SGO's Mistika was used by Framestore for all the stereoscopic alignments, depth grading and visual effects compositing for the LG “Rare Butterflies” cinema commercial for LG's integrated 3D cinema and digital campaign.
Tagged With: Framestore
For this humorous new campaign for Carmax, Framestore partnered with creative powerhouse, Amalgamated, and director, Tom Kuntz, to create two spots that were big hits in this year’s Super Bowl.
Framestore has teamed with the famed studio Pinewood Shepperton and producer Steve Norris to form Apollo Prods., according to The Hollywood Reporter.
For BBH's latest Barclays spot, Framestore had the mighty task of creating a photoreal CG environment where the Tate Modern meets Battersea Power Station.
In this latest spot from Framestore NY, Snickers 'Focus Group', we see a focus group of Great White sharks discussing the flavor of some of the people they have eaten.
In this new spot for Nintendo, which was directed and animated by Framestore NY, the Mini-Marios are on the move.
Framestore has provided a one-stop service for Mindshare by concepting, shooting and post-producing a truly integrated 3D cinema and digital campaign for LG.
Director Roger Michell ("Notting Hill," "Venus"), producer J.J. Abrams (Felicity," "Alias," "Lost," "Fringe” “Star Trek”) and writer Aline Brosh McKenna ("The Devil Wears Prada," "27 Dresses") recently premiered "Morning Glory," a romantic comedy set in the hilarious and dysfunctional world of morning television.
Harry Potter and the Deathly Hallows has received double-whammy input from Framestore: not only was the VFX powerhouse asked to take on some of the film's key visual effects, Framestore’s shortform commercials know-how was additionally commissioned to create the haunting and delicate 2’40” The Tale of Three Brothers animation sequence.
Framestore has helped take PHILIPS' award-grabbing campaign, Parallel Lines, into a whole new dimension with its sixth incarnation, The Foundling.
Framestore has worked alongside Johnny Green and W+K Amsterdam to create a two-minute commercial bursting with the spirit of a global football tournament. Promoting EA Sports' new FIFA 11 game, the spot pits nine teams of global footie superstars and everyday fans against each other in a computer game match that's played out in a Framestore designed CG stadium.
Framestore is welcoming back Smoke artist, Matt Clarke, into the fold after a two year spell of working abroad.
Framestore is further strengthening its production department by hiring Helen Hughes as 'senior producer'.
Framestore and Nokia today launched a competition inviting amateur animators and VFX enthusiasts to contribute ideas for an exciting new special effect for their new project, FX Studio.
Framestore is about to embark on one of its greatest challenges yet, Gravity is the next Avatar in terms of ambition. There are many innovative and visually stunning aims for this project.
Europe's largest digital visual-effects company, Framestore, is working on the upcoming AVATAR from its Iceland branch in Reykjavik, VARIETY reports.
HOUSE OF CARDS is a new spot created by Leo Burnett as part of a campaign for homeless charity Shelter. Directed by Dom & Nic, HOUSE OF CARDS features music donated by Radiohead and a voiceover by actress Samantha Morton. The spot's low-key yet spectacular visual effects were created by Framestore, who also donated their services.
The Tale of Despereaux marks the beginning of feature animation at Framestore, and AWN provides complete coverage of the breakthroughs.
Most U.K. companies looking to open a new office away from the din, pollution and brutal cost of living entailed by London might turn to a nice piece of greenbelt real estate, or perhaps one of the nearby provincial towns. Framestore, on the other hand, went to Iceland.
Framestore has completed three ad spots for three different companies:
NO RESTRICTIONS for Neotel
NO RESTRICTIONS is a beautiful, exuberant new spot created for South African telecommunications company, Neotel. Designed to emphasize the freedom from the old restrictions that the company can offer its clients, the spot takes human (and animal) icons from South African prohibition signs and liberates them via some CG animation.
Framestore was one of only a handful of digital effects studios chosen to work on THE DARK KNIGHT by director Christopher Nolan, who notoriously prefers to work in-camera and practically as much as possible, turning to digital effects only when they offer him otherwise unachievable and un-improvable results. Framestore's shots for the film encompassed matte paintings, digital doubles (including a CG Batman), vehicles, crowds, and the highly sensitive Harvey Dent/Two-Face CG work.
Anyone near the Southbank on the evening of March 27 would have noticed something special going on at Tate Modern as Lord Puttnam hosted the Escape Awards 2008 in partnership with Autodesk and AMD.
Key players from some of the biggest companies in Visual Effects, Games and Design Visualization were on hand to rub shoulders, enjoy a few cocktails and admire the stunning view.
However, there was also some serious business to be done as everybody was eager to hear who would take the top spots across the eight award categories.
Framestore CFC, who created the vfx for THE GOLDEN COMPASS (and won an Oscar doing it), is wading into film production, VARIETY reports.
The new Framestore Features is getting behind Richard Linklater's ME AND ORSON WELLES, shooting now on the Isle of Man, supernatural thriller TRIANGLE from Chris Smith and five genre movies from Generator Entertainment, an new Irish house.
Framestore will executive produce, but will also serve as technical advisor on films that normally can't afford fancy vfx.