Aside from the very favorable financial picture of creating indigenous animation films, you’ll find it personally rewarding. It’s great to see the faces of children light up when they see a character from their own culture on the screen instead of an old episode of Popeye or Tom & Jerry. It’ll give both of you a sense of pride.
Tagged With: Production
From the producers of Syfy’s top-rated “Face Off” comes a visually stunning new competition series “Hot Set”, premiering Tuesday, September 18 at 10 p.m. ET/PT.
Animusic, a computer animation company with the singular focus of animating music, announced that production has started on ANIMUSIC 3.
IMPD Productions announced the creation of CounterPunch Studios to enhance the company's robust production pipeline.
Disney has decided not to move forward with Henry Selick's untitled stop-motion feature, ending production on the film that was scheduled for release October 4, 2013.
At the 39th SIGGRAPH conference in LA this week it was all about improving the virtual production workflow.
Autodesk, Inc. has partnered with Lightstorm Entertainment and Weta Digital to develop the next generation of virtual production technology for the motion picture industry.
It’s critical that an international team be formed to lead your project right from the beginning. As the story and characters are developed you must have folks who are knowledgeable about what will and what will not work in the West.
I’m in the UK having recently returned from attending the Cannes Film Festival, followed shortly thereafter by the Annecy International Animation Festival. These two events, both in France, separated by just a few days, are the premiere festivals in the international calendar for live action and animation respectively.
Southpaw Technology announced that it has signed a 100-seat licensing deal with the Korean visual effects studio, Dexter Digital.
Super 78 Studios has added “attraction concept and development” to the roster of services it provides theme parks and special venues.
The growth of the Trans-Pacific animation production pipeline has created business opportunities for animation communities both in Asia and abroad.
Bron Studios announces the launch of Bron Animation to develop and produce original kid’s animated intellectual properties for television and film starting with animated series “Mighty Mighty Monsters.”
A COUPLE OF WEEKS AGO, I POSTED A BLOG ON PRODUCING FILMS BASED ON INDIGENOUS STORIES AND CHARACTERS. I PROMISED TO FOLLOW IT UP, SO HERE IT IS
Following in the footsteps of the record-breaking Marvel Studios’ release “Marvel’s The Avengers,” production on the highly anticipated film “Iron Man 3.”
SGO's Mistika was used for the stereoscopic 3D post production work for China's first 3D IMAX martial arts action film “The Flying Swords of Dragon Gate,” which won Best Visual Effects and Best Costume Designer at the Asian Film Awards.
Legend3D makes distributed production a reality by employing TACTIC across studios in San Diego, Los Angeles, and India.
I’m returning from two days spent teaching a program at The Animation Workshop on producing independent animated feature films and the particular challenges of doing so in Europe.
With a mission to connect high-end talent with awesome brands, iartists has launched in Los Angeles to represent directors, designers, animators, visual effects pros, storytellers and digital experts, working across platforms, devices and spaces.
Laika has named “Coraline” producer Mary Sandell head of production at the Portland, OR-based stop-motion animation studio.
FMX 2012 will highlight the advent of Virtual Production with programming tracks on World Building and Previs, Megasessions covering “Reel Steel,” “Tintin” and “Hugo,” VFX showcases on “Battleship” and “The Hunger Games,” and animation highlights covering “Dr. Seuss' The Lorax” and Marvel's “The Avengers.”