The Digital Eye: Why Storyboards Still Work
In response to a previous Digital Eye column on why storyboards dont work, veteran previs artist Peter Rubin offers a counter argument about why they are not obsolete.
In response to a previous Digital Eye column on why storyboards dont work, veteran previs artist Peter Rubin offers a counter argument about why they are not obsolete.
Alain Bielik recounts how Cinesite (Europe) recreated the legendary death scenes in the remake of The Omen using state-of-the-art digital technology.
Alain Bielik discovers how Mainframe altered its design process to achieve more realistic MoCap for Tony Hawk in Boom Boom Sabotage.
Philippe Moins turns the pages on Astix film production history to offer perspective for the latest animated feature, Astix et les Vikings, moving across European theaters.
Alain Bielik dives into latest state-of-the-art fluid simulation advances and other CG modeling breakthroughs for Poseidon.
Taylor Jessen reviews five short films Fable by Daniel Sousa, Arrest Assured by Michael McCormick and Robert Taylor, Sunday Party by Sirirat Thawilvejakul, No Room for Gerold by Daniel Nocke, Never Like the First Time! by Jonas Odell, and. Includes QuickTime movie clips!
For the third year in a row, Rick DeMott travels across town to E3 to uncover the secrets to the future of gaming.
Rick DeMott reviews the second version of the previsualization software FrameForge 3D, and reports that Innoventive Software is giving users what they want.
In the latest excerpt from Learning Maya 7 | Foundation, Marc-AndrGuindon and Cathy McGinnis finish mapping the orb.
Philippe Moins turns the pages on Astix film production history to offer perspective for the latest animated feature, Astix et les Vikings, moving across European theaters.
Bill Desowitz surveys some of the highlights of NAB2006 and isnt keeping what happened in Vegas a secret.
Christopher Harz attends the biggest and baddest GDC ever and tells us what he found with contributions from Dominic Cianciolo.
Raquel Benitez Rojas attended the 10-year anniversary of Cartoons on the Bay 2006 to witness an important showcase of the best television animation has to offer.
In this months Mind Your Business, Mark Simon tackles the ins and outs of a freelancers dreaded necessity invoicing.
Taylor Jessen reviews five short films Dragon by Troy Morgan, The Love Train by Eva Bennett, A Plan by Tom Schroeder, Stasis by Jason Hite and Vaudeville by Chansoo Kim. Includes QuickTime movie clips!
Janet Hetherington looks at how advancements in technology are providing new ways for architects to design, plan and build the places where we live, work and play. Includes a QuickTime clip!
Tara DiLullo talks with Tippett Studios Tom Schelesny about the transformation vfx that transpire in Disneys The Shaggy Dog.
Taylor Jessen reviews five short films Clara by Van Sowerwine, Fumi and the Bad Luck Foot by David Chai, Book of Visions by Annie Poon, The Boy with No Name by Adam Smith and The Flooded Playground by Lisa Crafts. Includes QuickTime movie clips!
Chris Robinson digs up It Pains Me to Say This by George Griffin for close inspection in this months Animators Unearthed.
Tara DiLullo tackles the vfx commercials, which wowed viewers during Super Bowl XL, to see how the top artists scored such magic.
Mary Ann Skweres shoveled her way through the snow and crowds of Sundance to discover the spotlight on animation.
VFXWorld presents the first excerpt from Learning Maya 7 | Foundation from Alias|Learning Tool. This excerpt begins a close-up look at how to animate a polygonal orb.
Taylor Jessen reviews five short films One Man Band by Andrew Jimenez and Mark Andrews, Badgered by Sharon Colman, Imago by Cedric Babouche, The Dentist by Signe Baumane and The Wraith of Cobble Hill by Adam Parrish King.Includes QuickTime movie clips!