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The cataclysmic events depicted in Fox's THE DAY AFTER TOMORROW, opening May 28, came alive with the help of previs provided by Crack Creative and visual computing technology leader NVIDIA.

EI Technology Group has launched Electric Image Animation System 5.5, an update to the cross-platform professional 3D animation application. It includes dozens of new features, including caustics, a built-in scripting tool, new shaders, HRDI support, an array of new Animation capabilities, new deformation tools and GrangerFX Plug-in support. The software also features Radiosity, multi-processor support, Match Move, Material Library System, Macromedia Shockwave support, unlimited network rendering, character animation tools, global illumination and more. It runs on Mac OS 9/X.

Cinesite (Europe) Ltd. has been awarded major visual effects and model contracts for a large slate of high profile films scheduled for release at the end of 2004 and 2005, including CHARLIE AND THE CHOCOLATE FACTORY (Warner Bros.), HARRY POTTER AND THE GOBLET OF FIRE (Warner Bros.), HITCHHIKER'S GUIDE TO THE GALAXY (Disney) and ALFIE (Paramount Pictures).

Jan Cilliers, a South African-born visual effects artist skilled in Discreet Flame and many other software tools, has joined the team at Click 3x. Cilliers most recently taught digital compositing at Escape Studios' School of Visual Effects in London. Previously, he spent eight months with the New York visual effects house Guava, where he worked on SINATRA: HIS VOICE. HIS WORLD. HIS WAY, a unique theatrical presentation that appeared at Radio City Music Hall last year.

Zoic Studios helped create the illusion of cold via 47 shots in which visible breath is seen in the Fox feature THE DAY AFTER TOMORROW, which opens May 28. Working in decidedly warmer temperatures then they were replicating, Zoic's team animated for three months perfecting the extensive breath scenes needed in a frozen New York. The shots were created using Maya, combustion and flame.

Zoic credits:

VFX producer: Raoul Y. BologniniVFX super: Rocco Passionino

Continuing its recent growth, Steele VFX has appointed Monique Eissing to the post of Henry artist. Eissing, who has been with the visual effects and finishing studio since 2001, previously served as Mac artist and assistant Henry artist.

"Monique is technically fluent in the art of visual effects," said Steele VFX ceo Jo Steele. "Her progress here has been astounding. Our clients love her subtle attitude, knowledge and willingness to take on any challenge."