Industrial Light & Magic VFX supervisor Eddie Pasquarello takes AWN on a whirlwind tour of the studio’s work on director Brad Bird's live action Disney feature.
Tagged With: Disney
Supervisor Gerardo Ramirez discusses key facets of The Third Floor’s previs, postvis and techvis efforts on Marvel’s latest superhero blockbuster.
The consumer products campaign for Disney’s mega-hit animated movie ‘Frozen’ takes top honors for Overall Best Licensed Program and Best Film, Television, or Entertainment (Animated) Program at the annual International Licensing Awards.
LACO @ The Movies celebrates Walt Disney Animation Studios in an evening of eye-popping animation with orchestral scores performed live by The Los Angeles Chamber Orchestra led by Emmy Award-winning composer Mark Watters.
Lola VFX supervisor Trent Claus talks about capturing Paul Bettany’s performance as Vision in Marvel’s latest blockbuster movie.
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
Project continues Disney's recent trend of remaking its animated classics into live-action films, beginning with ‘Maleficent’ and ‘Cinderella,’ and now including ‘Mulan,’ ‘Winnie The Pooh,’ ‘The Jungle Book,’ ‘Beauty and the Beast,’ ‘Dumbo’ and a new movie starring ‘Peter Pan’s Tinker Bell.
New television ad for Marvel’s ‘Ant-Man’ reveals additional footage, showcasing the film’s humorous edge but still packed with plenty of action.
Directed by Peter Sohn and produced by Denise Ream, Pixar Animation Studio’s ‘The Good Dinosaur’ opens in theaters on November 25.
Warner Bros.’ disaster film leads the North American box office with a $53.2 million domestic debut, the highest solo opening ever for star Dwayne Johnson.
The Jim Henson Company promotes Blanca Lista to Vice President of Feature Film Production overseeing the Company’s feature film development slate for live action, animation and puppet features.
The Australian VFX studio tackles a variety of futuristic graphic elements on Marvel’s latest tentpole feature film.
The Oscar-winning director of ‘For the Birds’ discusses his work as production designer on Pixar’s upcoming animated feature.
Brad Bird’s ‘Tomorrowland’ suffers one of the worst Memorial Day starts in recent history with a $41.7 million North American debut. Meanwhile, ‘Mad Max: Fury Road’ speeds past the $100 million mark overseas.
Dinosaurs, Video Game Monsters and Action Movie Icons return this summer for a blockbuster reunion at the multiplex.
Graphic art director Alan Payne and Territory Studio tackle the challenges of bringing super-sized personalities to the small screens of Marvel’s latest super hero tentpole.
Two beloved films from Studio Ghibli -- Oscar-winning masterpiece ‘Spirited Away’ and the enchanting fantasy-adventure ‘The Cat Returns’ -- to be made available for the first time on Blu-ray.
The four-year project between the Walt Disney Animation Research Library and the Getty Conservation Institute will focus on optimal storage conditions and re-attaching flaked and delaminated paints on Disney animation cels.
Following the first ‘Avengers’ movie, Marvel’s ‘Age of Ultron’ scores second-biggest sophomore weekend of all time in North America.
Directed by Byron Howard, Walt Disney Animation Studios’ ‘Zootopia’ opens nationwide on March 4, 2016.
VFX supervisor Alessandro Cioffi and animation supervisor Simone Kraus of Trixter Studios discuss their work for Marvel's super powered ‘Avengers: Age of Ultron.'
Fuelled by the company’s parks and resorts, Disney beats analysts’ predictions, pushing the company’s shares to new highs of more than $113.
Joss Whedon's Marvel tentpole, ‘Avengers: Age of Ultron,’ opens to $191.3 million in North America, the number-two domestic opening of all time behind ‘The Avengers.’