FotoKem uses Blackmagic Design’s DaVinci Resolve for grading and online editing of the pilot of Starz Network’s hugely anticipated new ‘Ash vs Evil Dead’ TV series.
Tagged With: DaVinci Resolve
Mytherapy founder and chief colorist Dado Valentic worked closely with cinematographer Peter Hannan to develop the look and color of the new film directed by Monty Python’s Terry Jones and co-starring Kate Beckinsale and the late Robin Williams.
DigitalFilm Tree employs Blackmagic Design’s DaVinci Resolve as a core component of its remote dailies grading and transcoding services.
Blackmagic digital film cameras were used to shoot scenes and stunt work in ‘Mad Max: Fury Road’ and ‘Avengers: Age of Ultron,’ while Fusion Studio was used for compositing and to help create action sequences for ‘Spy’ and ‘Barely Lethal.’
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
Oscar winner Daniel Junge and Johnny Knoxville’s feature, ‘Being Evel,’ was shot using Blackmagic Design cameras, while more than 20 films at this year’s festival were color graded using DaVinci Resolve.
Blackmagic Design announces DaVinci Resolve has become a central part of O2 Post’s entire production and post production workflow, with the creation of one of the largest DaVinci Resolve workflows in the world.
DaVinci Resolve is used by EC3 dailies colorist Adrian DeLude for near-set dailies grading on the Twentieth Century Fox blockbuster ‘X-Men: Days of Future Past.’