Released by Dover Studios co-founder Andrew Hazelden, Autodesk Maya plug-in RocketComp instantly connects Maya to 10 of the most popular desktop compositing applications in use today.
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Filmakademie Baden-Württemberg graduate Johannes Schiehsl uses Autodesk Maya, Chaos Group’s V-Ray, and Adobe After Effects and Premiere to create his award-winning diploma film, ‘366 Days.’
Led by Encore VFX supervisor and creative director Stephan Fleet, Encore artists in Vancouver and Los Angeles completed anywhere from 30 to 60 VFX shots per episode.
Unprecedented innovation and integration across Creative Cloud Desktop and mobile apps; new Adobe Stock service debuts.
Adobe plans to integrate Mixamo’s technology into Photoshop so designers can more easily create, customize, manipulate, rig and animate 3D objects.
Online filmmaking superstars from Red Giant Films, Triune Films and Corridor Digital team up at the NAB Show for ‘Breaking the Hollywood Mold,’ moderated by Adobe’s Dave Werner.
First software product from ZERO’s new software division, Code Zero, eliminates the pre-render guesswork: preview and fix banding, artifacting, color shifts before compressing.
Latest Creative Cloud release drives deep connections between new family of mobile apps and enhanced CC Desktop Tools via all-new creative profile.
Tight integration between Premiere Pro CC and After Effects CC allows multiple editors and VFX artists to work on the same project.
At the After Effects World Conference, taking place September 26 – 28, MAXON will be offering sessions to explore close integration between MAXON Cinema 4D and Adobe After Effects.
Thesis film from computer animation students Gang Maria Yi, Garrett O'Neal and Bryan Locantore is a visual representation of the classic children’s game.