Okay, so maybe it isn't really a full-blown sport, but if the proliferation of these videos of digital artwork screen-captured during the creation process is any indication, it's fast becoming a popular spectator event in any case.
Category: Short Films
No Oscar Tour would be complete without the famous Nominee Cake! As the 2011 Tour winds down, so do the nominees and assorted guests, at least for one evening. Held again this year at Ron's house, the party was fun, intimate and warm, despite the rainy weather outside. And of course, we all got sugared-up feasting on the nominated films - literally!
The final day of the 2011 Oscar tour was the busiest of all – morning at the Disney ARL, lunch, 2 screenings and several tours throughout the afternoon, followed by the AWN-Acme Oscar party Friday evening. You could sense the animators were getting a bit antsy, greeting the same questions with the same answers for the umpteenth time, their smiling faces showing traces of exhaustion and anxiety as they silently counted down to the Oscars on Sunday. No rest for the weary however as things really were just getting started.
The third day of the LA Oscar tour actually began with a morning stop at CAA in Century City before a small gathering of agents and producers in their lavish screening room.
SIGGRAPH Asia 2011 sees the return of the Art Gallery and Emerging Technologies programs. Also calling for submissions are: Computer Animation Festival, Courses, Technical Papers, Technical Sketches & Posters.
Nancy Denney-Phelps travels to Norway to take part in the Fredrikstad Animation Festival. The event has an emphasis on screening Nordic animation but offers so much more. Along with Nordic short film and student competitions and screenings of animation aimed at the family audience, two days were devoted to seminars with international guest speakers from all branches of the animation world.
Vancouver-based animation studio Slap Happy Cartoons Inc., in partnership with Canucks Sports & Entertainment, have worked together to find engaging ways to enhance in-arena messaging using Canucks mascot Fin.
TOY STORY 3 director Lee Unkrich talked about his grandmother and taking a well-deserved vacation before starting a new feature with producer Darla Anderson; THE LOST THING co-director Shaun Tan admitted they went a little crazy on his short about going unnoticed; INCEPTION visual effects supervisor Paul Franklin said he considers the folding Paris as recognizable a character as any of the most recent character-centric Oscar winners; and ALICE IN WONDERLAND production designer Rob Stromberg conceded that his vfx background was indispensible on the Tim Burton blockbuster.
The Academy of Motion Pictures Arts and Sciences handed out their coveted Oscars on Sunday, Feb. 27, 2011.
Perry Chen shares his Oscar predictions, plus video interviews with nominated directors and the Oscar symposium.
The Los Angeles leg of the tour picked up on Tuesday, Feb. 22 at Sony. Jakob Schuh and Max Lang were back for the second round; while Bastien Dubois, the director of Madagascar, Carnet de Voyage, his producer Ron Dyens, and Michael Rose and Martin Pope, the producers of The Gruffalo, joined them for the first time.
The Fleischer estate has lost its attempt to regain the copyright to Betty Boop, according to The Hollywood Reporter.
If it’s Friday, it must be Pixar. And as most would attest, a visit to Pixar is pretty special. In no particular order, we met John Lasseter, crawled around the infamous Love Lounge, drank Scotch with Andrew Gordon in the Lucky 7 Lounge, met up with Oscar-winner Ralph Eggleston and his mending broken finger, had lunch with Roger Gould, screened the nominated films for 235+ staff, saw concept art, original models and other visual goodies from several films and talked to Bob Peterson. And, we bought Girl Scout cookies in the Pixar lobby. Quite the day indeed.
SIGGRAPH 2011 seeks cutting-edge Real-Time Live! content to be presented at this year’s prestigious Computer Animation Festival.
Tippett Studio is a well-known cg studio that specializes in feature film visual effects and creature animation. Legendary founder Phil Tippett is the creative force behind some of the most iconic animated creatures and characters in cinematic history. Our second day ended with a screening and highly anticipated tour of their main production facilities. We were not disappointed.
Day 2 of our tour started exactly as Day 1 ended – everyone sleeping snugly in their rooms at the Skywalker Ranch Inn. Soon, we'd be off in the pouring ran in search of PDI...Dan Sarto continues the northern California leg of the 2011 AWN Oscar Tour with a trip to PDI/DreamWorks and a funky nameless Berkeley cafe.
Like intrepid but warmly dressed explorers venturing into mysterious but GPS-identified territory, our group set forth into the crisp morning air in search of our first tour stop, the new Walt Disney Family Museum. We caught a break – the rain had stopped, at least for a few hours, leaving behind a beautiful sunny sky. We weren't so lucky later in the day - we were pounded by rain and hail.
Deadlines are quickly approaching to submit your work to SIGGRAPH 2011, the 38th International Conference and Exhibition on Computer Graphics and Interactive Techniques, 7 - 11 August 2011 in Vancouver.
In a couple hours we’re off to the Disney Museum and then over to Skywalker Ranch for the rest of the day and evening. It’s funny – in all the years we’ve been doing this annual tour and get-together with the animated short nominees, this is the first year I’ve gone on the northern California leg. One thing or another has always kept me in LA. I’m excited, though my room is freezing. I should drag this room heater back home – it would make a great air conditioner for my office.