Geographical Region: North America
Anima Mundi Web is Brazil's international animation Web competition.
The event is open to all countries and work must be in Flash and gif
formats. The festival will pre-select 20 animations and an
international jury will vote for the winners. The international jury
will consist of the people that have registered on the Anima Mundi
Festival Web site. The deadline for entries is June 1, 2000. The
winners will be announced on the closing night of the Anima Mundi
TAIS member Cathy Schmidt will be giving a demonstration of Flash
Animation on Thursday, May 25, 2000 at 7:30 p.m. at the InterAccess
Electronic Media Arts Centre, in Toronto, Canada. Admission is free
for TAIS members, everyone else CA$10.00. Seating is limited and
participants must register by sending an e-mail to Cathy at
firstname.lastname@example.org. TAIS also presents "Timing For Animation" with
Greg Duffell. The event will take place on June 7, 2000 at 8:00 p.m
May means "Recruiting & Jobs" at Animation World Magazine. Check out
these special feature articles:
- Tom Sito, M.P.S.C. 839 President, Answers The Tough Questions
With all the hubbub recently in Los Angeles about artists being out
of work, runaway productions and the well attended PBS affiliate
station picket, Heather Kenyon sat down with Tom Sito to talk...
- Picketing In Front of PBS! Just Blame It On Canada?
Anima Mundi Web is Brazil's international animation Web competition. The event is open to all countries and work must be in Flash and gif formats. The festival will pre-select 20 animations and an international jury will vote for the winners. The international jury will consist of the people that have registered on the Anima Mundi Festival Web site. The winners will be announced on the closing night of the Anima Mundi Festival in Rio de Janeiro on July 23. The deadline for entries is June 1, 2000. For judging go to www.animamundiweb.com.br.
The Second Annual Ajijic Festival de Cine is inviting both students as well as professionals to submit their entries in the categories of animation, documentaries, independent and studio produced feature films, short subjects and screenplays. The event will be held in Ajijic, Mexico from Wednesday, November 8 to Sunday, November 12, 2000. "The emphasis of this festival as it was with our inaugural effort last year, will be the celebration, discovery and recognition of talent from around the world," said James E. Lloyd, Chairman of the Festival's Board of Directors.
The 10th Annual Sensual & Erotic Art Exhibition will happen July 13-15, 2000 in Reno, Nevada, USA. The show is open to all artists using animation as their primary medium in the category of erotic art. This year's exhibition will focus on challenging works by promising new talent in this medium. For applications and guidelines call or send a SASE to: The Lifestyles Organization, Attn.: Curator, 2641 W. La Palma Ave. Ste C, Anaheim, CA 92801, USA; tel.: (714) 821-1235; fax: (714) 821-9919; e-mail: email@example.com.
Slaying the competition at the U.S. box office, DreamWorks' GLADIATOR easily finished in the top spot. The Roman action epic, with primary special effects by Mill Film Ltd., grossed a Goliath US$34.82 million, which is nearly the combined gross of the rest of the top ten films. GLADIATOR dethroned two-week box office champ U-571, which fell to second. The Universal World War II submarine story grossed another $7.77 million bringing its total theatre receipts to $49.59 million. Despite horrid reviews from about every source, THE FLINTSTONES VIVA ROCK VEGAS managed to finish in third place.
On Sunday, May 7, 2000 in Fredrikstad, Norway, the Nordic and Baltic Animation Festival Fredrikstad called to an end its five-day festival. The Oscar award nominated MY GRANDMOTHER IRONED THE KING'S SHIRTS took home two awards at the festival. The jury consisted of Marjut Rimminen (Finland/U.K.), Konstantin Bronzit (Russia), Sven Påhlsson (Norway), Richard R. Reeves (Canada) and Cory Wynne (U.S.A.). The festivals focus is to promote the screening and better understanding of animation.
Disney has signed a new multiyear book licensing deal with Random House Inc. which sees the end to its 70-year relationship with Golden Books Family Entertainment. The golden spined children's books, which have graced the shelves of bookstores to grocery markets, will no longer feature Disney characters. The decision to sign with Random House came after the terms of their deal with Golden Books were not profitable. The financial terms of the five-year deal were not disclosed due to competitive reasons.
Nelvana Limited announced that it has filed with the Ontario Securities Commission to offer 3.75 million subordinate voting shares of the company in the U.S. and Canada. A portion of the money gained from the new offering will be used to repay loans for the purchase of Klutz Publishing, a leading U.S. childrens book publisher. The remainder of the funds will be used to pay off borrowings under the firms credit facilities. The producer of children favs BABAR and FRANKLIN is selling 3,684,032 shares and the remaining 65,968 shares are being sold by two unnamed shareholders.
* Thursday, May 11 Friday, May 12, 2000. North Hollywood, Calfornia, U.S.A.
The California Institute of the Arts, School of Film/Video is holding Showcase 2000, a chance for students to screen their films and videos. Films in character animation will be shown on May 11 at 9pm and experimental animation films will be shown on May 12 at 8pm. The event will be held at the Leonard H. Goldenson Theatre at the Academy of Television Arts & Sciences, 5230 Lankershim Blvd., North Hollywood. For more information call Tel.: (661) 253-7818.
A Canadian Television Fund (CTF) commissioned report calls for stiffer conflict-of-interest rules for the distribution of their CA$200 million in funds. Two reports, one by consultants François Colbert and David Silcox for CTF and one by KPMG for the Heritage Ministry, pointed out several serious administrative problems in the way Canadian funds are handed out to production companies. Both reports recommend that Telefilm Canada, a second government agency that helps fund and produce Canadian productions, should get out of the funding business and concentrate on producing feature films.
Independent film producers are calling foul over the amount of funds going to Quebec. French-language productions are guaranteed at least a third of the CA$200-million a year provided by the Canadian Television Fund (CTF) and Quebec-based film companies this year are receiving nearly 40% of the federal funds. Another sore point is that in years past Cinar Corp., the Montreal-based producer of childrens series, has received as much federal funding as the entire Alberta industry. Currently, Cinar is under investigation for using false Canadian names on scripts by U.S.