The visual effects giant is reportedly looking at opening a facility in the U.K. to take advantage of foreign tax subsidies.
Tagged With: Effects
LOOK Effects hires visual effects industry veteran Wendy Lanning as executive visual effects producer.
The Creators Project goes behind the scenes of Universal’s sci-fi epic, “Oblivion,” with a close-up look at the in-camera effects created for the film.
The Academy honors makeup effects in feature films with a special panel presentation, “Blending Makeup with Digital Arts in Film.”
The Academy takes a look at the breakthrough stereoscopic and visual effects work that went into crafting the Oscar-winning film “Life of Pi,” featuring an onstage discussion with members of the film’s creative teams.
VFX company LOOK Effects President Mark Driscoll weighs in on the “Panel Discussion on the Future of the VFX Industry” and visual effects supervisor Dan Schrecker presents the company’s visual effects work in “The Making of Warm Bodies” at the 2013 FMX conference in Suttgart, Germany.
DreamWorks Animation releases Open VDB 1, open source framework developed by DWA engineers for sparse volume data.
LOOK Effects produces seamless visual effects for the Henry-Alex Rubin-directed “Disconnect,” from LD Entertainment and Wonderful Films.
LightWave demonstrates LightWave 11.5 3D modeling and animation software, including the new Adobe After Effects Interchange feature, at NAB 2013.
The Smoke community continues to grow after Autodesk launched a redesign of their professional video editing software, Autodesk Smoke.
Technology developer of professional 3D modeling, painting, animation and rendering solutions announces a new live 3D pipeline between CINEMA 4D and Adobe After Effects.
The Academy launches a slate of events focused on the breakthroughs in visual effects, beginning with a special advance screening of “Jurassic Park 3D” on April 2, and concluding with an exploration of the groundbreaking VFX techniques used in “Life of Pi” on May 6.
VFX company LOOK Effects produces the visual effects for David Mamet’s “Phil Spector” for HBO Films.
MAXON and Adobe announce strategic alliance to bring creative professionals new levels of digital media content creation.
Two weeks after reports that troubled VFX studio Rhythm & Hues would be establishing operations in Taiwan, the company courts new employees for its facility in the city of Kaohsiung.
Athena Studios founder Jon V. Peters is named to the Board of Directors for the Visual Effects Society’s Northern California Chapter.
The seasoned VFX vet shares how an integrated pipeline built upon Adobe software brings greater creative freedom and efficiency to the production.
Athena Studios hosts an event produced by the Bay Area Chapter of the Visual Effects Society on VFX photography.
In response to the protest at Sunday's Oscars as well as recent layoffs at Rhythm & Hues, Digital Domain, DreamWorks and other facilities, the VES issues an Open Letter and Call to Action.
MPC VFX Supervisor Guillaume Rocheron is honored at the Academy Awards for the studio's contribution to Ang Lee’s critically acclaimed “Life of Pi.”
The visual effects community responds to director Ang Lee’s acceptance speech for the Academy Award for Best Director for “Life of Pi.”