Producing Animation, 2nd Edition is a one-of-a-kind reference book that stands as the entertainment industry’s go-to information source for the many “how to” questions involved with television and feature animation production.
Tagged With: Production
On Tuesday, November 15, Leslie Hindman Auctioneers will offer one of the most impressive collections of animation art to be sold at auction in years.
Now that Warner Bros. has given the official greenlight to AKIRA, the production is now settling on a cast.
Paradise VFX (www.paradisefx.com), the world’s most experienced provider of 3D stereo camera systems and production services, has launched HELIOS, a wireless, self-contained, 3D stereo rig, whose advanced design and operational features support faster on-set deployment, streamlined post production, and more cost-effective 3D stereo production.
Bill Desowitz finds out how Digital Domain and Giant Studios took virtual production to the next level.
MPC recently teamed up with BBH and Stink Digital Director Sebastian Strasser to execute postproduction on a 4:00 online video for Internet fashion giant ASOS.
Last Saturday the VES hosted its third annual Production Summit, this time at the quaint Montage Hotel in Beverly Hills. Despite all about VES 2.0 and the Bill of Rights to help facilitate quality of life improvements for artists and VFX companies, the purpose was to address the paradigm shift going on and to discuss better biz practices.
“Mia and me”, produced by Lucky Punch GmbH – a joint venture between m4e AG and Professor Gerhard Hahn from Hahn Film, has won the 8th annual MipJunior Licensing Challenge.
Sparky Animation--in conjunction with Japan's Duckbill Entertainment, Baku Enterprise Inc. and Bandai Visual Inc.--is producing a new CGI animated television program based on the best-selling Japanese book series, One Stormy Night.
Brickyard VFX recently completed visual effects work for ESPN 2’s “Afternoon Block” campaign via agency Wong, Doody, Crandall, Wiener and director Robert Boocheck of Oil Factory collective Tomorrow’s Brightest Minds.
For the new Gears of War 3 spot "Dust to Dust," twofifteenmccann, Epic Games, Director Adam Berg and digital production studio Digital Domain created an all-CG spot using an innovative virtual production technique that gave Berg complete camera control to shoot the spot like live action and deliver a cinematic showpiece for the trilogy’s final chapter – a single time-lapsed take that traverses all three Gears of War (GOW) worlds.
Ottawa International Animation Festival—Thinware Media Ltd., developers of StudioCAP workflow automation and asset management for animation studios, and TVPaint Développment, France, makers of 2D bitmap-based animation software, today announced a new strategic partnership that will offer customers a seamless technology integration.
Industry veteran Rachel Kaminek joins the innovative Gentleman Scholar team as Head of Production in Los Angeles.
The Visual Effects Society (VES), the world's premiere visual effects organization, announced today that it will hold its third annual Production Summit for the greater entertainment industry on October 1st.
The heart of the Filmmaker’s Festival as an international platform for filmmaking in the digital era is the programme itself: international experts present outstanding productions and the latest developments in film production.
eyeon Software Inc. today announced eyeon Dimension, a Supercomputing Optical Flow-based toolset developed to comprehensively address the challenges of today’s Stereoscopic 3D workflow.
Mercury Filmworks announces former Teletoon production executive Travis Williams as the new head of its development team.
MarVista Entertainment has secured new investment capital from an investment group led by Brian N. Sheth, further strengthening the Company’s position as one of the world’s leading independent producer and distributor of feature films and television programming.
Southpaw Technology, a leading developer of production asset management (PAM) technology for digital content creation companies, announced today that Toonbox Entertainment (Toonbox) is deploying 100 seats of TACTIC to manage all of the assets and data for its first feature-length production, The Nut Job.
Production industry veteran Josh Libitsky has assumed Executive Producer responsibilities at bi-coastal production company Stardust following three years as Head of Production.
With production now in motion on Peter Jackson's two-film adaptation of J.R.R. Tolkien's The Hobbit, SGO is delighted to confirm that Oscar award-winning New Zealand-based facility, Park Road Post Production has selected Mistika for the majority of Stereo and DI work for the production and post production workflows of the feature film.