Cinesite delivers digital environments, digital make-up and prosthetics, decapitation and limb removal, crowds of computer generated rampaging zombies, and flashbacks to London burning during an attack for zombie-themed reimagined classic.
Tagged With: Cinesite
CG-animated feature directed by ‘Despicable Me’ co-creator Sergio Pablos enters production at London-based VFX house’s animation division lodged in a new 54,000 square-foot studio located in downtown Montréal.
Under the lead of VFX supervisor Nicolas Chevallier, Cinesite provides digital matte paintings and set extensions, fluid and particle simulations, character animation, lighting, compositing and more for director Alejandro González Iñárritu’s ‘The Revenant.’
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Cinesite delivers a major visual effects sequence for the Marvel Studios production featuring Ant-Man and his evil nemesis Yellow Jacket, creating Ant-Man’s helmet in CG and full-CG characters and effects.
Overall VFX supervisor talks about key visual effects sequences in Sam Mendes’ latest hit in the James Bond film franchise.
New trailer populated by gods and mortals aplenty, showcases stunning digital backdrops and other visual effects from Cinesite, Iloura, Raynault VFX, Rising Sun Pictures, Rodeo FX and Tippett Studio.
Cinesite creates the VFX for key sequences in the movie, including the Queen Witch’s resurrection, an epic battle scene and CG magical effects.
New alliance gives the two VFX houses a combined staff of over 525 artists worldwide, with capacity for 675 at their studios in London, Vancouver and Montréal.
With an extensive list of credits including ‘Jupiter Ascending,’ ‘The Best of Me,’ ‘X-Men: Days of Future Past,’ ‘Riddick,’ ‘White House Down’ and ‘Underworld Awakening,’ Marc A. Rousseau joins Cinesite’s Montréal Studio as VFX Executive Producer.
Tim Clark and Karine Lafranchise are selected as trainee animators and will be joining the feature animation team at Cinesite’s Montréal studios to work on ‘Charming.’
VFX supervisor Holger Voss talks landslides, daring escapes and setting up a Montreal studio for Warner Bros. and Village Roadshow's disaster movie.
‘iAnimate at Cinesite’ apprenticeship program provides the opportunity of online training and a two year contract as a trainee animator with Cinesite.
Growing Montreal team to spearhead visual effects for Lionsgate’s forthcoming supernatural action film, ‘The Last Witch Hunter.’
VFX Supervisor Zave Jackson overseeing visual effects for the third and final installment in the trilogy.
Adapted from the Seth Grahame-Smith’s novel of the same name, ‘Pride and Prejudice and Zombies’ combines Jane Austen’s classic 1813 novel with elements of modern zombie fiction.
Irreverent CG-animated comedy re-imagines the tales of three iconic princesses: Cinderella, Snow White and Sleeping Beauty, who find they are all engaged to the same Prince Charming.
London-based VFX studio creates visuals of Mother Nature at her most extreme for Warner Bros.’ latest release, ‘Into The Storm.’
Autodesk releases a video detailing how the artists at Cinesite created their short film, ‘Beans,’ which led the Computer Animation Festival at SIGGRAPH 2014.
Cinesite completes visual effects for a major battle sequence in MGM/Paramount Pictures’ latest release, ‘Hercules.’
London-based visual effects house completes effects for major action sequence in the latest Tom Cruise sci-fi action thriller, ‘Edge of Tomorrow.’
Canadian Eric Clément joins the Cinesite team in Montréal as CG Supervisor, bringing a wealth of experience and a strong reputation in the visual effects industry.