Along with creative title sequence and in-theater Virtual Reality experience, MPC delivers 700 VFX shots for the Sony Pictures feature ranging from CG monsters and environments to magical effects.
Tagged With: Moving Picture Company
As the lead VFX vendor, the Moving Picture Company delivers 425 shots for Ridley Scott’s space epic, including shuttle launch sequences, storm sequence, and scenes on Mars.
MPC VFX Supervisor Sheldon Stopsack examines the ins and outs of digitally recreating an iconic action hero for Paramount’s ‘Terminator’ franchise reboot.
3D Training Institute live webinar featuring MPC global recruiter Christina Zervos and MPC animator Julien Deragon held on Wednesday, April 29 will focus on how to start a career in 3D animation.
Visual effects festival, conference and job fair to include presentations on the invisible effects of ‘Birdman,’ ILM’s work on ‘Captain America: The Winter Soldier,’ the making of ‘Dawn of the Planet of the Apes,’ the miniature effects of ‘Interstellar,” and more.
A Nov. 4 story on MPC in Hollywood trade ‘Variety’ is met with negative commentary from the VFX community, including descriptions of deplorable working conditions and a toxic corporate environment.
Technicolor strikes a deal for an undisclosed amount to acquire Toronto-based visual effects studio Mr. X.
Led by MPC VFX supervisor Guillaume Rocheron and VFX producer Philip Greenlow, the UK-based Moving Picture Company serves as the lead VFX studio bringing the iconic title creature to life in Warner Bros Pictures’ and Legendary Pictures’ ‘Godzilla.’
Led by VFX Supervisor Arundi Asregadoo and VFX Producer Stefan Drury, MPC delivers 80 photoreal shots across nine scenes for The Monuments Men.
MPC’s work on Disney’s The Lone Ranger is recognized with an Oscar nomination for Visual Effects at the 86th Academy Awards.