Opened in 2009, DNeg’s Singapore facility has been involved in production of visual effects for films including ‘Godzilla,’ ‘Man of Steel’ and ‘The Hunger Games: Mockingjay’ Parts 1 & 2.
Tagged With: DNeg
Tasked with the creation of the film’s main character, an artificially intelligent android named Ava, VFX supervisor Andrew Whitehurst and the DNeg team helped make the low-budget sci-fi feature one of the standout movies of the year.
Overall VFX supervisor dishes on his stunning Academy Award win for best achievement in visual effects on Alex Garland’s sci-fi thriller.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Overall VFX supervisor talks about key visual effects sequences in Sam Mendes’ latest hit in the James Bond film franchise.
Twenty scientific and technical achievements involving 11 distinct investigations are selected for further consideration for 2015 Academy Awards.
VFX supervisor Pete Bebb walks us through DNeg’s extensive work on robotic assassins, digital doubles and Arnold Schwarzenegger’s Guardian in the latest ‘Terminator’ franchise flick.
Dneg VFX supervisor Alex Wuttke talks lighting, camera arrays and macro photography on Marvel’s latest superhero movie.
‘Interstellar’ VFX supervisor Andrew Lockley details how his team used cineSync to help develop the groundbreaking visual effects for numerous Christopher Nolan films.
AWN goes backstage at the 87th annual Academy Awards with Oscar winners ‘Big Hero 6,’ ‘Feast’ and ‘Interstellar.’
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins the Oscar for Best Achievement in Visual Effects.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins over the scientific community by depicting the most accurate black hole ever seen.
Company behind development framework Fabric Engine announces multi-year, multi-site deals with Double Negative, Psyop and Blur Studio.
Prime Focus reaches an agreement to acquire Mumbai-headquartered Reliance MediaWorks in deal that will give Reliance a 30.2 percent stake in Prime Focus.
Prime Focus Limited announces the merger of its creative services subsidiary Prime Focus World and visual effects provider Double Negative; combined entity will be the world’s largest integrated VFX, 3D Conversion & Animation services company.
Former Aardman Features exec Sarah Smith launches a UK animation studio with backing from Elisabeth Murdoch and VFX house Double Negative.