Ellen Wolff takes a look at the evolution of previsualization in animated features from 2D sketches to 3D moving storyboards at DreamWorks Feature Animation and Pacific Data Images.
Tagged With: Live-action
LION KING-director Rob Minkoffs Sprocketdyne Entertainment has signed a deal with United Media to transform Darby Conleys comic strip GET FUZZY into a CGI-enhanced live-action feature, reported DAILY VARIETY. BEAUTY AND THE BEAST and HUNCHBACK OF NOTRE DAME director Kirk Wise will be making his live-action debut on the project. Wise has been developing the project with Conley. Minkoff and his partner Jason Clark will produce the picture, with their Sprocketdyne vp of development Warren Davis co-producing.
Anime heroine AEON FLUX may flex her muscles in a live-action feature from Paramount Films, MTV Films and Valhalla Motion Pictures, it was reported by the HOLLYWOOD REPORTER and confirmed by an MTV spokesperson. The studios are negotiating with GIRLFIGHT director Karyn Kusama to direct the live-action flick, based upon the 1995 animated series created by Peter Chung, which aired on during MTV's late night LIQUID TELEVISION block. Through her Valhalla studio from a script by Matt Manfredi and Phil Hay (crazy/beautiful), Gale Anne Hurd (THE HULK, TERMINATOR 3: RISE OF THE MACHINES) will produce the film about the icy female superspy in an underground organization fiercely engaged on a secret mission. David Gale, EVP for MTV Films, will also produce the movie overseen by Michael Cole, VP at MTV and Valhalla exec Barbara Boyle.
SecondSun Entertainment, the animation company created by combining 2D studio Delaney and Friends, 3D company Brainchild Studios, and Interactive Games producer Furious Entertainment, has recently completed two animated commercial projects under the new banner. Both commercials employed a combination of live-action, 2D and 3D animation.
Framestore CFC will be supervising the visual effects for THUNDERBIRDS, the forthcoming live-action movie based on Gerry Anderson's 1960s puppet-animated TV series. The series has enjoyed a huge resurgence of popularity recently, following its re-screenings on BBC2 in the UK and on TechTV in the U.S. The live-action version of THUNDERBIRDS will feature the Tracy brothers memorable spacecraft as well as Tracy Island, the elaborately mechanized tropical base of the International Rescue team.
Martin "Dr. Toon" Goodman takes on LAAFs, or Live-Action Animated Features, with a vengeance. How come Hollywood insists on making these flops!?
Director James Cameron's production company has signed on to develop a live-action version of Top Cow Prods.' popular comic book FATHOM. Created and illustrated by Michael Turner, FATHOM tells the story of young Aspen Mathews. After being found on an abandoned yacht with no memory of her past, she grows up and becomes an Olympic swimmer and marine biologist. During her research, she discovers a mysterious underwater race and her own aquatic powers. It is unlikely an animated version will ever see light though.
* Tuesday, November 27 - Sunday, December 2, 2001, Viareggio, Tuscany Italy.
Entry Deadline: Sunday, September 30, 2001
Animation and production house Loop Filmworks has created a series of short films for Noggin, directed by David Chartier. "Noggin came to us with the idea of creating a series of short films told from the perspective of a precocious kid who uses his parents video camera to capture things he's curious about - such as which type of ice cream melts the fastest, and, how many ants could you fit at one time on a lollipop.
Osmosis Jones blends hokey live-action and slick animation into a cop spoof that is both gross and clever. J. Paul Peszko reveals the process behind these two separate worlds.
Film Roman has announced that it is stopping its live-action feature development division. Feature division president Mitchell Solomon and production VP David Jung have been let go and their responsibilities have been given to Film Roman president/CEO John Hyde and TV president Peter Schankowitz. This move marks Film Roman's desire to refocus on its core animation business. No word was given on how this decision will affect the live-action projects already in production including the adaptation of the TV series THE GREATEST AMERICAN HERO for Disney.
yU + co has designed and produced a television advertising campaign for Turner Network Television in support of TNT and CNN/SI coverage of WUSA, the women's professional soccer league. Directed by yU + co creative director Garson Yu, the campaign launches with a 60-second television spot in which soccer stars Mia Hamm, Brandi Chastain, Julie Foudy and Brianna Scurry morph into animated superheroes.
