Major Technicolor exhibition at MoMA, ‘Glorious Technicolor: From George Eastman House and Beyond,’ rolls into its final weeks with a full schedule of 35mm screenings of Disney and other animation classics.
Taking first place at the North American box office with a $115.2 million debut, Illumination Entertainment’s ‘Despicable Me’ spinoff scores the second-biggest opening weekend of all time for an animated title.
From filmmakers Michael Fiore and Erik Sharkey, ‘Floyd Norman: An Animated Life’ examines the prolific animator and story artist’s life from growing up in Santa Barbara, CA to his years working as an animator at Disney, Hanna-Barbera, Pixar and beyond.
Montreal-based visual effects studio combines practical elements with CG to create a realistic look for Brad Bird’s ‘Tomorrowland,’ including digital matte painting, bluescreen compositing, scene enhancements, CG effects and simulation.
Universal's ‘Jurassic World’ holds off Pixar’s ‘Inside Out’ for the third weekend in a row; Paramount's ‘Terminator Genisys’ sees third place debut with $28.7 million from 3,758 locations.
SIGGRAPH announces the complete lineup for this year’s Production Sessions program for its 42nd annual conference, set for August 9-13 at the Los Angeles Convention Center.
ILM VFX supervisor Ben Snow discusses the enormity, complexity and challenges of the work his team wrestled with on Marvel’s latest superhero adventure.
Celebration continues in San Diego at Comic-Con International with a panel on the upcoming feature-length documentary on legendary Disney and Hanna Barbera animator and story artist Floyd Norman.
Universal's ‘Jurassic World’ holds off Pixar’s ‘Inside Out’ for the second weekend in a row; Seth MacFarlane R-rated comedy sequel ‘Ted 2’ underwhelms with $33 million debut.
Pixar Animation Studios to share new footage from upcoming films, celebrate the 20th Anniversary of ‘Toy Story,’ and more at its first-ever D23 EXPO booth.
Universal and Legendary Pictures’ ‘Jurassic World’ ends Pixar's number-one opening winning streak, but ‘Inside Out’ exceeds expectations to score the top debut of all time for an original Pixar title.
Six years in development, one of Pixar’s most anticipated and important films in years hits U.S. theatres.
Take a look at some behind-the-scenes imagery from Pixar and Pete Docter's new film, 'Inside Out.'
Fox Animation lands the rights to the Harvey and Eisner Award-nominated graphic novel by ‘Lumberjanes’ creator Noelle Stevenson.
Tefft Smith II discusses the extensive use of pitchvis, previs, techvis and postvis on Brad Bird’s new fantasy adventure.
Walt Disney Animation Studios celebrates its upcoming projects and its legacy through show-stopping presentations, engaging panels and immersive experiences at D23 EXPO 2015.
Universal’s long-awaited dinosaur feature beats out the May 2012 launch of ‘The Avengers’ with a $208.8 million domestic debut, and becomes the first film to cross $500 million worldwide in a single weekend.
Costing $180 million to produce, Brad Bird’s live action fantasy adventure could see up to $140 million in losses by the time it finishes its global rollout.
Roster of voice talent for Pixar’s upcoming movie ‘The Good Dinosaur’ includes Raymond Ochoa, Jeffrey Wright, Steve Zahn, AJ Buckley, Anna Paquin, Sam Elliott, Frances McDormand, Marcus Scribner and Jack Bright.
Industrial Light & Magic VFX supervisor Eddie Pasquarello takes AWN on a whirlwind tour of the studio’s work on director Brad Bird's live action Disney feature.
Supervisor Gerardo Ramirez discusses key facets of The Third Floor’s previs, postvis and techvis efforts on Marvel’s latest superhero blockbuster.
The consumer products campaign for Disney’s mega-hit animated movie ‘Frozen’ takes top honors for Overall Best Licensed Program and Best Film, Television, or Entertainment (Animated) Program at the annual International Licensing Awards.
LACO @ The Movies celebrates Walt Disney Animation Studios in an evening of eye-popping animation with orchestral scores performed live by The Los Angeles Chamber Orchestra led by Emmy Award-winning composer Mark Watters.
Lola VFX supervisor Trent Claus talks about capturing Paul Bettany’s performance as Vision in Marvel’s latest blockbuster movie.
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
