Martin "Dr. Toon" Goodman takes on LAAFs, or Live-Action Animated Features, with a vengeance. How come Hollywood insists on making these flops!?
Tagged With: Live-action
Director James Cameron's production company has signed on to develop a live-action version of Top Cow Prods.' popular comic book FATHOM. Created and illustrated by Michael Turner, FATHOM tells the story of young Aspen Mathews. After being found on an abandoned yacht with no memory of her past, she grows up and becomes an Olympic swimmer and marine biologist. During her research, she discovers a mysterious underwater race and her own aquatic powers. It is unlikely an animated version will ever see light though.
* Tuesday, November 27 - Sunday, December 2, 2001, Viareggio, Tuscany Italy.
Entry Deadline: Sunday, September 30, 2001
Animation and production house Loop Filmworks has created a series of short films for Noggin, directed by David Chartier. "Noggin came to us with the idea of creating a series of short films told from the perspective of a precocious kid who uses his parents video camera to capture things he's curious about - such as which type of ice cream melts the fastest, and, how many ants could you fit at one time on a lollipop.
Osmosis Jones blends hokey live-action and slick animation into a cop spoof that is both gross and clever. J. Paul Peszko reveals the process behind these two separate worlds.
Film Roman has announced that it is stopping its live-action feature development division. Feature division president Mitchell Solomon and production VP David Jung have been let go and their responsibilities have been given to Film Roman president/CEO John Hyde and TV president Peter Schankowitz. This move marks Film Roman's desire to refocus on its core animation business. No word was given on how this decision will affect the live-action projects already in production including the adaptation of the TV series THE GREATEST AMERICAN HERO for Disney.
yU + co has designed and produced a television advertising campaign for Turner Network Television in support of TNT and CNN/SI coverage of WUSA, the women's professional soccer league. Directed by yU + co creative director Garson Yu, the campaign launches with a 60-second television spot in which soccer stars Mia Hamm, Brandi Chastain, Julie Foudy and Brianna Scurry morph into animated superheroes.
PDI/DreamWorks has completed production on three new commercials for Monster.com, MSN and Target. PDI/DreamWorks brought Monster.com's green mascot, Trump, to life, working with renowned advertising agency Arnold Communications and live-action director Kinka Usher, on the humor spots which debuted during the Super Bowl. The PDI/DreamWorks team, led by director Larry Bafia, created the monster spokesperson for all five spots' endtags.
Santa Monica, California digital studio R!OT has created the visual effects for a new Samsung television commercial featuring Olympic sprinter Michael Johnson. The commercial shows the world-record holder running on a track that actually is a super-sized Samsung 8500 cellular phone. Johnson, the other runners and race officials were shot against a green screen at Whiteman Airport in Pacoima, California, in addition to other objects like a pair of wind-whipped flags.
Rhinoceros Visual Effects and Design has created the visual effects for a new New York State Lottery 30-second spot. In "Talking Mule," a live-action talking donkey ponders why miners bother panning for gold when all they need to do is play New York Lottery's "24K" game. Rhinoceros developed a highly efficient new system of simulating speech for "Talking Mule" that called for Inferno compositing, rather than the standard CGI work.
Harvey Entertainment and Hartbreak Films are teaming up to develop a new live-action TV series for the WB based on the cartoon character Richie Rich. The show, however, will place a grown up Richie in college adapting to his new life as "the richest kid in the world" in a more normal environment. The project is a plan to strengthen WB's Friday night line-up, which currently is anchored by Hartbreak Films' SABRINA THE TEENAGE WITCH. This move adds another toon based live-action adaptation to the WB's fall 2001 line-up. The WB has already ordered 13-episodes of the Warner Bros.
In February, Warner Bros. will start shooting their live-action adaptation of SCOOBY-DOO. Raja Gosnell, director of HOME ALONE 3 and the Drew Barrymore comedy NEVER BEEN KISSED, will direct the film from a script by James Gunn, with Chuck Roven producing. The picture will shoot in Australia and no cast has been announced. The story will feature the gang of Fred, Daphne, Velma, Shaggy and Scooby, but no specific plot summary has been release.
The hit British comedy program, MR. BEAN, is about to be transformed into an animated series. The live-action series production company, Tiger Aspect, will be producing the US$15 million animated television series, which will air on ITB. Rowan Atkinson, who plays the live-action Bean, will voice the animated character. In addition, Robin Driscoll, who served as the original writer on the live-action series, will be scribing the new toon version. Currently, Tiger Aspect is looking for an animation company to perform the physical production.
