SensAble Technologies announced the release of version 3 of their FreeForm modeling system. The new release expands on the previous version's shape creation capabilities while maintaining the fundamental FreeForm touch advantage. When combined with the FreeForm system's unique ability to create complex blends and highly sculpted details, the result is a very powerful modeling solution. The new version also features new surface creation tools, which make the transition downstream to production easier then ever before.
Geographical Region: Europe
With international numbers trickling in due to the U.S. Thanksgiving holiday, it looks like CHARLIE'S ANGELS is charming audiences around the world. In its U.K. debut, ANGELS raked in a whopping US$4.52 million. After five-weeks in U.K. theatres, WHAT LIES BENEATH sunk to second, with a gross of $768,052, elevating its cume to $16.39 million. In fourth, BEDAZZLED danced in with $505,329, raising its U.K. cume to $3.92 million. LITTLE NICKY possessed 5th place, grossing $385,214, thereby growing its U.K. cume to $1.46 million.
December will feature articles based on the themes of location-based entertainment and anime. Karl Cohen is profiling Imax -- is animation's next frontier in peril? Also, Martin "Dr. Toon" Goodman will be discussing the past and future of LBE, specifically VR. On the anime side of things Fred Patten is going to review "Vampire Hunter D," the latest anime release to arrive on U.S. soil. Andrew Osmond is going to be interviewing a number of experts and scholars on the stylistic merits of Japanese animation. Be ready to put on your thinking cap before reading this one.
This week's updates to the Calendar of Events includes the 2nd "Art & Animation" Conference & Screenings in Torino, Italy, December 11-12, 2000; the 41st Monte Carlo Television Festival in Monaco, February 16-22, 2001; Cartoon Movie in Potsdam-Babelsberg, Germany, March 15-17, 2000; the World Education Market in Vancouver, Canada, May 21-24, 2001; L!CENSING 2001 in New York, June 12-14, 2001; and more!
On Sunday, November 19, 2000, the Holland Animation Film Festival concluded its five-day festival with the presentation of its awards. This year's event was the first to hand out an award for independent animation films. With this competition, the festival sets out to promote the short, artistic animation film, and, as a result, encourage media attention toward independent animation.
Affiliate animator Raimund Krumme won the German Film Prize, Gold, for short films, for his new short "The Message." The prize comes with a cash prize of DM 60.000 (approx. $50,000). "The Message" is a 6-minute film where the message, "He is back again" is passed on to many people until there is a discussion about who is back again; it was in competition at the Annecy, Ottawa, Cinanima and Holland festivals. Discover or rediscover Riamund's work in his gallery on AWN.
Saban International, the distribution division of Fox Family Worldwide, has promoted Julie Wineberg to senior VP of international sales and management, Tony Howe to VP of international business and legal affairs and Maria Torregrosa to VP of sales. Wineberg will increase her work with international Fox Kids channels while continuing to oversee all aspects of the division's day-to-day television sales administration. Previously, she served as VP of international sales management. Howe will continue negotiating and spearheading co-productions and distribution deals across all media worldwide.
* Thursday, April 5 Sunday, April 8, 2001. Taos, New Mexico, U.S.A. Entry Deadline: January 5, 2001.
SCARY MOVIE, WHAT LIES BENEATH and CHARLIE'S ANGELS all held strong at the international box office. In Italy, SCARY MOVIE debuted at #1 with a strong gross of US$2.28 million. Dropping a lofty 59%, X-MEN fell to sixth, grossing $466,646, thereby lifting its Italian cume to $4.1 million. In seventh, FREQUENCY channeled $460,570 in its Italian premiere. In France, SCARY MOVIE held onto the top spot with a gross of $2.32 million, raising its cume to $15.24 million. The French debut of SHAFT, therefore, had to settle for second, grossing $1.62 million.
The Holland Animation Film Festival concluded its five-day festival with the presentation of its awards. This year's event was the first to hand out an award for independent animation films. With this competition, the festival sets out to promote the short, artistic animation film, and, as a result, encourage media attention toward independent animation. This year's student jury included: Joan Ashworth (animation filmmaker, England), Henk Beumers (animation filmmaker, the Netherlands) and Menno de Nooijer (animation filmmaker, the Netherlands).
This month we are talking about everyone's pal - television. We are featuring a profile of veteran animation director and producer Eric Radomski. We are also taking a long hard look at primetime animation and trying to figure out what went wrong this year. In addition, we will showcase five shows that are extra special for many reasons. They include France's "Belphégor," Oxygen's "X-Chromosome," the U.K.'s "Butt-Ugly Martians," Tom Snyder Productions and Disney's "Teacher's Pet."
