Stop-motion/CG-animated hybrid short written and directed by Ty Coyle and Bill Dorais is the follow-up to last year’s ‘Enjoy the Sweets.’
Tagged With: MPC
Now in its fourth year, The VFX Festival 2016 will be held February 23-25 at Cineworld at the O2 Centre in London.
Along with creative title sequence and in-theater Virtual Reality experience, MPC delivers 700 VFX shots for the Sony Pictures feature ranging from CG monsters and environments to magical effects.
Made for $150 million, Joe Wright's big-budget Neverland origins story could lose between $130 million to $150 million for Warner Bros.
As the lead VFX vendor, the Moving Picture Company delivers 425 shots for Ridley Scott’s space epic, including shuttle launch sequences, storm sequence, and scenes on Mars.
Animated ‘Crafted Light’ optical illusion celebrating the 250th anniversary of Hennessy showcased at Harrods through October.
New purchase is part of the French-owned media company’s strategy to expand its ties with advertisers and build out its visual effects business, which already includes MPC, Mr. X and Mikros Image.
‘Iron Man’ director Jon Favreau relies heavily on motion-capture techniques for his live-action adaptation, surrounding actor Neel Sethi (as Mowgli) with a slew of CG animals and environments.
Online teaser for Ridley Scott's ‘The Martian’ sets leading astrophysicist Neil deGrasse Tyson against a digital backdrop created by up-and-coming Polish VFX house Juice.
EA Germany, Omstudios, Milk VFX, Framestore and MPC recognized for toolset development and pipeline advancement.
MPC Film heads to SIGGRAPH 2015 to present crowd, fur, digi-doubles and destruction technology, presenting the company’s visual effects work on movies including ‘Terminator Genisys,’ ‘Exodus: Gods and Kings,’ ‘X-Men: Days of Future Past’ and ‘Cinderella.’
Double Negative, Hybride, MPC and Psyop to present at the Fabric Engine User Group meeting on Tuesday August 11, from 10:00 am to 6:00 pm.
Global VFX powerhouse MPC’s expansion into China shows that despite considerable challenges, opportunities are there for the taking.
MPC VFX Supervisor Sheldon Stopsack examines the ins and outs of digitally recreating an iconic action hero for Paramount’s ‘Terminator’ franchise reboot.
Led by VFX Supervisor Seth Maury and VFX Producer Laura Schultz, MPC Vancouver completed 250 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb.’
Dinosaurs, Video Game Monsters and Action Movie Icons return this summer for a blockbuster reunion at the multiplex.
3D Training Institute live webinar featuring MPC global recruiter Christina Zervos and MPC animator Julien Deragon held on Wednesday, April 29 will focus on how to start a career in 3D animation.
Scheduled events include “CG Creature Showcase – Monty’s Christmas and a Black Swan,” “Pipeline for Feature Film VFX,” “Commanding the Exodus,” and “MPC Motion Design -- From Small Beginnings to Big Ideas.”
As lead VFX studio, MPC was responsible for a variety of 3D and 2D effects, including creating Jack’s beanstalk, creatures such as Cinderella’s birds, mice, snakes and a cow, magic effects, fantasy environments, and transformation shots.
With new systems already in production, famed VFX studio can quickly source production-ready mocap data anywhere.
Led by VFX supervisor Greg Butler, MPC completes 200 shots -- including complex 3D work -- for Clint Eastwood’s Oscar-nominated feature.
New head of production with over 10 years of production experience joins MPC NY from Transistor Studios.