Entertainment One promotes Laura Clunie to Vice President of Creative Affairs and will help to expand eOne Family presence in Canada.
Tagged With: Production
The Animation Mentor CEO discusses educational philosophy and how his school’s new AMP fully distributed production pipeline meets a changing industry’s needs.
Animation Mentor rolls out a fully distributed studio production pipeline that integrates new VFX coursework and restructured animation program.
The Cinema Audio Society announces the nominees in six categories for the 49th Annual CAS Awards for Outstanding Achievements in Sound Mixing.
The Art Directors Guild announces nominations in nine categories of Production Design for theatrical motion pictures, television, commercials and music videos competing in the ADG's 17th Annual Excellence in Production Design Awards for 2012.
Application forms for submitting projects and registering for the seventh Animation Production Day are now available online.
eyeon Software’s Generation AM, a visual effects and post production workflow management system, is now shipping.
Bill talks about plans for animation production expansion in Fuzhou, China.
Production designers behind James Bond franchise set to receive Cinematic Imagery Award from The Art Directors Guild's Excellence in Production Design Awards.
Codex technology occupies a key position in a groundbreaking 3D workflow used in the production of “Life of Pi,” the new, epic adventure film from 20th Century Fox and Academy Award-winning director Ang Lee.
Buffalo Gal Pictures and Entremedia Digital Films merge talents and services to create a full media production studio, Buffalo Media Group.
Hasbro Studios strikes production deal for second season of “Rescue Bots” with Malaysia’s Vision Animation and Australia’s Moody Street Kids.
Antenna, a full-service studio focused on multi-platform content creation for commercial advertising, film and television, launches in Los Angeles.
Cinesite announces that it has completed its first venture into TV production by co-producing and selling its very first TV series.
Animation producer Justin Weyers describes the massive production challenges of turning Chapman’s A Liar’s Autobiography into an animated 3-D feature.
HALON taps Fabric Engine’s Creation Platform to develop a virtual production environment capable of re-targeting motion capture data in real time.
The Jilin Animation Institute is an incredible undertaking. It’s now celebrating over ten years of operation. The student base is over 10,500. That’s NOT a typo. 10,500 students.
Digital Domain dominates discussions at Saturday’s VES Summit 2012 at the Ritz Carlton Hotel in Marina del Rey.