High Dynamic Range Imaging is quickly becoming a prevalent digital technique. The ability to light quickly to live-action footage with such accuracy and quality is unmatched by any other technique. Lightwave has already incorporated HDRI into its latest release. Which other packages will follow suit? Rendering with HDRI is time consuming, but will the strong points overcome the deficits? The high quality results of THE MATRIX work by Manex, and the James Brown project, FUNK BLAST by Digital Domain suggest much more work in HDRI will be created as CPU's gain speed and the software evolves.
Wildlife & Fugitive director Jay Torres created an amusement park world of rides using Sketcher shoes. Torres placed live-action kids inside shoes that served as the cars of the rides. "We had to shoot each element, be it the live kids or the stop-motion shoe elements separately," said Torres. "Since the amusement park wasnt meant to be realistic, we tried to create more of a surreal environment by using a combination of still frames, live-action and 3D animation. Its definitely a new look and a way to come up with ideas that fit into certain budget limitations.
Gerard Raiti looks into why some cartoons make successful live-action features while others don't. Academy Award-winning producer Bruce Cohen helps out.
The live-action cast for OSMOSIS JONES just keeps getting bigger. SNLs Molly Shannon and Chris Elliot have been added to the live-action cast, which includes Bill Murray. The story centers on a man (Murray) who gets sick and the white blood cell (voiced by Chris Rock) and cold pill (voiced by David Hyde Pierce) that race to battle the virus overtaking his body. The animated portion will take place in Murrays body, while the live-action takes part in the outside world. Shannon will play Murrays daughters schoolteacher and Elliot will play Murrays best friend.
In August, Germany-based director Heinrich Sabl will start production of MEMORY HOTEL, which will feature puppets animated against live-action backgrounds. The main difficulty in filming the feature is that the filmmakers only have seven seconds to set up the new frame before it needs to be shot. This short time frame to adjust the puppets into their new position is due to continuity of the live-action environment (ie clouds, grass, trees, etc).
In a world where image is everything, why has it taken advertising so long to embrace digital cars? J. Paul Peszko finds the answer and why Digital Domain was the company for the job.
Patrick Warburton, best known for playing Elaine's mechanic boyfriend,
Putty, on SEINFELD, will don the blue superhero suit in the new live-action
TV series THE TICK. Barry Sonnenfeld will direct the half-hour pilot, and
share executive producing credits with partner Barry Josephson and TICK
creator Ben Edlund. Shooting is scheduled for the first two weeks in April.
Orlando, Florida-based AARGH! ANIMATION, INC. (not related to the abovecompany) is co-producing a series of :10 and :30 spots for Cold-Eeze coldmedicine that combines live-action with cel animation. Mark Simon and DaveKallaher directed the animation. The three :10 spots consist of a celanimated plane that swoops into frame over a six layer multi-plane ofmoving clouds. The computer generated product packages fly out of the planeand are presented close to camera. In the :30 spots, live-action passengers
San Francisco-based The Attik has produced and designed 5 seconds of live-action and graphics for the theatrical trailer end card for "Idle Hands," an upcoming Columbia Pictures film. The segment involves a live-action human hand clutching and clawing at the screen. The Attik team blended the live-action with an illustrated graphic of a hand, animated using a technique similar to stop-motion, to give the piece an organic feel while maintaining a scratchy, hand-crafted texture. Simon Dixon was the Creative Director/Director and Monica Perez was Senior Art Director.
Since Animation World Magazine's inception, we've conducted a monthly column called "Desert Island." This regular installment provides a fascinating peek into the minds of animation artists and others involved in the industry by asking them what ten films they would choose to take with them if they had to spend their remaining years on a desert island. Having surveyed nearly 120 people, we decided it was time to compile all the answers and see what interesting trends and similarities we ...
Recycling is alive and well in Hollywood. An astounding number of animation properties are being optioned for adaptation as live-action films, such as "Inspector Gadget" and "Sailor Moon." This week, two more such deals have been announced. "How the Grinch Stole Christmas," a book by Dr. Seuss and then an animated feature directed by Chuck Jones at MGM, will have its next reincarnation as a live-action feature starring Jim Carrey. Universal, which already owns the theme park rights to Dr. Seuss properties, and Ron Howard's Imagine Films paid Dr. Seuss' widow Audrey Geisel nearly U.S.