Max Solomon, an animation supervisor at Framestore, discusses his work as on 'Jupiter Ascending' and 'Gravity.'
Tagged With: Framestore
Filmakademie graduate and Disney/Pixar Character TD Tanja Krampfert discusses the creation of Joy in ‘Inside Out,’ while DoP Patrick Lin illuminates the special camera set-up designed to parallel the main character’s emotional journey.
Animation veteran to serve as Animation Supervisor on Disney’s live-action reboot of ‘Beauty and the Beast’ at Framestore’s Montréal studio.
Created to discover emerging talent and help launch graduates into careers at the world’s top studios, over the past six years The Rookies has placed more than 70 young artists with internships at companies such as Weta Digital, Double Negative, The Mill, Gameloft, Crytek, Framestore and Epic Games.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Creative VFX studio led by veteran VFX Supervisor/Flame artist Karen Heston recently collaborated with director Cary Joji Fukunaga on ‘Beasts of No Nation’ for Netflix.
Now in its fourth year, The VFX Festival 2016 will be held February 23-25 at Cineworld at the O2 Centre in London.
Vicon T40 cameras help Framestore capture the intensity of climbing Mount Everest for epic action-thriller ‘Everest.’
CG supervisor Robert Allman talks about the challenge of recreating the expansive and hard to shoot environments of the world’s tallest mountain.
Made for $150 million, Joe Wright's big-budget Neverland origins story could lose between $130 million to $150 million for Warner Bros.
Framestore announces the arrival of two new hires in Montreal, animation supervisor Kyle Dunlevy and visual effects supervisor Richard Hoover.
Framestore completes new exploratory interactive timeline experience comprising massive amounts of data from over 3,500 works of art.
Framestore delivers 338 out-of-this-world visual effects sequences for Ridley Scott’s ‘The Martian,’ including the space ship Hermes, CG environments on Mars, and a dazzling ending sequence.
Large-scale, outdoor data visualization project developed in conjunction with Bloomberg’s internal creative agency brings interactive data to the thousands of people who traverse Times Square every day.
Online teaser for Ridley Scott's ‘The Martian’ sets leading astrophysicist Neil deGrasse Tyson against a digital backdrop created by up-and-coming Polish VFX house Juice.
EA Germany, Omstudios, Milk VFX, Framestore and MPC recognized for toolset development and pipeline advancement.
Quebec government is lending Montreal-based visual effects studio $1 million to expand its operations, part of a $4 million investment.
Dinosaurs, Video Game Monsters and Action Movie Icons return this summer for a blockbuster reunion at the multiplex.
Martin Preston discusses the use of the Arnold renderer from Solid Angle on 'Gravity,’ and his role as head of research and development at Framestore.
U.K.-based visual effects house works with agency J. Walter Thompson to deliver a shape-shifting, oil and metal based creature for Shell’s latest spot.