Bill talks about plans for animation production expansion in Fuzhou, China.
Tagged With: Production
Production designers behind James Bond franchise set to receive Cinematic Imagery Award from The Art Directors Guild's Excellence in Production Design Awards.
Codex technology occupies a key position in a groundbreaking 3D workflow used in the production of “Life of Pi,” the new, epic adventure film from 20th Century Fox and Academy Award-winning director Ang Lee.
Buffalo Gal Pictures and Entremedia Digital Films merge talents and services to create a full media production studio, Buffalo Media Group.
Hasbro Studios strikes production deal for second season of “Rescue Bots” with Malaysia’s Vision Animation and Australia’s Moody Street Kids.
Antenna, a full-service studio focused on multi-platform content creation for commercial advertising, film and television, launches in Los Angeles.
Cinesite announces that it has completed its first venture into TV production by co-producing and selling its very first TV series.
Animation producer Justin Weyers describes the massive production challenges of turning Chapman’s A Liar’s Autobiography into an animated 3-D feature.
HALON taps Fabric Engine’s Creation Platform to develop a virtual production environment capable of re-targeting motion capture data in real time.
The Jilin Animation Institute is an incredible undertaking. It’s now celebrating over ten years of operation. The student base is over 10,500. That’s NOT a typo. 10,500 students.
Digital Domain dominates discussions at Saturday’s VES Summit 2012 at the Ritz Carlton Hotel in Marina del Rey.
Monstrou Studio announced that it has signed a deal with Spanish production company Sweatbox and Catalan TV network Televisió de Catalunya.
Hasbro Studios signs a production agreement with Malaysia's Vision Animation and Australia's Moody Street Kids.
Toon Boom Animation and Bento Box Entertainment (BBE) combine their expertise to develop an exclusive and state-of-the-art digital animation production pipeline uniquely designed for Bento Box’s production on prime-time animated television series.
Surprise, surprise - I’m not at 30,000 ft. as I write this latest blog but on a high-speed train, traveling from Moscow to St. Petersburg in Russia.