Ray Feeney, a pioneer of software solutions for visual effects in motion pictures, will receive the first Oscar this year when Academy of Motion Picture Arts and Sciences honors him with the Gordon E. Sawyer Award. Another VFX pioneer, Richard Edlund, will be awarded a John A. Bonner Medal of Commendation. The Oscar statuette and Bonner medallion will be presented at the Scientific and Technical Awards Dinner on Feb. 10, 2007, at the Regent Beverly Wilshire.
Tagged With: Motion
Janet Hetherington talks to vfx experts about how videogame technologies are influencing movies and TV -- in production, presentation and marketing.
Digital Anarchy, a leading provider of cost-effective vfx software for Adobe and Apple products, announced the immediate availability of the ReSizer 2.1 update. ReSizer is a plug-in for high quality scaling of footage or up-converting SD to HD. This gives designers and filmmakers the power to produce high quality SD to HD up-conversions while staying on time and within budget. The plug-in works in Adobe After Effects, Adobe Premiere Pro, and now natively in Apple's Final Cut Pro and Motion using Apple's FxPlug plug-in architecture.
VICON announced a new set of hardware advancements for its VICON MX motion capture solutions. These new features simplify high camera-count motion capture set up, automate simultaneous live-action footage capture, provide powerful and production-friendly near-infrared strobes and round out the MX line with a two million-pixel, full grayscale MX camera, VICON MX20+.
At SIGGRAPH, Mova, a San Francisco-based motion-capture studio, unveiled its new Contour Reality Capture System, which allows film and game makers to use digital cameras to capture and depict full-motion, photorealistic computer-generated characters and other imagery. Movas booth at SIGGRAPH is #1027.
"Mova Contour takes us from motion capture to reality capture," said Steve Perlman, founder/president of Mova.
Mary Ann Skweres reports on what students need to know for planning a motion capture education. Includes QuickTime movie clip!
Vicon, developer of Academy Award-winning motion capture technology, announced the use of a Vicon MX40 motion capture system by Mainframe Ent. for the 70-minute animated movie TONY HAWK IN BOOM BOOM SABOTAGE. Vicon MX motion capture offered the extreme accuracy and realtime performance required to record the signature performances of skateboard legend Tony Hawk and a supporting cast of skaters to bring true-to-form performances to their counterparts in the all-CG film.
FrameFree Technologies has launched FrameFree Studio, the first digital imaging software that allows for the creation of compelling movies from still photographs without a steep learning curve or compromising quality at any bandwidth. FrameFree Studio is available in four different versions: FrameFree Studio HD, FrameFree Studio SD, FrameFree Studio Pro and FrameFree Studio Express, all of which are available now from the companys website.
Vicon and House of Moves, the company's motion capture service division, announced the opening of a new 25,000-square foot facility in Los Angeles. The studio brings together House of Moves' motion capture production services with Vicons world-leading hardware and software development, product support and consulting to uniquely provide film, games and television customers end-to-end motion capture resources and services under one roof.
Officially launching the 79th Academy Awards season, the Academy of Motion Picture Arts and Sciences is mailing more than 850 application request forms to individuals and companies representing the scientific and technical community in the U.S. and abroad in the next few days.
Vicon has added several new games industry customers validating its position as the predominant provider of in-house motion capture systems and outside motion capture services for game development. More than 800 Vicon MX40 cameras have been installed since June of last year at leaders in the field ranging from Ubisoft and SQUARE ENIX to Electronic Arts. These companies expand a prestigious roster of Vicon games clients worldwide that already includes Epic Games, Microsoft Games, Midway Games, Quantic Dream, Sony Computer Ent.
Underscoring its increasing market strength and proximity to innovation in motion pictures, games and television, Academy Award-winning motion capture technology developer Vicon recently launched a Los Angeles-based operation for its U.S. entertainment division.
Ubisoft Montreal has installed the 24-camera Vicon MX40 system. The leading game publisher is home to a new purpose-built motion capture studio equipped with a 4,500-square-foot stage designed primarily for full-body performance. Ubisoft Montreal decided to bring motion capture in-house to develop pipelines that tie directly into its game engines and game designs, and to eliminate the logistical costs of traveling to U.S. West Coast-based motion capture service bureaus.
The Motion Picture Sound Editors (MPSE) will present the 53rd Annual Golden Reel Awards, honoring the finest work in the various areas of sound and music editing in motion pictures and television, on March 4, 2006, during a black tie ceremony at The Beverly Hilton Hotel.
The MPSE Career Achievement and Filmmaker's Awards will also be presented.
The gala stars with cocktails at 5:30 pm, dinner at 7:00 pm and the awards at 8:30 pm, plus dancing. For tickets phone 818-506-7731 or e-mail email@example.com.
Mike Fallows looks into Weta Prods. move from creating King Kong for the big screen to creating dragons in Jane and the Dragon for the small screen. It begins with his experiences on the smaller MoCap Donkey Kong Country for TV.
RE:Vision Effects offers Twixtor, their popular retiming solution, for SOFTIMAGE|XSI animation software.
Twixtor 4.5 raises the bar in motion estimation. Nick Brooks, Oscar and Emmy winner for visual effects, said, "Twixtor 4.5 represents a new touchstone in retiming. The difference in accuracy means that retiming artifacts are either drastically reduced or disappear on the hardest to retime footage. "
Twixtor runs as an FxTree operator within SOFTIMAGE|XSI and provides the following features:* Calculation of motion vectors at each pixel.
In the first installment of VFXWorlds exclusive production diaries, Rhythm & Hues Bill Westenhofer talks about R&D and principle photography on The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.
RE:Vision Effects Inc. announced 64-bit support of its Irix Discreet systems (Sparks) versions of Twixtor, its popular retiming solution, and ReelSmart Motion Blur, which adds and removes motion blur based on per-pixel calculated motion. The new releases also work within the Linux versions of Smoke and Flint and are available for Burn render farms.
Jacquie Kubin looks into how motion capture technology is helping drive the technical improvements in the next-generation systems.
NaturalMotion Ltd. announced the immediate availability of the companys free endorphin 2.5 Learning Edition (eLE). Based on endorphin, NaturalMotions award-winning character animation software, the new eLE includes all relevant product documentation and a comprehensive support network via the companys active endorphin forum. The software has no time restrictions and is fully functional; however, it is motion file export disabled and is not to be used for commercial production.
The Vicon motion capture system has been utilized by French studio Quantic Dream on the new console/computer game INDIGO PROPHECY (known as FAHRENHEIT overseas).
The breakthrough third-person action-adventure game, published by Atari and lauded for its blending of cinema and interactivity, has quickly become an international bestseller.
Vicon recently installed a motion-capture rig at London's Moving Picture Co. (MPC), which was put to use on CHARLIE AND THE CHOCOLATE FACTORY, where, thanks to Vicon motion data and MPC's proprietary crowd simulation software, Alice, one single Oompa Loompa character was cloned to create an army of miniature workers in this visually stunning reinterpretation of the 1971 classic.
TIM BURTONS CORPSE BRIDE, Warner Bros. Pictures stop motion animated feature directed by Mike Johnson and Tim Burton, utilizes the visual-effects services of London-based Moving Picture Co. (MPC) on 460 shots, supervised by MPCs Jessica Norman. The picture was color graded by Max Horton in the MPC DI lab.