Cinanima 2000 finished its week of screenings with the presentation of its awards on Saturday, November 11, 2000. This year's grand prize winner was Michel Dudok Wit's "Father And Daughter," which also won the journalists' prize. In two categories the international juries awarded ties. Paul Driessen's "The Boy Who Saw The Iceberg" and Florence Miailhe's "Au Premier Dimanche D'Aout" both took the prize for best film between 7 and 21 minutes; Mark Van Der Maarel's "The Pinboard" and Vários' "Daddy And I" took home the best first film award.
Madrid, Spain's Animagic Studio, a traditional animation production company, is looking for a 2D ANIMATOR for a feature film. . . Morrisville, North Carolina's Random Games, a family-run video game company, is looking for 2D and 3D ARTISTS, an ART DIRECTOR and PROGRAMMERS. . . Edmonton, Alberta, Canada's Bioware Corp., award-winning game developer, is looking for a 3D MODELER/TEXTURER/SCENE MANAGEMENT and a CHARACTER ANIMATOR. . . Sucker Punch Productions, developers of character-based games, is looking for 3D MODELERS. . .
Santa Monica, California-based COMPUTERCAFE recently created a pair of 3D animated characters for two new spots for Nerf. In "BallZooka," a boy is pitted against a towering wrestler who looks like he could tear him limb from limb, but he uses his BallZooka, a motorized toy capable of rapidly firing Nerf balls, to pin his opponent to the canvas. In "Power Clip/Wildfire," another boy, armed with a Nerf Power Clip DX 100 Blaster, unleashes a barrage of foam darts that helps him defeat his silver super-speedy foe.
Over the past week at the international box office, DreamWorks' WHAT LIES BENEATH and Miramax's SCARY MOVIE have fought it out for global wealth. In the U.K., WHAT LIES over took the top spot by grossing US$2.98 million, thus pushing its 3-week U.K. cume to $12.28 million. Dropping 64% in its fourth full week, DINOSAUR fell to fourth in the U.K., with a gross of $1.44 million, escalating its cume to $17.44 million. In seventh, THE LITTLE VAMPIRE grabbed $670,689, growing its U.K. cume to $4.52 million. In Australia, WHAT LIES BENEATH's debut claimed first place with a gross of $1.72 million.
Cinanima 2000 finished its week of screenings with the presentation of its awards on Sunday, November 12, 2000. This year's grand prizewinner was Michel Dudok Wit's FATHER AND DAUGHTER, which also won the Alves Costa Award given by journalists at the festival. In two categories the international juries awarded ties. Paul Driessen's THE BOY WHO SAW THE ICEBERG and Florence Miailhe's AU PREMIERE DIMANCHE DAOUT both took the Class B Prize for best film between 7 and 21 minutes and Mark Van Der Maarel's THE PINBOARD and Vários' DADDY AND I took home the best first film award.
Aaronson Ltd. is seeking an EDITORIAL CARTOONIST for mid distribution start-up newspaper. . . Aileron, Inc. is looking for a CONTENT WRITER for a new Internet site focusing on cutting-edge cartooning technology. . . Sioux Falls, South Dakota's Animation Factory, a leading destination for animated clipart and media for Internet and multimedia presentations, is looking for 3D MODELERS/ANIMATORS. . . Aristocrat, a gaming software industry leader, is looking for a GAME DESIGNER, GRAPHIC ARTIST, SOUND ARTIST and VIDEO GRAPHIC ARTIST at their newest location in Tucson, Arizona. . .
Bill Plympton has updated his appearances page. In the upcoming months, his films will be appearing in various festivals and other events, including the Regensburg Short Film Week in Germany, November 17-25, 2000; Cinanima festival in Portugal, November 6-12, 2000; Puchon International Student Animation Festival, Korea, December 16-24, 2000; and the Animation Cinema Festival in Valencia, Spain, January 16-28, 2001.
The Holland festival will be held in Utrecht, November 15-19, 2000. Besides the official competition for Independent Short, Applied Animation and Student Films in Belgium & The Netherlands, this year the festival will offer a variety of retrospectives and special programs.
Turner Broadcasting System (TBS) has appointed three new staff members for its Rome Cartoon Network Italy office. Jaime Ondarza has been named marketing manager and will oversee the establishment of the Cartoon Network brand in Italy. Previous, Ondarza worked for international advertising agency Young & Rubicam. Andrea Castellari joins as sales director and will be in charge of the development of all commercial activities relating to Cartoon Network's channel and Website as well as work to strengthen the co-operation with Warner Bros. Consumer Products.
Nothing Real announced recently that their popular compositing tool Shake is now available on the Linux operating system. Version 2.3 is the company's first release to support the Linux platform, making Shake available on Windows NT, IRIX and Linux operating systems. The new release, which was Beta-tested by Cinesite Europe on the Linux platform, includes several new features and improvements. New color correction tools allow artists to color match different elements of source material quickly and easily. In addition, the new tools allow for selective color replacement.