| Monday 22nd October National film Board of Canada | |
| 10am | "Coffee" Gathering for guests and SAS registration ACI East Conference Room (also known as the "Chairy Tale" room) |
| 11am | Screening of recent NFB Animation Theatre 1 |
| 11am | Preview of our new web-based activities
ACI East Conference Room |
| 11am | Ongoing open video screening-"Video on demand"--Visiting students and guests are invited to share their own work
Renéplex |
| 12:30pm | Buffet Lunch |
| 1:30pm | Guest screening of the work of Koji Yamamura with filmmaker in attendance Theatre 1 |
| 1:30pm | Guided tour of NFB Archives & Vaults Meet at Renéplex |
| 1:30pm | Ongoing Open video screening-"Video on demand"--Visiting students and guests are invited to share their own work Renéplex |
| 1:30pm | Preview of our new web-based activities (Repeat of 11am event) ACI East Conference Room |
| 2:30pm | Tour of animation studios with demonstrations by various animation directors of their production process Meet at ACI East Conference Room |
| 3pm | Screening of recent NFB Animation (Repeat of 11am event) Theatre 1 |
| Tuesday 23rd October Concordia University | |
| 9:30am | registration |
| 9:45am | opening |
| 10am | Asian Panel I
David Ehrlich Ganghis Khan: two animated studies from The Secret History of the Mongols Shannon Rogers Havoc in Heaven: Bridging the Gap between tradition and modernization Ellen Sugar Murder and the Exploitation of Women: animation by Kireet Khurana |
| 11:45am | break |
| 12pm | Panel Animation, Economics and Politics I
Keith Bradbury How Scooby Doo taught Australia to Bark: Multi-national animation and the Australian animation industry Nasser Golmohammadi Animation in Iran as a cultural, political and sociological exigency Masao Yokota and Masashi Koide Economical failure and success in feature animations of Mamoru |
| 1:45pm | lunch |
| 2:45pm | History panel
Michael Frierson UPA and the Carry Over Dissolve Joanna Bouldin Technologies of the Body and Politics of the Real: Race, Reality and the Rotoscope in Fleischer Animated Cartoons Brian Oakes Jam Handy Animation: Visualizing the invisible |
| 4:30pm | break |
| 4:45pm | Suzanne Buchan The Halas & Batchelor and Bob Godfrey
special presentation and discussion about archives |
| 5:30pm | Diner break |
| 7pm | programme Cinémathèque Québécoise |
| Wednesday 24th october Concordia University | |
| 9:30am | Technology panel
Mark Langer The End of Animation History Deanna Morse, Experimental Animation: Creating A DVD Doug Ward A Short Animated History And Analysis of CD-I |
| 1:15am | break |
| 11:30am | Panel Narrative and Form
Suzanne Buchan Neoformalist Analysis and the auteur Animation Film Martin McNamara Reverse Chronology in Animated Narrative Richard Leskosky The Title of the cartoon is the title of my talk |
| 1.15pm | lunch |
| 2:15pm | Society for Animation Studies General Meeting
members only |
| 3:15pm | break |
| 3:30pm | Panel Childhood and adulthood
Gonen Hacohen Simpsons: Semiotics analysis of primetime =animation satire Miriam Harris The Dynamite in the Diaper: Animation’s Coexistence of Child and Adult Fare Jose Capino Filthy Funnies: notes on the aesthetics of animated pornography |
| 5:15pm | diner break |
| 7pm | Programme Cinémathèque Québécoise |
| 9:30pm | Get-together with ASIFA Canada |
| Thursday 25th October Concordia University | |
| 9:30am | Asian panel II
John Lent & Xu Ying Six Oldtimers and a couple of youngsters: interviews with Chinese animators Rist/Zhan/Smith Chinese water-colour animation Yuk Ting Chan Animation and the Cinematic |
| 11:15am | break |
| 11:30am | Animation, Economics and Politics Panel II
Gigi Ho Tze Yue Usurping the Cinematic Screen - Prince of the Sun: The Great Adventures of Hols (1968) Roger Palmer Is academy and graphic art training still relevant in the now booming Australian animation industry? |
| 12:45pm | Norman McLaren - Evelyn Lambert Award Ceremony |
| 1:15pm | lunch |
| 2:15pm | Special Norman McLaren Panel
Terence Dobson The Good, the Bad and the Beautiful Eliane Dobson McLaren, the musician |
| 4pm | farewell |
© 2001 SAS/Animation World Network