Framestore completes new exploratory interactive timeline experience comprising massive amounts of data from over 3,500 works of art.
Tagged With: Framestore
Framestore delivers 338 out-of-this-world visual effects sequences for Ridley Scott’s ‘The Martian,’ including the space ship Hermes, CG environments on Mars, and a dazzling ending sequence.
Large-scale, outdoor data visualization project developed in conjunction with Bloomberg’s internal creative agency brings interactive data to the thousands of people who traverse Times Square every day.
Online teaser for Ridley Scott's ‘The Martian’ sets leading astrophysicist Neil deGrasse Tyson against a digital backdrop created by up-and-coming Polish VFX house Juice.
EA Germany, Omstudios, Milk VFX, Framestore and MPC recognized for toolset development and pipeline advancement.
Quebec government is lending Montreal-based visual effects studio $1 million to expand its operations, part of a $4 million investment.
Dinosaurs, Video Game Monsters and Action Movie Icons return this summer for a blockbuster reunion at the multiplex.
Martin Preston discusses the use of the Arnold renderer from Solid Angle on 'Gravity,’ and his role as head of research and development at Framestore.
U.K.-based visual effects house works with agency J. Walter Thompson to deliver a shape-shifting, oil and metal based creature for Shell’s latest spot.
As part of AWN’s Professional Spotlight series -- a series of exclusive video interviews shot during FMX 2014 – Max Solomon, an animation supervisor at Framestore, talks about the animation, previs and onset virtual technology used on the Oscar-winning film ‘Gravity.’
Framestore's London and Montreal teams deliver over 500 shots to help realize the Wachowski’s lavish and beautifully designed sci-fi universe, including CG hero characters, CG environments, digital doubles, and a host of CG space ships and planets, along with all manner of explosions, fireballs, shattering glass and liquid nano-technology.
New role will see Walker lead the design of characters and environments across the London Integrated Advertising team’s CG work.
Oscar-nominated VFX supervisor discusses the challenges of creating two believable CG action heroes.
Visual effects festival, conference and job fair to include presentations on the invisible effects of ‘Birdman,’ ILM’s work on ‘Captain America: The Winter Soldier,’ the making of ‘Dawn of the Planet of the Apes,’ the miniature effects of ‘Interstellar,” and more.
Vicon T40 cameras enable VFX house Framestore to carry out quality previsualization for marmalade loving bear Paddington.
Framestore hires executive producer Luis Ribeiro to oversee business development for integrated advertising in New York.
Framestore dishes out Christmas cuteness with the “cutest ad ever,” including puppies, kittens, piglets, and a gloriously incongruous CG Narwhal.
Alex Pejic, Stephane Nazé, Nigel Denton-Howes and Oscar-winner George Murphy join Framstore’s London and Montreal film offices.
London-based VFX house teams with visualization specialists The Third Floor to help launch O2's ‘Be More Dog’ campaign into outer space.
The Corrie-loving snail, whose life is transformed by Freesat’s Freetime service, is created by Framestore for a new campaign by TellyJuice and director David Skinner.