PHIL LOFARO has been promoted from Vice President to Senior Vice Presidentof Production for Walt Disney Feature Animation. He will continue tooversee production for the studio's animated features and shorts, includingscheduling, budgeting and new technologies.
Tagged With: Production
Animation company Film Roman has announced that due to productiondifferences Fox will take over production responsibilities on June 1 forFamily Guy, which is currently in production on its second season. Theprimetime show Family Guy airs at 8:30 pm on Sunday in the coveted spotafter The Simpsons and has been a hit with biting, racy humor. While Foxspokespeople say that it will be handled "in-house," a specific division orFox-owned company has yet to be named. Film Roman, which produced 15
Paco Rodriguez reports from MIPTV in Cannes and relates a number of issues currently facing the European animation community.
PACIFIC DATA IMAGES (PDI) has promoted JANE HARTWELL to associate producer of their second DreamWorks/PDI animated feature co-production SHREK. Previously, Hartwell was Senior Production Manager on SHREK and Production Manager on the first of PDI's animated features, ANTZ. Her expanded responsibilities include involvement in creative, technical and financial aspects of the production. Hartwell is also responsible for the creation of the overall schedule for SHREK and oversees the story, character, lighting, effects and technical director departments.
ELIZA MCLATCHY has been named associate producer at Boston-based LOCONTE GOLDMAN DESIGN. In this post, McLatchy will work with senior producers and operations to develop and maintain the structure of projects. She will also serve as the liaison between creative personnel and the operations department. Prior to joining LoConte Goldman, McLatchy, 24, freelanced for the company on a variety of projects including "ESPN Speedworld," Romance Classics Network "Fire & Ice Valentine's Special," and a corporate image video for Lotus Development Corporation.
Digital ink, paint and compositing house VIRTUALMAGIC ANIMATION has hired CHRISIE RUSSELL as Production Manager and promoted Ryan Robertson to the same position. Russell joins VirtualMagic from Warner Bros. Feature Animation where she was Assistant Production Manager on their last three features, THE IRON GIANT, SPACE JAM and THE QUEST FOR CAMELOT. Ryan Roberston, previously the production manager and art editor of the bi-monthly magazine HOT LAVA, joined VirtualMagic in 1997 as an Administrative Assistant.
While Terrence Briggs feels he should loathe shows likeFOX's new Family Guy, he is still too sore from laughing to complain.Let him explain....
Eric Rollman has been upped to president of production for Fox Family Worldwide, a joint venture between Saban Entertainment and Fox News Corp. His new role puts him in charge of production for Fox Family Channel, Fox Kids Network and Fox Kids International, as well as continuing supervision of on-air promo material production for the various channels.
PDI (Pacific Data Images) has named ANTZ Production Designer, John Bell as the division's Creative Director. Bell's new responsibilities include managing the production design staff, and overseeing the creative direction and design techniques of the rapidly growing commercial and film effects unit as it continues to broaden beyond its present size and scope. "John has contributed to some of the most significant special effects films in the last decade," said Patty Wooton, PDI's Senior VP or Production.
The Academy of Motion Picture Arts & Sciences has announced the Academy Award/Oscar nominees for films made in 1998. The nominees in the Best Animated Short Film category are:
JOLLY ROGER, an Astley Baker production directed by Mark Baker.
THE CANTERBURY TALES, an S4C production written and executive directed by Jonathan Myerson.
BUNNY, a Blue Sky Studios production written and directed by Chris Wedge.
WHEN LIFE DEPARTS, an A Films Aps production directed by Karsten Killerich and Stefan Fjeldmark.
AWN General Manager Annick Teninge traveled to the Indian Ocean island of Rnion to attend the third "Crossroads of the Image of the Indian Ocean" conference which tries to unite this remote locale with the European animation industry. Available in French and English.
Zahra Dowlatabadi takes a look at where the jobs will be in 1999 by examining the health of several major players in the feature, computer graphics (CGI), television and direct-to-video animation markets.
We asked key industry figures to predict the trends, and biggest changes and events in animation that 1999 will see. The results were surprising. While animation is booming a shift in the work load is coming...
MEDIALAB, a real-time performance animation production company, and Cine-Groupe, a production house and distributor of animation, have joined forces for the first time in a co-production deal that will see two properties, Pinocchio 3001 and Sphinx@com, developed into computer-generated animated feature films and television series. These projects will be produced over the next four years using MEDIALABs propietary performance animation techniques.
Richard Morss has joined UK-based digital production company, Peppers Ghost Productions (PGP) as Executive Creative Director. Morss had been Controller of Childrens Programs at United Film and Television Production prior to his appointment at PGP. This follows the hiring of Alan Marques, who joined PGP last month as head of production. PGP Managing Director Paul Michael stated that this represents a shift of focus for the company.
Canada's television and cinema production and distribution group, Coscient Group, announced that their subsidiary Cactus Animation has started production on two new animated series: "Pirate Family" and "Fantomette." The animated comedies are a co-production with French company Elma Animation and have a total budget of $22 million. The series, each composed of 26 half-hour episodes, have already been pre-sold by Motion International, Coscient Group's distribution subsidiary, to a number of markets.
Gribouille, a CGI production company based in Europe and North America, has begun production on two new computer-animated television series. Xcalibur, designed by French artist Philippe Druillet and directed by Didier Pourcel, is being produced in association with Canal +, Ellipsanime, France 2 and Cactus Animation for a targeted late 1999 delivery. Micronauts, based on an existing line of action-figures and Marvel comics, is being produced with Abrams/Gentile Entertainment, Kaleidoscope Media Group and Annex Entertainment, and may be ready as early as fall 1999.
Paris-headquartered motion-capture animation company, Medialab and Canadian animation studio, Ciné-Groupe, a subsidiary of Lions Gate Entertainment, have agreed to a four-year co-production deal. The two companies plan to co-produce two computer-animated theatrical films and two TV series. The first project, starting production in December, will be Pinocchio 3001, a futuristic rendition of the classic tale.
Nickelodeon has signed a deal with Italian broadcaster Radio Televisione Italiana (RAI) to produce the first localized foreign-language version of Blues Clues. The show will premiere on the RAI UNO network in the second quarter of 1999. In Italy, RAI will localize the series by using the same blue-screen technology used on the original production to insert an Italian, live-action host into the existing computer animation. Nickelodeon plans to make similar sales to other countries, as this production concept was designed into the show from its inception.
The Harrison, New York-based East Coast office of Blue Sky | VIFX has promoted Michael Feder to associate producer. Feder came to Blue Sky | VIFX in 1997, following production stints at Turner Pictures Worldwide and Jersey Films in Los Angeles. Blue Sky | VIFX's CEO David Brown stated, Mike really deserves this promotion and I believe with his strong production background and experience he will continue to make significant contributions to building the studio's relationships with the New York production community.
Animation editor and producer Lee Gunther passed away on August 25 following a stroke suffered the previous day. He was 63 years old. A memorial service was held on Saturday, August 29 at Forest Lawn in Burbank, California. Starting at Warner Bros. in the 1960s and then at DePatie-Freleng studios from 1964-1978, Gunther was a film editor on more than 85 animated shorts in all. At DePatie-Freleng, he also worked as an executive in charge of production in the 1970s.
Julien Dubois reports on the 1998 MIP-TV market in Cannes, revealing a troubled international marketplace for animation.