One of the most important things about being an animator is being able to notice physical and emotional actions in people. Animation Foundation have some thoughts on how you can do this.
Sharon Schatz profiles the big name talent -- Elton John, Tim Rice, Hans Zimmer and John Powell -- behind The Road to El Dorado and finds how music and art are carefully crafted into one.
Iain Harvey traveled to the International Film Festival at Rotterdam and was treated to a nice surprise -- an intelligent animation program married to a live-action festival.
This year's NATPE was a decidedly different conference as television executives mingled with new and interactive media upstarts. Bruce Johansen, President of NATPE, discusses this new trend.
DreamWorks SKG is seeking box-office gold with their new film, The Road to El Dorado. J. Paul Peszko goes behind the scenes to reveal a new production process, a new type of artist and why this film might just reach the promised land.
Maureen Furniss takes a critical look at the five films that were shortlisted for Oscar consideration but not nominated: The Indescribable Nth, Monsieur Pett, Village of Idiots, Silence and Fractured Fairy Tales: The Phox, the Box and the Lox. Includes QuickTime clips!
Computer graphics veteran Jeff Kleiser attended Imagina 2000 in France and reports back on the thought-provoking experience.
Alyson Carty & Chris Robinson offer an indepth look at Alexander Petrov's IMAX spectacular, The Old Man and The Sea.
Karl Cohen investigates the appeal of Spike and Mike's Sick and Twisted Festival and gives homage to the two men who helped create this strange film aesthetic.
Fred Patten reviews Robin Allan's new book, Walt Disney and Europe; European Influences on the Animated Feature Films of Walt Disney, and discovers that Allan delves far beyond the obvious nature of the title.
Paul Younghusband reviews CG 101, a general, but detailed, book which covers a wide range of topics, from visual effects techniques, to terminology, job descriptions and visual effects history.
Fantasia/2000 definately pushes the technical limits of animation, creating visuals we have never seen before. As a special treat, David Bossert, the film's artistic coordinator and visual effects supervisor, takes us deep into the process.
John Canemaker remembers his friend and associate Faith Hubley, whose inspiration ranged far wider than her magical, Oscar-winning filmed images.
Ruth and Roger Whiter were lucky enough to meet Ray Harryhausen for tea and a chat about his career, the craft of stop-motion and the value of careful planning.
Within the world of animation, most experimentation occurs within short format productions, whether they be high budgeted commercials, low budgeted independent shorts, or something in between. The growing number of short film festivals around the world attest to the vitality of these works, but there are few other venues for exhibition of them or even written reviews. As a result, distribution tends to be difficult and irregular. On a regular basis, Animation World ...
Rick DeMott traveled to the Universal Studios Hollywood Terminator 2 3D attraction and reveals that the thrill factor is high.
As Jacquie Kubin relates the gaming industry is seeking more and more animators as new systems raise the aesthetic bar, making games faster, more realistic and well, animated.
Paul Younghusband reviews The Art and Science of Digital Compositing which delves into the artistic and scientific techniques used to blend multiple 2D elements seamlessly.
Pixar does it again! In a sequel many are calling better than the first (is this possible?!), the Toy Story gang is back in theaters. Karl Cohen paid a visit to the studio and spoke with the film's directors and producers. A real treat.
When a small Italian village hosted the Matita International Animation Film Festival, they presented a lot of big ideas for all who participated. Animation World's Annick Teninge was there.
Fred Patten reviews this beautiful text that goes behind the scenes of Hayao Miyazaki's Princess Mononoke.