Martin Preston discusses the use of the Arnold renderer from Solid Angle on 'Gravity,’ and his role as head of research and development at Framestore.
Tagged With: Gravity
USC’s chief visual officer Paul Debevec outlines the creative technology research underway, as well as the school’s groundbreaking work at the Oscar-winning film ‘Gravity.’
As part of AWN’s Professional Spotlight series -- a series of exclusive video interviews shot during FMX 2014 – Max Solomon, an animation supervisor at Framestore, talks about the animation, previs and onset virtual technology used on the Oscar-winning film ‘Gravity.’
Chris DeFaria, President, Animation, Digital Production and Visual Effects at Warner Bros., discusses the success of ‘Gravity,’ assessing a film’s marketability, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Disney’s ‘Frozen,’ Warner Bros.’ ‘Gravity’ and Paramount’s ‘The Wolf of Wall Street’ top the list of most pirated films in 2014.
Last year we donned 3D glasses for an IMAX showing of Gravity. Off the chart reviews. A 17 MINUTE opening shot. Unparalleled vfx. Showered with Oscars. But how is it one year later?
SIGGRAPH 2014 will offer presentations on more than 15 of the biggest current and upcoming studio productions, including ‘X-Men: Days of Future Past,’ ‘Gravity,’ ‘How to Train Your Dragon 2’ and ‘Teenage Mutant Ninja Turtles.’
Alfonso Cuaron’s ‘Gravity’ is honored with five awards at the 40th installment of the Saturn Awards, hosted by the Academy of Science Fiction, Fantasy and Horror Films.
The Academy to present an in-depth look at the groundbreaking production methods used in the Oscar-winning film Gravity featuring an on-stage discussion with members of the film’s creative teams.
Conference on Animation, Effects, Games and Transmedia to spotlight virtual production in Gravity, Avatar 2 and more with speakers including Chris DeFaria, Tim Webber and Jon Landau.
One month before FMX transforms into the watering hole for the Art, Technology and Business communities, Europe's most influential conference on digital entertainment announces enriching additions to its impressive lineup of speakers and media productions.
Alfonso Cuarón’s 3D space epic Gravity leads the 86th annual Academy Awards with seven wins, including the prize for best visual effects.
Alfonso Cuarón’s Gravity wins Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action; Disney’s Frozen wins the prize for Outstanding Achievement in the animated category.
Alfonso Cuarón’s 3D space epic Gravity leads last night’s BAFTA Film Awards with six wins, including the prize for Outstanding British Film.
The director, who will be receiving the VES' 2014 Visionary Award, discusses the unique process of reverse-engineering his Oscar-contending blockbuster.
Emmanuel Lubezki wins the ASC Award in the feature film competition for Gravity at the 28th Annual American Society of Cinematographers (ASC) Awards for Outstanding Achievement.
The International 3D & Advanced Imaging Society bestows 25 honors at 5th annual awards ceremony in Hollywood; Gravity wins four top honors; Frozen wins two awards; Breaking Bad and Space win for best 4K productions.
For the fifth consecutive year, every film nominated for the Oscar for Best Visual Effects is powered by NVIDIA technology, with NVIDIA GPUs playing an integral role in pipelines for WETA, Framestore, ILM and Pixomondo.
The Producers Guild of America announces this year’s winning motion picture and television productions unveiled during the 25th Annual Producers Guild Awards ceremony on Sunday, January 19.
Framestore, the British VFX company behind box office hits Gravity and Iron Man 3, expands its business presence in North America, deploying high performance, end-to-end Dell solutions in support of current, big-budget projects like RoboCop and Edge of Tomorrow.
Among stiff competition, Framestore is nominated for the Oscar for Best Visual Effects for its work on Alfonso Cuarón’s Gravity.
The Academy of Motion Picture Arts and Sciences announces the 10 films remaining in the running in the Visual Effects category for the 86th Oscars.