Rising Sun Pictures Delivers ‘Elemental’ Holographic VFX in ‘Spider-Man: Far From Home’
Australian studio tackles 100 shots on Marvel’s hit superhero action-adventure sequel to ‘Spider-Man: Homecoming.’
Australian studio tackles 100 shots on Marvel’s hit superhero action-adventure sequel to ‘Spider-Man: Homecoming.’
Visual effects supervisor talks about his role leading the Weta Digital team on Disney and Marvel’s smash action-adventure hit.
With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.
June 20th is the United Nations’ World Refugee Day; the noted animation writer and story editor shares her thoughts on why ’50 million children need more than my words.’
Oscar winners ‘Spider-Man: Into the Spider-Verse’ and ‘First Man,’ ‘Stranger Things,’ ‘Avengers: Endgame,’ ‘Toy Story 4’ and ‘Game of Thrones’ among expansive slate of planned feature film, streaming, games and VR presentations.
Leading visualization studio shares just released images showcasing some of their extensive work on Joe and Anthony Russo’s box office smash, the final film in Marvel’s 22-MCU-movie ‘Infinity’ saga.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
VFX supervisor on Disney and Marvel’s action-adventure hit discusses the complex digital character work used to create a young version of Agent Nick Fury.
Custom cloud-based platform allows content producers to manage most projects on their mobile device.
With a 'snap,' Weta Digital helps brings closure to both Josh Brolin’s seemingly unstoppable villain and the foundational storyline from the MCU’s first 10 years.
Studio delivers 300 VFX shots, including never-before-seen Bruce Banner / Hulk hybrid, for Anthony and Joe Russo’s box office smash ‘Infinity War’ follow-up.
Warner Bros. scores with record video game adaptation opening, though ‘Endgame’ wins the weekend while passing $2.4 billion globally.
Led by VFX supervisor Simon Stanley-Clamp, the studio delivers 264 visual effects shots for Marvel’s record-breaking box office hit, ‘Avengers: Endgame.’
Veteran finishing artist brings two decades of experience on shows like HBO’s ‘The Wire’ and ‘Sex in the City.’
First of four sequels to James Cameron’s sci-fi epic pushed out a full year to 2021, while new ‘Star Wars’ films to hit every other year starting 2022.
Marvel’s follow-up to ‘Infinity Wars’ scores record setting second-weekend haul while STX’s animated family offering gets little love from audiences.
Marvel’s highly anticipated follow-up to ‘Infinity War’ beats industry predictions and blasts right by previous records for both domestic and international opening weekends.
Back-to-back episodes on Disney XD and DisneyNOW cross time and dimensions using different animation techniques to visually support the storytelling.
Studio’s fifth animated feature, a comedy adventure written and directed by ‘ParaNorman’ director Chris Butler, posts their worst theatrical opening ever.
Taking a direct shot at Netflix, The Walt Disney Company announces plans to release more than 25 original series and 10 original films, documentaries and specials in the first year of its rival streaming service.
Framestore VFX supervisor Christian Kaestner oversees more than 130 awe-inspiring shots for the first film in the Marvel Cinematic Universe to feature a female superhero lead.
Adelaide, South Australia-based studio delivers hundreds of complex VFX shots for the latest addition to the Marvel Cinematic Universe.
Marking the company’s tenth collaboration with Marvel Studios, Munich-based VFX house Trixter delivers CG spaceships, downtown LA environments and a CG cat named Goose for ‘Captain Marvel.’