The British Animation Awards brought the U.K. animation population out for the night. Andrew Osmond was there and reports with this colorful scrapbook.
Jacquie Kubin reveals why edutainment is not elementary, when she investigates the new CD-Rom, Miss Spider's Tea Party, based on David Kirk's children's book.
Annick Teninge journeyed to televisions festival in Positano, Italy, only to find that they were talking about (what else?) but the Internet.
Every employer wants to find the right person. Targeting the companies you are interested in, learning about their operations and future plans, is an important step in landing the job you really want. Your diligent research will pay off in the interview because you will impress them by your knowledge and enthusiasm for their company - you know how you can contribute.
While the weather might be cold, wet and rainy, Vancouver has turned into a hotbed of animation activity. Schools, festivals and a wide range of companies have all taken root on Canadas west coast. Leslie Bishko reports.
As Renegade Animation brings the age-old character Elmo Aardvark to the Web, we cut in on SnappyToons Amusement Company executive Will Ryan announcing this new endeavor.
Bob Miller interviews Frank Welker, a voice over legend. From cartoons to live-action, it is guaranteed you have heard his voice and probably not even realized. Was that a real parrot, dog, pig or Frank? Includes filmography.
Toy Fair 2000 bombarded buyers with 5-days of non-stop showroom tours featuring the latest and greatest in gadgets, games and action figures. Joseph Szadkowski reports on what's hot.
Christopher J. Robinson reviews Karen Mazurkewichs Cartoon Capers, which covers the long and exceptionally diverse history of Canadian animation.
F. Rank Shaughnessy gives us a sneak peek at his book which outlines the evolution of Elmo Aardvark, including the characters long-standing presence in Internet culture.
One of the most important things about being an animator is being able to notice physical and emotional actions in people. Animation Foundation have some thoughts on how you can do this.
Computer graphics veteran Jeff Kleiser attended Imagina 2000 in France and reports back on the thought-provoking experience.
Alyson Carty & Chris Robinson offer an indepth look at Alexander Petrov's IMAX spectacular, The Old Man and The Sea.
Sharon Schatz profiles the big name talent -- Elton John, Tim Rice, Hans Zimmer and John Powell -- behind The Road to El Dorado and finds how music and art are carefully crafted into one.
Iain Harvey traveled to the International Film Festival at Rotterdam and was treated to a nice surprise -- an intelligent animation program married to a live-action festival.
This year's NATPE was a decidedly different conference as television executives mingled with new and interactive media upstarts. Bruce Johansen, President of NATPE, discusses this new trend.
DreamWorks SKG is seeking box-office gold with their new film, The Road to El Dorado. J. Paul Peszko goes behind the scenes to reveal a new production process, a new type of artist and why this film might just reach the promised land.
Maureen Furniss takes a critical look at the five films that were shortlisted for Oscar consideration but not nominated: The Indescribable Nth, Monsieur Pett, Village of Idiots, Silence and Fractured Fairy Tales: The Phox, the Box and the Lox. Includes QuickTime clips!
Karl Cohen investigates the appeal of Spike and Mike's Sick and Twisted Festival and gives homage to the two men who helped create this strange film aesthetic.
Fred Patten reviews Robin Allan's new book, Walt Disney and Europe; European Influences on the Animated Feature Films of Walt Disney, and discovers that Allan delves far beyond the obvious nature of the title.
Paul Younghusband reviews CG 101, a general, but detailed, book which covers a wide range of topics, from visual effects techniques, to terminology, job descriptions and visual effects history.
Fantasia/2000 definately pushes the technical limits of animation, creating visuals we have never seen before. As a special treat, David Bossert, the film's artistic coordinator and visual effects supervisor, takes us deep into the process.