PDI/DreamWorks has completed production on three new commercials for Monster.com, MSN and Target. PDI/DreamWorks brought Monster.com's green mascot, Trump, to life, working with renowned advertising agency Arnold Communications and live-action director Kinka Usher, on the humor spots which debuted during the Super Bowl. The PDI/DreamWorks team, led by director Larry Bafia, created the monster spokesperson for all five spots' endtags.
Santa Monica, California digital studio R!OT has created the visual effects for a new Samsung television commercial featuring Olympic sprinter Michael Johnson. The commercial shows the world-record holder running on a track that actually is a super-sized Samsung 8500 cellular phone. Johnson, the other runners and race officials were shot against a green screen at Whiteman Airport in Pacoima, California, in addition to other objects like a pair of wind-whipped flags.
Rhinoceros Visual Effects and Design has created the visual effects for a new New York State Lottery 30-second spot. In "Talking Mule," a live-action talking donkey ponders why miners bother panning for gold when all they need to do is play New York Lottery's "24K" game. Rhinoceros developed a highly efficient new system of simulating speech for "Talking Mule" that called for Inferno compositing, rather than the standard CGI work.
Harvey Entertainment and Hartbreak Films are teaming up to develop a new live-action TV series for the WB based on the cartoon character Richie Rich. The show, however, will place a grown up Richie in college adapting to his new life as "the richest kid in the world" in a more normal environment. The project is a plan to strengthen WB's Friday night line-up, which currently is anchored by Hartbreak Films' SABRINA THE TEENAGE WITCH. This move adds another toon based live-action adaptation to the WB's fall 2001 line-up. The WB has already ordered 13-episodes of the Warner Bros.
In February, Warner Bros. will start shooting their live-action adaptation of SCOOBY-DOO. Raja Gosnell, director of HOME ALONE 3 and the Drew Barrymore comedy NEVER BEEN KISSED, will direct the film from a script by James Gunn, with Chuck Roven producing. The picture will shoot in Australia and no cast has been announced. The story will feature the gang of Fred, Daphne, Velma, Shaggy and Scooby, but no specific plot summary has been release.
The hit British comedy program, MR. BEAN, is about to be transformed into an animated series. The live-action series production company, Tiger Aspect, will be producing the US$15 million animated television series, which will air on ITB. Rowan Atkinson, who plays the live-action Bean, will voice the animated character. In addition, Robin Driscoll, who served as the original writer on the live-action series, will be scribing the new toon version. Currently, Tiger Aspect is looking for an animation company to perform the physical production.
High Dynamic Range Imaging is quickly becoming a prevalent digital technique. The ability to light quickly to live-action footage with such accuracy and quality is unmatched by any other technique. Lightwave has already incorporated HDRI into its latest release. Which other packages will follow suit? Rendering with HDRI is time consuming, but will the strong points overcome the deficits? The high quality results of THE MATRIX work by Manex, and the James Brown project, FUNK BLAST by Digital Domain suggest much more work in HDRI will be created as CPU's gain speed and the software evolves.
Wildlife & Fugitive director Jay Torres created an amusement park world of rides using Sketcher shoes. Torres placed live-action kids inside shoes that served as the cars of the rides. "We had to shoot each element, be it the live kids or the stop-motion shoe elements separately," said Torres. "Since the amusement park wasnt meant to be realistic, we tried to create more of a surreal environment by using a combination of still frames, live-action and 3D animation. Its definitely a new look and a way to come up with ideas that fit into certain budget limitations.
Gerard Raiti looks into why some cartoons make successful live-action features while others don't. Academy Award-winning producer Bruce Cohen helps out.
The live-action cast for OSMOSIS JONES just keeps getting bigger. SNLs Molly Shannon and Chris Elliot have been added to the live-action cast, which includes Bill Murray. The story centers on a man (Murray) who gets sick and the white blood cell (voiced by Chris Rock) and cold pill (voiced by David Hyde Pierce) that race to battle the virus overtaking his body. The animated portion will take place in Murrays body, while the live-action takes part in the outside world. Shannon will play Murrays daughters schoolteacher and Elliot will play Murrays best friend.
In August, Germany-based director Heinrich Sabl will start production of MEMORY HOTEL, which will feature puppets animated against live-action backgrounds. The main difficulty in filming the feature is that the filmmakers only have seven seconds to set up the new frame before it needs to be shot. This short time frame to adjust the puppets into their new position is due to continuity of the live-action environment (ie clouds, grass, trees, etc).