When director Robert Rodriguez of Troublemaker Studios set out to make a stark black-and-white movie based on three of the books from Frank Millers SIN CITY ("A Hard Goodbye," "That Yellow Bastard," and "The Big, Fat Kill") he was determined to be true to that original style and to make a film that looked like nothing else. Shooting actors on greenscreen, he employed ComputerCafé Group's CaféFX to create the backgrounds for one of the episodes, essentially, to create Sin City from the ground up.
Tagged With: Color
Andy Stout gets the lowdown from users on why Iridas new SpeedGrade DI offers the future direction of how we will do this business.
What do a disfigured musical genius, aviation pioneer Howard Hughes and a resurrected vampire have in common? This holiday season, their stories are being told using digital content creation tools from Discreet.
Warner Bros. Animation department used Quik Pix Inc.s ColorBlind color management software (recently upgraded for use on Linux platform) to render the SPONGEBOB SQUAREPANTS animated motion picture, a Nickelodeon/Paramount production to be released on Nov. 24, 2004.
Warner Bros. reported significant savings in time, material and labor during the animation phase of the film.
Bill Desowitz discusses the groundbreaking Sky Captain and the World of Tomorrow with first-time director Kerry Conran.
Crayola's new SPIDER-MAN 2 inspired activity line allows kids to melt crayons and mold them into their own Spider-Man and Dock Ock characters with the SPIDER-MAN 2 Character Maker, draw webby designs with Crayola Spider Writers, pens that ooze a spider-web-like ink and even decorate their windows with all things "Spidey" with SPIDER-MAN 2 Window Markers and Window Clingers.
Communication Arts Illustration CompetitionWorld Wide WebMay 9, 2004Deadline: March 15, 2004
Juried by a nationally representative jury of distinguished designers, art directors and illustrators, each years ILLUSTRATION ANNUAL features the best work in drawing, painting, collage, electronic and three-dimensional illustration.
Kodak has released two new film stocks that incorporate the companys advanced VISION2 color negative film technology, adding 100- and 200-speed, ultra-fine grain color negative films to the product line.
Digital Anarchy announced the availability of Primatte Chromakeyer 2.0, a chromakey compositing plug-in for Photoshop and Photoshop Elements. Primatte allows users to use blue and greenscreen masking technology with Photoshop and digital still images to create complex layered effects.
Mark Simon begins his series of twelve excerpts from his new book Producing Independent 2D Character Animation: Making and Selling a Short Film, with some helpful tricks of the trade. Includes a QuickTime movie clip.
NewKidCo, has shipped E.T. THE EXTRA-TERRESTRIAL for Game Boy Advanced, the first in the company's highly anticipated line of games based on one of the most beloved and successful films of all time, which celebrates its 20th anniversary in March 2002 with a long-awaited re-release. E.T. THE EXTRA-TERRESTRIAL is an action-packed adventure game that captures the excitement and strength of the characters that made the film so popular and pits them against the same challenges faced in the film like assembling the transmitter to "phone home," breaking E.T.
Nothing Real announced recently that their popular compositing tool Shake is now available on the Linux operating system. Version 2.3 is the company's first release to support the Linux platform, making Shake available on Windows NT, IRIX and Linux operating systems. The new release, which was Beta-tested by Cinesite Europe on the Linux platform, includes several new features and improvements. New color correction tools allow artists to color match different elements of source material quickly and easily. In addition, the new tools allow for selective color replacement.
SIMON GOODCHILD, recently signed by London-based SHERBERT, has completedhis first commercial, "Colour Screams," a :40 spot for Procter and Gamble'snew washing powder, Vibrant. The agency was Grey Advertising. The spot,which uses abstract shapes and pure color to create a mood of vibrant,non-bleeding color, was designed with Truespace and Adobe Photoshop.
Wild Brain's Dave Marshall, co-director of FernGully 2, discusses how he tailored the pre-production process of FernGully 2 to guarantee the best final film for the budget.
Wild Brains Dave Marshall, co-director of FernGully 2, discusses how he tailored the pre-production process of FernGully 2 to guarantee the best final film for the budget.