’s new CG puppy campaign, a party themed commercial called Collections.
Frima Studio, Canada's leading independent game developer, held a press conference today to announce the launch of its new VFX division, Frima FX.
Framestore’s London office is promoting Helen Hughes to its top commercials production role, Head of Production.
Your series has been sold to the network and you get to guide it creatively and nurture it.It’s like having a baby and putting it up for an open adoption. You will take care of it everyday, but will not own it. You can love it, take care of it, but at the end of the day the adopted parents will make all of the life’s decisions.
The differences between production design for animation and live action will be explored in detail during the first installment of the Academy of Motion Picture Arts and Sciences’ series “Evolution or Revolution? Production Design in the 21st Century,” on Monday, April 25, from 7 to 10 p.m. at the Academy’s Linwood Dunn Theater in Hollywood.
This year's Animation Production Day will bring together 100 representatives of the German and international animation industries.
Toei Animation Co., Ltd., Toei Animation Inc. and FUNimation Entertainment will stream the official English-subtitled episodes of “Toriko”, an action/adventure anime series for teen audiences.
Bi-coastal production company Stardust has been tapped by BBDO Moscow to create eye-popping holographic video content for client Blackberry MTS that will be shown on a unique, new mixed-reality 'presentation station' (RealFiction's Dreamoc 3D Display).
The Georgia Production Partnership's Government Relations Committee and Executive Board have announced that the state's 30% production tax credit has been renewed, reports Deadline.com.
Another actress has suffered an on-stage injury on SPIDER-MAN: TURN OFF THE DARK, reports The Hollywood Reporter.
The other night I invited Mike Young, co-CEO of Moonscoop, to speak to my class about co-production and the facts of life about where money comes from. Mike’s is one of the few studios that survived post-“Fin-Syn,” which was a ruling in Congress in 1994.
VFX firm Prime Focus is branching out into production with a TV adaptation of Terry Pratchett and Neil Gaiman’s book GOOD OMENS, writes The Hollywood Reporter.
This is one of the questions being asked. Commercials are the backbone of the money used to license shows or develop content, but what if you don’t have a broadcast deal yet? Where does the money come from?
PLAY, the award-winning creative on-air editorial house dedicated to the craft of creating promos, has launched a live-action production division.