New purchase is part of the French-owned media company’s strategy to expand its ties with advertisers and build out its visual effects business, which already includes MPC, Mr. X and Mikros Image.
Tagged With: MPC
‘Iron Man’ director Jon Favreau relies heavily on motion-capture techniques for his live-action adaptation, surrounding actor Neel Sethi (as Mowgli) with a slew of CG animals and environments.
Online teaser for Ridley Scott's ‘The Martian’ sets leading astrophysicist Neil deGrasse Tyson against a digital backdrop created by up-and-coming Polish VFX house Juice.
EA Germany, Omstudios, Milk VFX, Framestore and MPC recognized for toolset development and pipeline advancement.
MPC Film heads to SIGGRAPH 2015 to present crowd, fur, digi-doubles and destruction technology, presenting the company’s visual effects work on movies including ‘Terminator Genisys,’ ‘Exodus: Gods and Kings,’ ‘X-Men: Days of Future Past’ and ‘Cinderella.’
Double Negative, Hybride, MPC and Psyop to present at the Fabric Engine User Group meeting on Tuesday August 11, from 10:00 am to 6:00 pm.
Global VFX powerhouse MPC’s expansion into China shows that despite considerable challenges, opportunities are there for the taking.
MPC VFX Supervisor Sheldon Stopsack examines the ins and outs of digitally recreating an iconic action hero for Paramount’s ‘Terminator’ franchise reboot.
Led by VFX Supervisor Seth Maury and VFX Producer Laura Schultz, MPC Vancouver completed 250 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb.’
Dinosaurs, Video Game Monsters and Action Movie Icons return this summer for a blockbuster reunion at the multiplex.
3D Training Institute live webinar featuring MPC global recruiter Christina Zervos and MPC animator Julien Deragon held on Wednesday, April 29 will focus on how to start a career in 3D animation.
Scheduled events include “CG Creature Showcase – Monty’s Christmas and a Black Swan,” “Pipeline for Feature Film VFX,” “Commanding the Exodus,” and “MPC Motion Design -- From Small Beginnings to Big Ideas.”
As lead VFX studio, MPC was responsible for a variety of 3D and 2D effects, including creating Jack’s beanstalk, creatures such as Cinderella’s birds, mice, snakes and a cow, magic effects, fantasy environments, and transformation shots.
With new systems already in production, famed VFX studio can quickly source production-ready mocap data anywhere.
Led by VFX supervisor Greg Butler, MPC completes 200 shots -- including complex 3D work -- for Clint Eastwood’s Oscar-nominated feature.
New head of production with over 10 years of production experience joins MPC NY from Transistor Studios.
Oscar-nominated VFX supervisor discusses the challenges of creating two believable CG action heroes.
Visual effects festival, conference and job fair to include presentations on the invisible effects of ‘Birdman,’ ILM’s work on ‘Captain America: The Winter Soldier,’ the making of ‘Dawn of the Planet of the Apes,’ the miniature effects of ‘Interstellar,” and more.
Award-winning executive producer has worked with prominent directors including Traktor, Nicolai Fuglsig, Jake Scott, Stacy Wall, Dante Ariola and Harold Einstein on campaigns for leading brands such as Nike, Budweiser, Adidas, Target and Coca-Cola.
Teesside University’s annual Animex Festival to include a full day dedicated to Britain’s independent games studios and developers.
MPC completes more than 500 shots for Ridley Scott’s ‘Exodus: Gods and Kings,’ including huge crowds, massive environments and complex FX work across 10 different scenes.