Aardman director Darren Robbie, who was a lead animator on the classic film Chicken Run and is also known as Chopsy Animation, has produced a stunning short animated film for the MS Society which graphically and powerfully depicts the reality of living with multiple sclerosis (MS).
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Commercials have the highest budgets above any other type of production. The advertiser only has 30 seconds to convince the viewer to buy their brand of toilet paper.Frame for frame a commercial costs more then even LORD OF THE RINGS.
It’s was officially day one of the Kidscreen Summit 2011 in NYC and the conference was in full swing. Producers and broadcasters from all around the globe are here in record attendance with unconfirmed reports of over 1600 people registered -- probably a couple hundred more not! Kidscreen has morphed from a chilled out meet and greet, development, co-production, “take a step back and have a bird’s eye-view of the business” to a mini MIPCOM market.
VIZ Pictures, Inc., the film distributor and producer behind the Japanese pop culture venue in San Francisco known as NEW PEOPLE, has announced that it will now operate as a newly established company, NEW PEOPLE, Inc., to re-brand and create synergy between all corporate divisions.
The directors and producer of Day & Night and Tick Tock Tale discuss how small films really are big at their studios.
Get the help of industry specialists who will tell you how best to save money in insurance costs, attorneys fees, and most importantly, avoiding tax and labor penalties!
Pamela Kleibrink Thompson reminds us of the importance of remembering names and avoiding brain freeze.
One could argue that SXSW Interactive is as much about online innovation as the ability to connect and find meaning in relationships. Community building, for profit or goodwill, was a sentiment echoed in many of the presentations held during the 2010 conference.
Maciek Szczerbowski tells us what it was like adapting another beloved Maurice Sendak illustrated book.
Ed Catmull discusses the upcoming VES Awards, his pioneering spirit and the way VFX are now evaluated.
How did this film manage to snag an Oscar spot alongside films that cost over $100 million dollars with $50 million marketing and promotion budgets? How did it manage to beat out DreamWorks, or even the deity of animation, Miyazaki himself?
Pete Docter tells us about Up's breakthrough best picture Oscar nomination and its tremendous impact on viewers.
Michael Owens and Geoffrey Hancock discuss breakthrough virtual crowd work on the latest Clint Eastwood feature.