Despite having the superhero in the title, this animated feature seems less like the Dark Knight’s story and more like that of James Gordon, who at this time is new to the Gotham police department. Based on what is hailed as a seminal comic series from writer Frank Miller and artist David Mazzucchelli, the transition from the page to the screen is faithful, but also highlights the differences between mediums.
Article Type: Review
Visually this is one of the better looking DC Direct animated titles. The 1080p/AVC-encoded transfer contains a muted color palette that sets the somber mood. Neon signs pop, while not creating digital interference. Banding issues that have been on all of the DC Direct titles are reduced and are only visible if you're really looking for them. The 2D animation is cleanly presented, but the integration of cel-painted CG does stick out because of the sharpest (and movement). Other digital problems are minor and like I said of the banding, you really have to be looking for it.
Certainly one of the very best films of the year, now is one of the very best Blu-ray releases of 2011. Fox's 1080p/AVC-encoded transfer captures every nuance of Emmanuel Lubezki's poetic cinematography. Shot in both 35 and 65mm, the picture has the filmic grain expected for a film that was made with natural light. The noise, however, is light and never dampens details. Colors are are a heightened natural feel, almost painterly. Blacks are deep and rich. The big bang sequence shines with an even richer color palette. The lava explosions glow with rich reds. The CG dinosaurs blend perfectly into the soulful imagery. Digital issues are non-existent.
A compilation of essays on women in animation, Tricky Women: Women In Animation is a very welcome addition to current critical writing on the subject.
Last Saturday the VES hosted its third annual Production Summit, this time at the quaint Montage Hotel in Beverly Hills. Despite all about VES 2.0 and the Bill of Rights to help facilitate quality of life improvements for artists and VFX companies, the purpose was to address the paradigm shift going on and to discuss better biz practices.
It’s not surprising that George Clooney would make a political film. What might be surprising is how cynical the film is about our political process. For sure Clooney works in liberal ideas, but it’s not the point. His character just happens to be a Democrat. The political policies his character talks about easily be switched to the other side and it wouldn’t change the central theme, which is that politics is completely compromised with flawed humans looking out for themselves.
This film is not based on Rock 'Em Sock 'Em Robots. Now that we got that out of the way, we can find out what this film is really about. One could claim though that this film is based on a dozen previous boxing movies such as ROCKY and THE CHAMP.
From the moment the sun rises over the savanna and we hear the African chant, THE LION KING grips the audience's attention. Combining fable with Greek tragedy, this film has a serious undertone that many Disney animated features do not have. The studio dealt with the death of a parent before, but not like this. This is a world with real consequences, which is the basis to all classic children's tales and what makes this film not just for the kids.
This 1080p/AVC-encoded Blu-ray is about as good as it gets. On it's picture and audio alone, it's one of the must-own Blu-rays of the year. From the first moment when the sun rises over the savanna, the richness of color is impressive. Black levels are solid as well. Details really make the artistry of the animation stand out. During the wildebeest stampede, nothing gets lost in the chaos as dust swirls around the air. The fires at the end with their striking reds, yellows and oranges make a powerful impact. The presentation is clean from both dust and digital anomalies.
This restoration of the Disney classic is brought to Blu-ray in a 1080p/AVC-encoded transfer exquisitely. Unlike some restorations, this one doesn't turn the hand drawn feature into something that looks like TV animation. The subtleties remain, especially in the watercolor backgrounds, where the artists' touch really pops in hi-def. Color is a huge element in this film and the range is kept under control in that nothing seems unnaturally bright. Black levels are inky. Digital anomalies are absent from the release as far as I saw, but others have pointed out some ringing.
A 27-year-old man is out jogging early in the morning. He stops for a traffic light. There are no cars in sight. Another runner races past him and crosses the intersection against the hand. The young man waits. He doesn’t drive or smoke or drink. He doesn’t seem like the kind of guy who would get a rare form of spine cancer.
What if you couldn’t trust your own thoughts? Curtis begins to believe this might be the case. He is starting to have dreams so vivid that he doesn’t know what is real and what was just in his head. Mental illness runs in his family. He seeks help, but is it enough to make him aware of the line between reality and his delusions?
I know it must be Ottawa Animation Festival time because it’s been roughly a year since my last verbal manhandling by an airport customs agent. Happy Anniversary! I seem to be a magnet for every disaffected flak vested agent looking to brush up on their 12-step time mismanagement drill.
How can you not be romantic about baseball? That's what Brad Pitt's Billy Beane says in this great baseball movie, which is more about the business of baseball than the game. And that said the film still does stir the desire to grab some peanuts, popcorn and Cracker Jack and head out to the ole ball game.
The economy of storytelling is the most impressive element of this slight animated feature. Following the poor performances of PINOCCHIO, BAMBI and FANTASIA, the lavish production values were toned down. Less spectacle but not less character. This story of an elephant with jumbo ears fills the big top with emotion in only 64 minutes.
If you have ever watched an animated film and wondered “How did they do that?” then Tobias Wengert’s ANIMATORS how did they do that? is the book for you. Wengert has transcribed in print his conversations with twelve diverse members of the Stuttgart, Germany animation community who reveal the secret techniques behind the magical images they create.
Albert Brooks' character was once a movie producer. He describes his films as action-filled and sexy. Once a critic described them as European, he says. I'd call this intense actioner European as well, but not for the same reasons. The action is precisely planned in bursts in an otherwise quiet film. The tone never shifts but depending on what is going on it can be ominous or romantic. It's artful and bloody. It's visceral and elegant.
What if upon your mother's death you learned that your father was still alive and that you had a brother you never knew about? Then you were asked to find them. Through the process you learn shocking details of your mother's past. What if the woman that always seemed a little weird was actually a legend in her native country?
Mostly filmed using natural light, this Oscar nominated film benefits greatly from the detail of this 1080p transfer. Andre Turpin's cinematography could have come off dim and murky in a bad transfer or heaven forbid DVD, but this first rate job has keep its visual integrity. The color palette is natural and the black levels are solid. The natural lighting does dampen the crispness of the image, but that doesn’t mean details don’t pop.
Saturday morning at the movies, watching a cartoon – what could be more reminiscent of the joys of childhood? Well, the cartoon this particular Saturday morning (September 10, 2011) was not exactly the kind of matinee I used attend back in Brooklyn when the theaters had ‘matrons’ who kept the kiddie section in line. Today I’m wearing polarized lenses and watching Disney’s upcoming 3D re-release of The Lion King.
This film is a germaphobe's worst nightmare. You'll finish watching this movie and want to wash your hands. There have been other disease outbreak films before, but none have been this realistic, which of course makes it more frightening.
This Blu-ray looks amazing. Sony's AVC encoded 1080p transfer is as flawless as you can get. The colors are vibrant and evocative. Toward the end of the film the picture takes on a warm glow, which is fitting in context. There isn't a single digital anomaly due to compression anywhere to be seen. Details are crisp. Even dust kicked up by trucks in the African sequences have nuance. Beautiful is the most fitting way to describe the picture quality. Cinematographer Morten Søborg should be enthralled with the way his film looks.
The original Danish title is directly translated as "The Revenge." I feel the American title is more fitting in that it encapsulates the humanistic ideals the film portrays. However, the original title reflects the real world that we live in. Director Susanne Bier puts her main character's ideals up against the harsh realities that he is forced to deal with.
This remake of a 1973 TV movie has all the classic haunted house qualities. Gothic location. Creaking doors. Dark halls. Secret rooms. Ominous help. Benevolent creatures living aside a family. By putting the youngest of the family at the center of the story, the film develops an inherent tension. The issue is how long can you buy this little girl in peril?